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Author: Bradin Cormack
Publisher: University of Chicago Press
ISBN: 022637856X
Category : Law
Languages : en
Pages : 342
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Book Description
"William Shakespeare is inextricably linked with the law. Legal documents make up most of the records we have of his life; trials, lawsuits, and legal terms permeate his plays. Gathering an extraordinary team of literary and legal scholars, philosophers, and even sitting judges, Shakespeare and the Law demonstrates that Shakespeare's thinking about legal concepts and legal practice points to a deep and sometimes vexed engagement with the law's technical workings, its underlying premises, and its social effects. Shakespeare and the Law opens with three essays that provide useful frameworks for approaching the topic, offering perspectives on law and literature that emphasize both the continuities and the contrasts between the two fields. In its second section, the book considers Shakespeare's awareness of common-law thinking and practice through examinations of Measure for Measure and Othello. Building and expanding on this question, the third part inquires into Shakespeare's general attitudes toward legal systems. A judge and former solicitor general rule on Shylock's demand for enforcement of his odd contract; and two essays by literary scholars take contrasting views on whether Shakespeare could imagine a functioning legal system. The fourth section looks at how law enters into conversation with issues of politics and community, both in the plays and in our own world. The volume concludes with a freewheeling colloquy among Supreme Court Justice Stephen G. Breyer, Judge Richard A. Posner, Martha C. Nussbaum, and Richard Strier that covers everything from the ghost in Hamlet to the nature of judicial discretion"--Jacket.
Author: Bradin Cormack
Publisher: University of Chicago Press
ISBN: 022637856X
Category : Law
Languages : en
Pages : 342
Get Book Here
Book Description
"William Shakespeare is inextricably linked with the law. Legal documents make up most of the records we have of his life; trials, lawsuits, and legal terms permeate his plays. Gathering an extraordinary team of literary and legal scholars, philosophers, and even sitting judges, Shakespeare and the Law demonstrates that Shakespeare's thinking about legal concepts and legal practice points to a deep and sometimes vexed engagement with the law's technical workings, its underlying premises, and its social effects. Shakespeare and the Law opens with three essays that provide useful frameworks for approaching the topic, offering perspectives on law and literature that emphasize both the continuities and the contrasts between the two fields. In its second section, the book considers Shakespeare's awareness of common-law thinking and practice through examinations of Measure for Measure and Othello. Building and expanding on this question, the third part inquires into Shakespeare's general attitudes toward legal systems. A judge and former solicitor general rule on Shylock's demand for enforcement of his odd contract; and two essays by literary scholars take contrasting views on whether Shakespeare could imagine a functioning legal system. The fourth section looks at how law enters into conversation with issues of politics and community, both in the plays and in our own world. The volume concludes with a freewheeling colloquy among Supreme Court Justice Stephen G. Breyer, Judge Richard A. Posner, Martha C. Nussbaum, and Richard Strier that covers everything from the ghost in Hamlet to the nature of judicial discretion"--Jacket.
Author: Clarence Marion Brune
Publisher: Forgotten Books
ISBN: 9780428311377
Category : Law
Languages : en
Pages : 70
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Book Description
Excerpt from Shakespeare's Use of Legal Terms It is said by the Naturalist commentators on Shakespeare that he is generally accurate in his descrip tion of animals and other things as found under natural conditions. (1) Three thousand one hundred and fifty seven times throughout his works he alludes to various animals, mentioning two hundred and eighty-three different kinds. (3) The cuckoo is mentioned nineteen times, and in his description (3) of it he seems to be accurate and in direct Opposition to the current theory of his time. Accurate as he usually is, Shakespeare apparently regarded the eagle as of the highest rank, endowing him with high-soaring, keemsighted and princely qualities, whereas modern ornithologists look upon the eagle as a cruel, thieving creature. Again, Shakespeare regarded the toad as the foulest of the animals, while science looks upon it as a clean, useful animal. Unlike our notions of canine fidelity and nobleness, Shakespeare characterizes his villains with the culminating epithet of ignominious cur, the dog being mentioned, usually in a despicable sense, over three hundred times, and in all his plays except four. Shakespeare's knowledge of plant life as shown in his plays (4) is quite equal, if not superior to that of many of our celebrated horticulturists, who have sought to show from his numberless allusions to flowers and plant life that he was also learned in this branch of science. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Lewis Walker
Publisher: Routledge
ISBN: 1317943376
Category : Literary Criticism
Languages : en
Pages : 920
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Book Description
This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics.
