Author: Richard Wagner
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Götterdämmerung (Twilight of the Gods), is the last in Richard Wagner's cycle of four music dramas titled Der Ring des Nibelungen (The Ring of the Nibelung, or The Ring Cycle or The Ring for short). It received its premiere at the Bayreuth Festspielhaus on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase Ragnarök, which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the Ring, however, Wagner's account diverges significantly from these Old Norse sources. (wikipedia.org) About the author Wilhelm Richard Wagner (22 May 1813 - 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung). His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs-musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, run by his descendants. His thoughts on the relative contributions of music and drama in opera were to change again, and he reintroduced some traditional forms into his last few stage works, including Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg). Until his final years, Wagner's life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment - particularly, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre. (wikipedia.org)
Siegfried & The Twilight of the Gods (Without Illustrations)
Author: Richard Wagner
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Götterdämmerung (Twilight of the Gods), is the last in Richard Wagner's cycle of four music dramas titled Der Ring des Nibelungen (The Ring of the Nibelung, or The Ring Cycle or The Ring for short). It received its premiere at the Bayreuth Festspielhaus on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase Ragnarök, which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the Ring, however, Wagner's account diverges significantly from these Old Norse sources. (wikipedia.org) About the author Wilhelm Richard Wagner (22 May 1813 - 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung). His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs-musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, run by his descendants. His thoughts on the relative contributions of music and drama in opera were to change again, and he reintroduced some traditional forms into his last few stage works, including Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg). Until his final years, Wagner's life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment - particularly, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre. (wikipedia.org)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Götterdämmerung (Twilight of the Gods), is the last in Richard Wagner's cycle of four music dramas titled Der Ring des Nibelungen (The Ring of the Nibelung, or The Ring Cycle or The Ring for short). It received its premiere at the Bayreuth Festspielhaus on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase Ragnarök, which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the Ring, however, Wagner's account diverges significantly from these Old Norse sources. (wikipedia.org) About the author Wilhelm Richard Wagner (22 May 1813 - 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung). His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs-musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, run by his descendants. His thoughts on the relative contributions of music and drama in opera were to change again, and he reintroduced some traditional forms into his last few stage works, including Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg). Until his final years, Wagner's life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment - particularly, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre. (wikipedia.org)
Siegfried Volume 3: Twilight of the Gods
Author: Alex Alice
Publisher: Archaia
ISBN: 9781608864201
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
A Hero Approaches. Alex Alice's Wagner-inspired graphic novel trilogy concludes! Siegfried, born of the love between a mortal man and a Valkyrie, is a young orphan being raised by Mime, one of the last of the dwarf-goblin Nibelungs, in a dark forest with only wolves for friends and family. While his foster parent only wants to live in peace and solitude, Siegfried yearns to discover who his real parents were and live amongst his own kind, not knowing that Odin, father of the Norse gods, has a destiny planned for him.. The conclusion to master storyteller Alex Alice’s Siegfried trilogy based off the old Norse legend and Wagner’s Ring of the Nibelung opera cycle, in which young Siegfried must face the great Dragon Fafnir, guardian of the Rheingold, and fight for the survival of the Land of Men.
Publisher: Archaia
ISBN: 9781608864201
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
A Hero Approaches. Alex Alice's Wagner-inspired graphic novel trilogy concludes! Siegfried, born of the love between a mortal man and a Valkyrie, is a young orphan being raised by Mime, one of the last of the dwarf-goblin Nibelungs, in a dark forest with only wolves for friends and family. While his foster parent only wants to live in peace and solitude, Siegfried yearns to discover who his real parents were and live amongst his own kind, not knowing that Odin, father of the Norse gods, has a destiny planned for him.. The conclusion to master storyteller Alex Alice’s Siegfried trilogy based off the old Norse legend and Wagner’s Ring of the Nibelung opera cycle, in which young Siegfried must face the great Dragon Fafnir, guardian of the Rheingold, and fight for the survival of the Land of Men.
Siegfied and the Twilight of the Gods - Illustrated by Arthur Rackham
Author: Richard Wagner
Publisher: Pook Press
ISBN: 9781446500231
Category :
Languages : en
Pages : 306
Book Description
In the second part of Margaret Armour's translation of possibly Wagner's best-known work 'The Ring of the Nibelung', the last two opera's in the cycle, 'Siegfried' and 'The Twilight of the Gods', are reproduced with colour plates by Arthur Rackham. Rackham's hauntingly dark illustrations, are perfectly suited to the drama - an epic story that charts the struggles of gods, heroes and mythical creatures loosely based on characters from the Norse sagas. Many of the earliest children's books, particularly those dating back to the 1850s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality, colour editions, using the original text and artwork so these works can delight another generation of children. About the Illustrator: Arthur Rackham (1867-1939) was one of the premier illustrators of the early 20th Century. He illustrated many books, the first of which was published in 1893. His humour, romance and soul made him the leading illustrator of the early twentieth century and his work is to be found in versions of almost every classic from Hansel and Gretel to The Tempest, from The Pied Piper to Peer Gynt. Characteristic of his work are gloomy forests of sinuous trees, nubile fairy maidens, and unsightly ogres and trolls. Throughout his career he developed a very individual style that was to influence a whole generation of children, artists and other illustrators. His haunting humour and dreamlike romance adds to the enchantment and fantasy of children's literature.
