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Author: Alison J. Carr
Publisher: Routledge
ISBN: 1351977709
Category : Social Science
Languages : en
Pages : 122
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Book Description
Drawing on interviews with a breadth of different showgirls, from shows in Paris, Las Vegas, Berlin, and Los Angeles, as well as her own artworks and those by other contemporary and historical artists, this book examines the experiences of showgirls and those who watch them, to challenge the narrowness of representations and discussions around what has been termed ‘sexualisation’ and ‘the gaze’. An account of the experience of being ‘looked at’, the book raises questions of how the showgirl is represented, the nature of the pleasure that she elicits and the suspicion that surrounds it, and what this means for feminism and the act of looking. An embodied articulation of a new politics of looking, Viewing Pleasure and Being a Showgirl engages with the idea (reinforced by feminist critique) that images of women are linked to selling and that women’s bodies have been commodified in capitalist culture, raising the question of whether this enables particular bodies – those of glamorous women on display – to become scapegoats for our deeper anxieties about consumerism.
Author: Alison J. Carr
Publisher: Routledge
ISBN: 1351977709
Category : Social Science
Languages : en
Pages : 122
Get Book Here
Book Description
Drawing on interviews with a breadth of different showgirls, from shows in Paris, Las Vegas, Berlin, and Los Angeles, as well as her own artworks and those by other contemporary and historical artists, this book examines the experiences of showgirls and those who watch them, to challenge the narrowness of representations and discussions around what has been termed ‘sexualisation’ and ‘the gaze’. An account of the experience of being ‘looked at’, the book raises questions of how the showgirl is represented, the nature of the pleasure that she elicits and the suspicion that surrounds it, and what this means for feminism and the act of looking. An embodied articulation of a new politics of looking, Viewing Pleasure and Being a Showgirl engages with the idea (reinforced by feminist critique) that images of women are linked to selling and that women’s bodies have been commodified in capitalist culture, raising the question of whether this enables particular bodies – those of glamorous women on display – to become scapegoats for our deeper anxieties about consumerism.
Author: Linda Mizejewski
Publisher: University of Texas Press
ISBN: 0292756933
Category : Performing Arts
Languages : en
Pages : 403
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Book Description
“A totally engaging read [and] a fascinating look at the diversity and range of female comics . . . by an author who herself obviously has a sense of humor.” —Joanna E. Rapf, coeditor of The Blackwell Companion to Film Comedy Women in comedy have traditionally been pegged as either “pretty” or “funny.” Attractive actresses with good comic timing such as Katherine Hepburn, Lucille Ball, and Julia Roberts have always gotten plum roles as the heroines of romantic comedies and television sitcoms. But fewer women who write and perform their own comedy have become stars—and often they’ve been successful because they were willing to be funny-looking, from Fanny Brice and Phyllis Diller to Lily Tomlin and Carol Burnett. Pretty/Funny focuses on Kathy Griffin, Tina Fey, Sarah Silverman, Margaret Cho, Wanda Sykes, and Ellen DeGeneres, the groundbreaking women comics who flout the pretty-versus-funny dynamic by targeting glamour, postfeminist girliness, the Hollywood A-list, and feminine whiteness with their wit and biting satire. Linda Mizejewski demonstrates that while these comics don’t all identify as feminists or take politically correct positions, their work on gender, sexuality, and race has a political impact. The first major study of women and humor in twenty years, Pretty/Funny makes a convincing case that women’s comedy has become a prime site for feminism to speak, talk back, and be contested in the twenty-first century.
Author: Tom De Haven
Publisher: Diversion Books
ISBN: 1938120779
Category : Fiction
Languages : en
Pages : 540
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Book Description
Book One of the Funny Papers Trilogy, De Haven’s dazzling tour of twentieth-century America, FUNNY PAPERS chronicles cartoon icon Derby Dugan's beginnings in the rough-and-tumble world of yellow journalism in turn-of-the-century New York, when Hearst and Pulitzer owned tabloid America. The aptly named Georgie Wreckage, a sketch artist for Pulitzer's daily World, rockets to fame as the creator of what becomes a hugely successful cartoon franchise.
Author: HowExpert
Publisher: HowExpert
ISBN: 1647587239
Category : Performing Arts
Languages : en
Pages : 64
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Book Description
• Learn how to become a professional burlesque dancer, with clear detailed steps illustrated by real-life examples of famous performers from the 20th century and current stars, and beneficiate from a former performer’s insight • Discover the legends of the art form and its origins, find out what kind of performer you want to become, enter a world of glamour and glitter you never suspected existed • Practice the basics of burlesque dancing with step-by-step explanations of moves, poses, walks, and a detailed analysis of famous classic burlesque routines like the fan dance • Read tutorials on how to create or customize your own costumes and props, learn how to style your hair like a burlesque starlet, try out professional make-up tips to look your best onstage • Develop your first burlesque routine with clear advice and examples on themes and songs, find out how the pros rehearse backstage to dazzle onstage • Get useful advice to interact with your audience and make the most of your first time performing a burlesque routine at an event, looking every inch the professional • Find out tips on getting your first burlesque bookings and the fees you might expect, and learn how you can develop your career and start working as a professional burlesque dancer full-time About the Expert Emilie Declaron is a content writer and literary translator with over ten years of experience. She speaks five languages including English, French and Bulgarian, and currently works all over the world. Emilie performed as a burlesque dancer in her twenties, mostly in the UK where she lived but also in continental Europe. She ran her own burlesque show from 2012 to 2015, the Lady Loco events in the North East of England, and also organized one-off variety events in various venues. She still is an avid supporter of the scene and follows closely any recent development in the burlesque world. HowExpert publishes quick 'how to' guides on all topics from A to Z by everyday experts.
