Author: Gordon Sinclair
Publisher: McClelland & Stewart Limited
ISBN: 0771080832
Category : Social Science
Languages : en
Pages : 434
Book Description
When J.J. Harper of the Island Lake Tribal Council was fatally shot on a wintry Winnipeg street in 1988, the city police department was quick to absolve the officer involved from all blame. Less than a day after the shooting, Police Chief Herb Stephen announced that Harper had died during a struggle for Constable Robert Cross’s gun. But the truth was not so cut and dried. Far from closing the case, Stephen’s remarks were just the start of this dramatic tale of sex, death, threats, flimsy charges, and a police force so out of control that a prominent lawyer, a senior Crown attorney, and a respected journalist all had reason to suspect they were being watched by the police. Pursued doggedly byWinnipeg Free Presscolumnist Gordon Sinclair Jr., the stranger-than-fiction story of the shooting of J.J. Harper points a finger at the growing disaster of race relations and policing in Canada’s inner cities.
Shooting Cowboys and Indians
Author: Andrew Brodie Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
Academics have generally dismissed Hollywood's cowboy and Indian movies - one of its defining successful genres - as specious, one-dimensional, and crassly commercial. In Shooting Cowboys and Indians, Andrew Brodie Smith challenges this simplistic characterization of the genre, illustrating the complex and sometimes contentious process by which business interests commercialized images of the West. Tracing the western from its hazy silent-picture origins in the 1890s to the advent of talking pictures in the 1920s, Smith examines the ways in which silent westerns contributed to the overall development of the film industry. Focusing on such early important production companies as Selig Polyscope, New York Motion Picture, and Essanay, Smith revises current thinking about the birth of Hollywood and the establishment of Los Angeles as the nexus of filmmaking in the United States. Smith also reveals the role silent westerns played in the creation of the white male screen hero that dominated American popular culture in the twentieth century. Illustrated with dozens of historic photos and movie stills, this engaging and substantive story will appeal to scholars interested in Western history, film history, and film studies as well as general readers hoping to learn more about this little-known chapter in popular filmmaking.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
Academics have generally dismissed Hollywood's cowboy and Indian movies - one of its defining successful genres - as specious, one-dimensional, and crassly commercial. In Shooting Cowboys and Indians, Andrew Brodie Smith challenges this simplistic characterization of the genre, illustrating the complex and sometimes contentious process by which business interests commercialized images of the West. Tracing the western from its hazy silent-picture origins in the 1890s to the advent of talking pictures in the 1920s, Smith examines the ways in which silent westerns contributed to the overall development of the film industry. Focusing on such early important production companies as Selig Polyscope, New York Motion Picture, and Essanay, Smith revises current thinking about the birth of Hollywood and the establishment of Los Angeles as the nexus of filmmaking in the United States. Smith also reveals the role silent westerns played in the creation of the white male screen hero that dominated American popular culture in the twentieth century. Illustrated with dozens of historic photos and movie stills, this engaging and substantive story will appeal to scholars interested in Western history, film history, and film studies as well as general readers hoping to learn more about this little-known chapter in popular filmmaking.
Cowboys and Indians
Author: Gordon Sinclair
Publisher: McClelland & Stewart Limited
ISBN: 0771080832
Category : Social Science
Languages : en
Pages : 434
Book Description
When J.J. Harper of the Island Lake Tribal Council was fatally shot on a wintry Winnipeg street in 1988, the city police department was quick to absolve the officer involved from all blame. Less than a day after the shooting, Police Chief Herb Stephen announced that Harper had died during a struggle for Constable Robert Cross’s gun. But the truth was not so cut and dried. Far from closing the case, Stephen’s remarks were just the start of this dramatic tale of sex, death, threats, flimsy charges, and a police force so out of control that a prominent lawyer, a senior Crown attorney, and a respected journalist all had reason to suspect they were being watched by the police. Pursued doggedly byWinnipeg Free Presscolumnist Gordon Sinclair Jr., the stranger-than-fiction story of the shooting of J.J. Harper points a finger at the growing disaster of race relations and policing in Canada’s inner cities.