Publisher: Pook Press
ISBN: 9781446500231
Category :
Languages : en
Pages : 306
Book Description
In the second part of Margaret Armour's translation of possibly Wagner's best-known work 'The Ring of the Nibelung', the last two opera's in the cycle, 'Siegfried' and 'The Twilight of the Gods', are reproduced with colour plates by Arthur Rackham. Rackham's hauntingly dark illustrations, are perfectly suited to the drama - an epic story that charts the struggles of gods, heroes and mythical creatures loosely based on characters from the Norse sagas. Many of the earliest children's books, particularly those dating back to the 1850s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality, colour editions, using the original text and artwork so these works can delight another generation of children. About the Illustrator: Arthur Rackham (1867-1939) was one of the premier illustrators of the early 20th Century. He illustrated many books, the first of which was published in 1893. His humour, romance and soul made him the leading illustrator of the early twentieth century and his work is to be found in versions of almost every classic from Hansel and Gretel to The Tempest, from The Pied Piper to Peer Gynt. Characteristic of his work are gloomy forests of sinuous trees, nubile fairy maidens, and unsightly ogres and trolls. Throughout his career he developed a very individual style that was to influence a whole generation of children, artists and other illustrators. His haunting humour and dreamlike romance adds to the enchantment and fantasy of children's literature.
The Ring of the Nibelung
Author: P. Craig Russell
Publisher: Dark Horse Comics
ISBN: 1616554010
Category : Comics & Graphic Novels
Languages : en
Pages : 453
Book Description
The Eisner Award-winning series, finally collected in one volume, presents one of the grandest stories of Western civilisation, one of the most explosive epics in the history of comics. Giants plot against gods, who in turn tear human lovers apart, the lives of great warriors are ruined and countless people are slain in the name of love and gold. This re-telling of the Ring Cycle marks a new high point in the career of this true artist's artist, and features a lavish index of production notes, sketches and commmentaries.
Publisher: Dark Horse Comics
ISBN: 1616554010
Category : Comics & Graphic Novels
Languages : en
Pages : 453
Book Description
The Eisner Award-winning series, finally collected in one volume, presents one of the grandest stories of Western civilisation, one of the most explosive epics in the history of comics. Giants plot against gods, who in turn tear human lovers apart, the lives of great warriors are ruined and countless people are slain in the name of love and gold. This re-telling of the Ring Cycle marks a new high point in the career of this true artist's artist, and features a lavish index of production notes, sketches and commmentaries.
Siegfried
Author: Alex Alice
Publisher:
ISBN: 9781613982747
Category : Apocalypse in literature
Languages : en
Pages : 0
Book Description
A Hero Approaches. Alex Alice's Wagner-inspired graphic novel trilogy concludes! Siegfried, born of the love between a mortal man and a Valkyrie, is a young orphan being raised by Mime, one of the last of the dwarf-goblin Nibelungs, in a dark forest with only wolves for friends and family. While his foster parent only wants to live in peace and solitude, Siegfried yearns to discover who his real parents were and live amongst his own kind, not knowing that Odin, father of the Norse gods, has a destiny planned for him. The conclusion to master storyteller Alex Alice's Siegfried trilogy based off the old Norse legend and Wagner's Ring of the Nibelung opera cycle, in which young Siegfried must face the great Dragon Fafnir, guardian of the Rheingold, and fight for the survival of the Land of Men.
Publisher:
ISBN: 9781613982747
Category : Apocalypse in literature
Languages : en
Pages : 0
Book Description
A Hero Approaches. Alex Alice's Wagner-inspired graphic novel trilogy concludes! Siegfried, born of the love between a mortal man and a Valkyrie, is a young orphan being raised by Mime, one of the last of the dwarf-goblin Nibelungs, in a dark forest with only wolves for friends and family. While his foster parent only wants to live in peace and solitude, Siegfried yearns to discover who his real parents were and live amongst his own kind, not knowing that Odin, father of the Norse gods, has a destiny planned for him. The conclusion to master storyteller Alex Alice's Siegfried trilogy based off the old Norse legend and Wagner's Ring of the Nibelung opera cycle, in which young Siegfried must face the great Dragon Fafnir, guardian of the Rheingold, and fight for the survival of the Land of Men.