Author: Gerald Nachman
Publisher: Pantheon
ISBN: 0307490726
Category : Social Science
Languages : en
Pages : 688
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Book Description
The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger: • Mort Sahl, of a new political cynicism • Lenny Bruce, of the sexual, drug, and language revolution • Dick Gregory, of racial unrest • Bill Cosby and Godfrey Cambridge, of racial harmony • Phyllis Diller, of housewifely complaint • Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations • Stan Freberg and Bob Newhart, of encroaching, pervasive pop media manipulation and, in the case of Bob Elliott & Ray Goulding, of the banalities of broadcasting • Mel Brooks, of the Yiddishization of American comedy • Sid Caesar, of a new awareness of the satirical possibilities of television • Joan Rivers, of the obsessive craving for celebrity gossip and of a latent bitchy sensibility • Tom Lehrer, of the inane, hypocritical, mawkishly sentimental nature of hallowed American folkways and, in the case of the Smothers Brothers, of overly revered folk songs and folklore • Steve Allen, of the late-night talk show as a force in American comedy • David Frye and Vaughn Meader, of the merger of showbiz and politics and, along with Will Jordan, of stretching the boundaries of mimicry • Shelley Berman, of a generation of obsessively self-confessional humor • Jonathan Winters and Jean Shepherd, of the daring new free-form improvisational comedy and of a sardonically updated view of Midwestern archetypes • Ernie Kovacs, of surreal visual effects and the unbounded vistas of video Taken together, they made up the faculty of a new school of vigorous, socially aware satire, a vibrant group of voices that reigned from approximately 1953 to 1965. Nachman shines a flashlight into the corners of these comedians’ chaotic and often troubled lives, illuminating their genius as well as their demons, damaged souls, and desperate drive. His exhaustive research and intimate interviews reveal characters that are intriguing and all too human, full of rich stories, confessions, regrets, and traumas. Seriously Funny is at once a dazzling cultural history and a joyous celebration of an extraordinary era in American comedy.
Author: Scott Cherney
Publisher: Lulu.com
ISBN: 1411646967
Category : Humor
Languages : en
Pages : 180
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Book Description
King Kong's back in New York...The Lone Ranger rides again...but first, a word from our sponsor...CHOCK FULL O' PRUNES(Now that's what I call FAST food...)All this and more from the mind of Scott Cherney, this hilarious collection of non-royalty comedy sketches, gags and blackouts are perfect for any comedy revue, vaudeville or variety show. Now THAT'S Funny! also provides a running commentary by the author with a brief history of the creation of each sketch.
Author: Vincent Youmans
Publisher:
ISBN:
Category : Choruses, Secular (Unison) with orchestra
Languages : en
Pages : 8
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Book Description
Author: Barbara W. Grossman
Publisher: Indiana University Press
ISBN: 9780253207623
Category : Biography & Autobiography
Languages : en
Pages : 312
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Book Description
A brilliant comic, Fanny Brice had a significant impact on a field that had been predominantly male, proving that the term "funny womanwas not an oxymoron.
Author: Dan Lalande
Publisher: McFarland
ISBN: 147664974X
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
This work offers a critical examination of 130 commercially-released film comedies of the 1970s. It considers the socio-political circumstances of each year of the decade, then critiques each film released that year with a focus on its effect on the film industry and the art of big screen comedy, as well as the emergence of talents whose work influenced (or was influenced by) the zeitgeist of the decade. Covering popular titles like M*A*S*H, Blazing Saddles, American Graffiti, The Bad News Bears, Smokey and the Bandit and many more, it argues that the 1970s may rightly be considered the last golden age of film comedy.
Author: Jerry Adler
Publisher: Simon and Schuster
ISBN: 1632281201
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
This must read is your golden ticket to a trip down memory lane with of one of Hollywood's most iconic actors. . . Who almost turned down his iconic role on The Sopranos because he could not sing? Did Katharine Hepburn really build the Uris building? How did a simple handshake with President Kennedy almost end in disaster? In his debut memoir, Too Funny for Words, Jerry Adler reveals all for the first time! In his career as a theater director, producer, and actor that has spanned over 70 years, Adler has certainly had his fair share of laughs, and is ready to take readers on a reminiscent journey of Hollywood tales past. With numerous stories to tell, each funnier than the last, sit back and enjoy a trip behind the scenes. Including unforgettable stories about: Paul Rudd, Robin Williams, Meryl Streep, Larry David, James Gandolfini, Alan Arkin, Woody Allen, JFK, Marilyn Monroe, Barbra Streisand, Joe Pesci, Paul Reiser, George Clooney, Richard Burton, Richard M. Nixon, Katharine Hepburn, Julie Andrews, Orson Welles, and many, many more!
