Shaw's Music: 1876-1890 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Shaw's Music: 1876-1890 PDF full book. Access full book title Shaw's Music: 1876-1890 by Bernard Shaw. Download full books in PDF and EPUB format.
Author: Bernard Shaw
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 972
Get Book Here
Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 972
Get Book Here
Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 968
Get Book Here
Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 968
Get Book Here
Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
Get Book Here
Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
Get Book Here
Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 960
Get Book Here
Book Description
Author: George Bernard Shaw
Publisher: Rosetta Books
ISBN: 0795346891
Category : Literary Collections
Languages : en
Pages : 351
Get Book Here
Book Description
A collection of critical writings on music from the Nobel Prize–winning playwright behind Saint Joan and Man and Superman. The Critical Shaw: On Music is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw’s extensive writings on a wide range of musical topics. Still recognized as one of Great Britain’s most important music critics, Shaw enriched London’s musical scene for some twenty years with his provocative, original, and penetrating reviews, before giving up music criticism to concentrate his talents on playwriting. His vast critical output encompassed opera, operetta, vocal and orchestral performance, musical theater, and oratorios, and took in major composers and performers as well as many long since forgotten names. Frequently embellished by his controversial political and social opinions, and delving as well into the nature of music criticism itself, Shaw’s reviews continue to stimulate and surprise, their depth and range setting standards that are rarely, if ever, matched today. Included in this edition is a previously unpublished draft on voice training prepared by Shaw for Vandeleur Lee, his mother’s singing teacher. The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw’s voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw’s life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.
Author: Gale K. Larson
Publisher: Penn State Press
ISBN: 9780271022277
Category : Literary Criticism
Languages : en
Pages : 284
Get Book Here
Book Description
Shaw, now in its twenty-second year, publishes general articles on Shaw and his milieu, reviews, notes, and the authoritative Continuing Checklist of Shaviana, the bibliography of Shaw studies.
Author: Stephen Downes
Publisher: Routledge
ISBN: 0429837410
Category : Music
Languages : en
Pages : 324
Get Book Here
Book Description
In a wide-ranging study of sentimentalism’s significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book challenges hierarchies of artistic value and the associated denigration of sentimental feeling in gendered discourses. Fresh insights are thereby developed into sentimentalism’s place in musical constructions of emotion, taste, genre, gender, desire, and authenticity. The contexts encompass diverse musical communities, performing spaces, and listening practices, including the nineteenth-century salon and concert hall, the cinema, the intimate stage persona of the singer-songwriter, and the homely ambiguities of ‘easy’ listening. Interdisciplinary insights inform discussions of musical form, affect, appropriation, nationalisms, psychologies, eco-sentimentalism, humanitarianism, consumerism, and subject positions, with a particular emphasis on masculine sentimentalities. Music is drawn from violin repertory associated with Joseph Joachim, the piano music of Chopin, Schumann, and Liszt, sentimental waltzes from Schubert to Ravel, concert music by Bartók, Szymanowski and Górecki, the Merchant-Ivory adaptation of The Remains of the Day, Antônio Carlos Jobim’s bossa nova, and songs by Duke Ellington, Burt Bacharach, Carole King, Barry Manilow and Jimmy Webb. The book will attract readers interested in both the role of music in the history of emotion and the persistence and diversity of sentimental arts after their flowering in the eighteenth-century age of sensibility.
Author: Derek B. Scott
Publisher: Oxford University Press
ISBN: 0199718830
Category : Music
Languages : en
Pages : 313
Get Book Here
Book Description
The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.