Publisher: McClelland & Stewart Limited
ISBN: 0771080832
Category : Social Science
Languages : en
Pages : 434
Book Description
When J.J. Harper of the Island Lake Tribal Council was fatally shot on a wintry Winnipeg street in 1988, the city police department was quick to absolve the officer involved from all blame. Less than a day after the shooting, Police Chief Herb Stephen announced that Harper had died during a struggle for Constable Robert Cross’s gun. But the truth was not so cut and dried. Far from closing the case, Stephen’s remarks were just the start of this dramatic tale of sex, death, threats, flimsy charges, and a police force so out of control that a prominent lawyer, a senior Crown attorney, and a respected journalist all had reason to suspect they were being watched by the police. Pursued doggedly byWinnipeg Free Presscolumnist Gordon Sinclair Jr., the stranger-than-fiction story of the shooting of J.J. Harper points a finger at the growing disaster of race relations and policing in Canada’s inner cities.
Shooting Cowboys and Indians
Author: Andrew Brodie Smith
Publisher:
ISBN:
Category : Men in motion pictures
Languages : en
Pages : 694
Book Description
Publisher:
ISBN:
Category : Men in motion pictures
Languages : en
Pages : 694
Book Description
My Life as an Indian
Author: James Willard Schultz
Publisher:
ISBN:
Category : Family & Relationships
Languages : en
Pages : 484
Book Description
Publisher:
ISBN:
Category : Family & Relationships
Languages : en
Pages : 484
Book Description
Cowboys and Aliens
Author: Scott Mitchell Rosenberg
Publisher: Harper Collins
ISBN: 0062079077
Category : Comics & Graphic Novels
Languages : en
Pages : 114
Book Description
In 1873 Arizona, the continuous battle between a Native American tribe and white settlers is halted when an alien spaceship lands in the desert with plans to conquer Earth.
Publisher: Harper Collins
ISBN: 0062079077
Category : Comics & Graphic Novels
Languages : en
Pages : 114
Book Description
In 1873 Arizona, the continuous battle between a Native American tribe and white settlers is halted when an alien spaceship lands in the desert with plans to conquer Earth.
Cowboy and His Friend
Author: Joan Walsh Anglund
Publisher: Andrews McMeel Publishing
ISBN: 9780740722110
Category : Juvenile Nonfiction
Languages : en
Pages : 52
Book Description
A cowboy's bear is a very special friend who is always with him, no matter where he goes or what he does.
Publisher: Andrews McMeel Publishing
ISBN: 9780740722110
Category : Juvenile Nonfiction
Languages : en
Pages : 52
Book Description
A cowboy's bear is a very special friend who is always with him, no matter where he goes or what he does.
The Indian in the Cupboard (Collins Modern Classics, Book 1)
Author: Lynne Reid Banks
Publisher: HarperCollins UK
ISBN: 000737979X
Category : Juvenile Fiction
Languages : en
Pages : 242
Book Description
The Indian in the Cupboard is the first of five gripping books about Omri and his plastic North American Indian – Little Bull – who comes alive when Omri puts him in a cupboard
Publisher: HarperCollins UK
ISBN: 000737979X
Category : Juvenile Fiction
Languages : en
Pages : 242
Book Description
The Indian in the Cupboard is the first of five gripping books about Omri and his plastic North American Indian – Little Bull – who comes alive when Omri puts him in a cupboard
America's Best Female Sharpshooter
Author: Julia Bricklin
Publisher: University of Oklahoma Press
ISBN: 0806158018
Category : History
Languages : en
Pages : 225
Book Description
Today, most remember “California Girl” Lillian Frances Smith (1871–1930) as Annie Oakley’s chief competitor in the small world of the Wild West shows’ female shooters. But the two women were quite different: Oakley’s conservative “prairie beauty” persona clashed with Smith’s tendency to wear flashy clothes and keep company with the cowboys and American Indians she performed with. This lively first biography chronicles the Wild West showbiz life that Smith led and explores the talents that made her a star. Drawing on family records, press accounts, interviews, and numerous other sources, historian Julia Bricklin peels away the myths that enshroud Smith’s fifty-year career. Known as “The California Huntress” before she was ten years old, Smith was a professional sharpshooter by the time she reached her teens, shooting targets from the back of a galloping horse in Buffalo Bill Cody’s Wild West. Not only did Cody offer $10,000 to anyone who could beat her, but he gave her top billing, setting the stage for her rivalry with Annie Oakley. Being the best female sharpshooter in the United States was not enough, however, to differentiate Lillian Smith from Oakley and a growing number of ladylike cowgirls. So Smith reinvented herself as “Princess Wenona,” a Sioux with a violent and romantic past. Performing with Cody and other showmen such as Pawnee Bill and the Miller brothers, Smith led a tumultuous private life, eventually taking up the shield of a forged Indian persona. The morals of the time encouraged public criticism of Smith’s lack of Victorian femininity, and the press’s tendency to play up her rivalry with Oakley eventually overshadowed Smith’s own legacy. In the end, as author Julia Bricklin shows, Smith cared more about living her life on her own terms than about her public image. Unlike her competitors who shot to make a living, Lillian Smith lived to shoot.