Author: Sir Granville George Greenwood
Publisher:
ISBN:
Category : Law in literature
Languages : en
Pages : 98
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Book Description
Author: Sister Miriam Joseph
Publisher: Paul Dry Books
ISBN: 158988048X
Category : Literary Criticism
Languages : en
Pages : 437
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Book Description
Grammar-school students in Shakespeare's time were taught to recognise the two hundred figures of speech that Renaissance scholars had derived from Latin and Greek sources (from amphibologia through onomatopoeia to zeugma). This knowledge was one element in their thorough grounding in the liberal arts of logic, grammar, and rhetoric, known as the trivium. In Shakespeare's Use of the Arts of Language Sister Miriam Joseph writes: "The extraordinary power, vitality, and richness of Shakespeare's language are due in part to his genius, in part to the fact that the unsettled linguistic forms of his age promoted to an unusual degree the spirit of creativeness, and in part to the theory of composition then prevailing . . . The purpose of this study is to present to the modern reader the general theory of composition current in Shakespeare's England." The author then lays out those figures of speech in simple, understandable patterns and explains each one with examples from Shakespeare. Her analysis of his plays and poems illustrates that the Bard knew more about rhetoric than perhaps anyone else. Originally published in 1947, this book is a classic.
Author: George Koppelman
Publisher: Axletree Books
ISBN: 0692500324
Category : Literary Criticism
Languages : en
Pages : 407
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Book Description
A study of manuscript annotations in a curious copy of John Baret's ALVEARIE, an Elizabethan dictionary published in 1580. This revised and expanded second edition presents new evidence and furthers the argument that the annotations were written by William Shakespeare. This ebook contains text in color, and images. We recommend reading it on a device that displays both.
Author: Dunbar P. Barton
Publisher: The Lawbook Exchange, Ltd.
ISBN: 1584770007
Category : Drama
Languages : en
Pages : 268
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Book Description
Barton's entertaining and handy study reviews allusions to trials, judges, advocates, courts, procedure, legal concepts and terminology in Shakespeare's plays. Also biographical, Barton considers Shakespeare's personal relation to the Inns of Court and Chancery and the extent of his legal expertise.
Author: Valerie Hotchkiss
Publisher: University of Illinois Press
ISBN: 0252091531
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
English in Print from Caxton to Shakespeare to Milton examines the history of early English books, exploring the concept of putting the English language into print with close study of the texts, the formats, the audiences, and the functions of English books. Lavishly illustrated with more than 130 full-color images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance of popular literature; and the development of school grammars and dictionaries. Valerie Hotchkiss and Fred C. Robinson provide engaging descriptions of more than a hundred early English books drawn from the Rare Book and Manuscript Library at the University of Illinois, Urbana-Champaign, and the Elizabethan Club of Yale University. The study nearly mirrors the chronological coverage of Pollard and Redgrave's famous Short-Title Catalogue (1475-1640), beginning with William Caxton, England's first printer, and ending with John Milton, the English language's most eloquent defender of the freedom of the press in his Areopagitica of 1644. William Shakespeare, neither a printer nor a writer much concerned with publishing his own plays, nonetheless deserves his central place in this study because Shakespeare imprints, and Renaissance drama in general, provide a fascinating window on the world of English printing in the period between Caxton and Milton.
Author: Andrew Hiscock
Publisher: Bloomsbury Publishing
ISBN: 1474242863
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Literature and Culture Handbooks are an innovative series of guides to major periods, topics and authors in British and American literature and culture. Designed to provide a comprehensive, one-stop resource for literature students, each handbook provides the essential information and guidance needed from the beginning of a course through to developing more advanced knowledge and skills. Written in clear language by leading academics, they provide an indispensable introduction to key topics, including: • Introduction to authors, texts, historical and cultural contexts • Guides to key critics, concepts and topics • An overview of major critical approaches, changes in the canon and directions of current and future research • Case studies in reading literary and critical texts • Annotated bibliography (including websites), timeline, glossary of critical terms. The Shakespeare Handbook is an accessible and comprehensive introduction to Shakespeare and early modern literature.
Author: Vivian Salmon
Publisher: John Benjamins Publishing
ISBN: 9027278865
Category : Language Arts & Disciplines
Languages : en
Pages : 547
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Book Description
In recent years the language of Shakespearean drama has been described in a number of publications intended mainly for the undergraduate student or general reader, but the studies in academic journals to which they refer are not always easily accessible even though they are of great interest to the general reader and essential for the specialist. The purpose of this collection is therefore to bring together some of the most valuable of these studies which, in discussing various aspects of the language of the early 17th century as exemplified in Shakespearean drama, provide the reader with deeper insights into the meaning of Shakespearean text, often by reference to the social, literary and linguistic context of the time.