The Ring of the Nibelung
Author: Richard Wagner
Publisher: Penguin UK
ISBN: 0241305861
Category : Music
Languages : en
Pages : 708
Book Description
A superb new translation of one of the greatest nineteenth century poems: the libretto to Wagner's Ring cycle The scale and grandeur of Wagner's The Ring of the Nibelung has no precedent and no successor. It preoccupied Wagner for much of his adult life and revolutionized the nature of opera, the orchestra, the demands on singers and on the audience itself. The four operas-The Rhinegold, The Valkyrie, Siegfried and Twilight of the Gods - are complete worlds, conjuring up extraordinary mythological landscapes through sound as much as staging. Wagner wrote the entire libretto before embarking on the music. Discarding the grand choruses and bravura duets central to most operas, he used the largest musical forces in the context often of only a handful of singers on stage. The words were essential: he was telling a story and making an argument in a way that required absolute attention to what was said. The libretto for The Ring lies at the heart of nineteenth century culture. It is in itself a work of power and grandeur and it had an incalculable effect on European and specifically German culture. John Deathridge's superb new translation, with notes and a fascinating introduction, is essential for anyone who wishes to get to grips with one of the great musical experiences.
Publisher: Penguin UK
ISBN: 0241305861
Category : Music
Languages : en
Pages : 708
Book Description
A superb new translation of one of the greatest nineteenth century poems: the libretto to Wagner's Ring cycle The scale and grandeur of Wagner's The Ring of the Nibelung has no precedent and no successor. It preoccupied Wagner for much of his adult life and revolutionized the nature of opera, the orchestra, the demands on singers and on the audience itself. The four operas-The Rhinegold, The Valkyrie, Siegfried and Twilight of the Gods - are complete worlds, conjuring up extraordinary mythological landscapes through sound as much as staging. Wagner wrote the entire libretto before embarking on the music. Discarding the grand choruses and bravura duets central to most operas, he used the largest musical forces in the context often of only a handful of singers on stage. The words were essential: he was telling a story and making an argument in a way that required absolute attention to what was said. The libretto for The Ring lies at the heart of nineteenth century culture. It is in itself a work of power and grandeur and it had an incalculable effect on European and specifically German culture. John Deathridge's superb new translation, with notes and a fascinating introduction, is essential for anyone who wishes to get to grips with one of the great musical experiences.
Wagnerism
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429944544
Category : Music
Languages : en
Pages : 548
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Publisher: Farrar, Straus and Giroux
ISBN: 1429944544
Category : Music
Languages : en
Pages : 548
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
The Rhinegold & The Valkyrie. The Ring of the Niblung, part 1
Author: Рихард Вагнер
Publisher: Litres
ISBN: 504120568X
Category : Fiction
Languages : en
Pages : 355
Book Description
Publisher: Litres
ISBN: 504120568X
Category : Fiction
Languages : en
Pages : 355
Book Description
Battle of the Bulge, Vol. 3
Author: Hans Wijers
Publisher: Stackpole Books
ISBN: 0811713520
Category : History
Languages : en
Pages : 226
Book Description
• Story of elite German paratroopers during one of World War II's pivotal battles • Full of firsthand accounts from German soldiers and the Americans who opposed them • Details on hand-to-hand fighting in the bitter-cold winter conditions of the Ardennes forest
Publisher: Stackpole Books
ISBN: 0811713520
Category : History
Languages : en
Pages : 226
Book Description
• Story of elite German paratroopers during one of World War II's pivotal battles • Full of firsthand accounts from German soldiers and the Americans who opposed them • Details on hand-to-hand fighting in the bitter-cold winter conditions of the Ardennes forest
Rackham's Color Illustrations for Wagner's "Ring"
Author: Arthur Rackham
Publisher: Courier Corporation
ISBN: 0486319008
Category : Art
Languages : en
Pages : 75
Book Description
This edition of Rackham's images, widely regarded as the greatest representations of Wagner's drama, comprises 64 full-page color illustrations and 9 vignettes from Siegfried, The Twilight of the Gods, The Rhinegold, and The Valkyrie.
Publisher: Courier Corporation
ISBN: 0486319008
Category : Art
Languages : en
Pages : 75
Book Description
This edition of Rackham's images, widely regarded as the greatest representations of Wagner's drama, comprises 64 full-page color illustrations and 9 vignettes from Siegfried, The Twilight of the Gods, The Rhinegold, and The Valkyrie.