Publisher: University of Oklahoma Press
ISBN: 0806158018
Category : History
Languages : en
Pages : 225
Book Description
Today, most remember “California Girl” Lillian Frances Smith (1871–1930) as Annie Oakley’s chief competitor in the small world of the Wild West shows’ female shooters. But the two women were quite different: Oakley’s conservative “prairie beauty” persona clashed with Smith’s tendency to wear flashy clothes and keep company with the cowboys and American Indians she performed with. This lively first biography chronicles the Wild West showbiz life that Smith led and explores the talents that made her a star. Drawing on family records, press accounts, interviews, and numerous other sources, historian Julia Bricklin peels away the myths that enshroud Smith’s fifty-year career. Known as “The California Huntress” before she was ten years old, Smith was a professional sharpshooter by the time she reached her teens, shooting targets from the back of a galloping horse in Buffalo Bill Cody’s Wild West. Not only did Cody offer $10,000 to anyone who could beat her, but he gave her top billing, setting the stage for her rivalry with Annie Oakley. Being the best female sharpshooter in the United States was not enough, however, to differentiate Lillian Smith from Oakley and a growing number of ladylike cowgirls. So Smith reinvented herself as “Princess Wenona,” a Sioux with a violent and romantic past. Performing with Cody and other showmen such as Pawnee Bill and the Miller brothers, Smith led a tumultuous private life, eventually taking up the shield of a forged Indian persona. The morals of the time encouraged public criticism of Smith’s lack of Victorian femininity, and the press’s tendency to play up her rivalry with Oakley eventually overshadowed Smith’s own legacy. In the end, as author Julia Bricklin shows, Smith cared more about living her life on her own terms than about her public image. Unlike her competitors who shot to make a living, Lillian Smith lived to shoot.
Black Slaveowners
Author: Larry Koger
Publisher: McFarland
ISBN: 0786469315
Category : Social Science
Languages : en
Pages : 300
Book Description
Drawing on the federal census, wills, mortgage bills of sale, tax returns, and newspaper advertisements, this authoritative study describes the nature of African-American slaveholding, its complexity, and its rationales. It reveals how some African-American slave masters had earned their freedom and how some free Blacks purchased slaves for their own use. The book provides a fresh perspective on slavery in the antebellum South and underscores the importance of African Americans in the history of American slavery. The book also paints a picture of the complex social dynamics between free and enslaved Blacks, and between Black and white slaveowners. It illuminates the motivations behind African-American slaveholding--including attempts to create or maintain independence, to accumulate wealth, and to protect family members--and sheds light on the harsh realities of slavery for both Black masters and Black slaves. • BLACK SLAVEOWNERS--Shows how some African Americans became slave masters • MOTIVATIONS FOR SLAVEHOLDING--Highlights the motivations behind African-American slaveholding • SOCIAL DYNAMICS--Sheds light on the complex social dynamics between free and enslaved Blacks • ANEBELLUM SOUTH--Provides a perspective on slavery in the antebellum South
Publisher: McFarland
ISBN: 0786469315
Category : Social Science
Languages : en
Pages : 300
Book Description
Drawing on the federal census, wills, mortgage bills of sale, tax returns, and newspaper advertisements, this authoritative study describes the nature of African-American slaveholding, its complexity, and its rationales. It reveals how some African-American slave masters had earned their freedom and how some free Blacks purchased slaves for their own use. The book provides a fresh perspective on slavery in the antebellum South and underscores the importance of African Americans in the history of American slavery. The book also paints a picture of the complex social dynamics between free and enslaved Blacks, and between Black and white slaveowners. It illuminates the motivations behind African-American slaveholding--including attempts to create or maintain independence, to accumulate wealth, and to protect family members--and sheds light on the harsh realities of slavery for both Black masters and Black slaves. • BLACK SLAVEOWNERS--Shows how some African Americans became slave masters • MOTIVATIONS FOR SLAVEHOLDING--Highlights the motivations behind African-American slaveholding • SOCIAL DYNAMICS--Sheds light on the complex social dynamics between free and enslaved Blacks • ANEBELLUM SOUTH--Provides a perspective on slavery in the antebellum South
Blood Brothers
Author: Deanne Stillman
Publisher: Simon and Schuster
ISBN: 1476773548
Category : History
Languages : en
Pages : 304
Book Description
Winner of the 2018 Ohioana Book Award for Nonfiction The little-known but uniquely American story of the unlikely friendship of two famous figures of the American West—Buffalo Bill Cody and Sitting Bull—told through the prism of their collaboration in Cody's Wild West show in 1885. “Splendid… Blood Brothers eloquently explores the clash of cultures on the Great Plains that initially united the two legends and how this shared experience contributed to the creation of their ironic political alliance.” —Bobby Bridger, Austin Chronicle It was in Brooklyn, New York, in 1883 that William F. Cody—known across the land as Buffalo Bill—conceived of his Wild West show, an “equestrian extravaganza” featuring cowboys and Indians. It was a great success, and for four months in 1885 the Lakota chief Sitting Bull appeared in the show. Blood Brothers tells the story of these two iconic figures through their brief but important collaboration, in “a compelling narrative that reads like a novel” (Orange County Register). “Thoroughly researched, Deanne Stillman’s account of this period in American history is elucidating as well as entertaining” (Booklist), complete with little-told details about the two men whose alliance was eased by none other than Annie Oakley. When Sitting Bull joined the Wild West, the event spawned one of the earliest advertising slogans: “Foes in ’76, Friends in ’85.” Cody paid his performers well, and he treated the Indians no differently from white performers. During this time, the Native American rights movement began to flourish. But with their way of life in tatters, the Lakota and others availed themselves of the chance to perform in the Wild West show. When Cody died in 1917, a large contingent of Native Americans attended his public funeral. An iconic friendship tale like no other, Blood Brothers is a timeless story of people from different cultures who crossed barriers to engage each other as human beings. Here, Stillman provides “an account of the tragic murder of Sitting Bull that’s as good as any in the literature…Thoughtful and thoroughly well-told—just the right treatment for a subject about which many books have been written before, few so successfully” (Kirkus Reviews, starred review).
Publisher: Simon and Schuster
ISBN: 1476773548
Category : History
Languages : en
Pages : 304
Book Description
Winner of the 2018 Ohioana Book Award for Nonfiction The little-known but uniquely American story of the unlikely friendship of two famous figures of the American West—Buffalo Bill Cody and Sitting Bull—told through the prism of their collaboration in Cody's Wild West show in 1885. “Splendid… Blood Brothers eloquently explores the clash of cultures on the Great Plains that initially united the two legends and how this shared experience contributed to the creation of their ironic political alliance.” —Bobby Bridger, Austin Chronicle It was in Brooklyn, New York, in 1883 that William F. Cody—known across the land as Buffalo Bill—conceived of his Wild West show, an “equestrian extravaganza” featuring cowboys and Indians. It was a great success, and for four months in 1885 the Lakota chief Sitting Bull appeared in the show. Blood Brothers tells the story of these two iconic figures through their brief but important collaboration, in “a compelling narrative that reads like a novel” (Orange County Register). “Thoroughly researched, Deanne Stillman’s account of this period in American history is elucidating as well as entertaining” (Booklist), complete with little-told details about the two men whose alliance was eased by none other than Annie Oakley. When Sitting Bull joined the Wild West, the event spawned one of the earliest advertising slogans: “Foes in ’76, Friends in ’85.” Cody paid his performers well, and he treated the Indians no differently from white performers. During this time, the Native American rights movement began to flourish. But with their way of life in tatters, the Lakota and others availed themselves of the chance to perform in the Wild West show. When Cody died in 1917, a large contingent of Native Americans attended his public funeral. An iconic friendship tale like no other, Blood Brothers is a timeless story of people from different cultures who crossed barriers to engage each other as human beings. Here, Stillman provides “an account of the tragic murder of Sitting Bull that’s as good as any in the literature…Thoughtful and thoroughly well-told—just the right treatment for a subject about which many books have been written before, few so successfully” (Kirkus Reviews, starred review).