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Author: Amaresh Datta
Publisher:
ISBN:
Category :
Languages : en
Pages : 250
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Book Description
Author: Amaresh Datta
Publisher:
ISBN:
Category :
Languages : en
Pages : 250
Get Book Here
Book Description
Author: Larry S. Champion
Publisher: University of Georgia Press
ISBN: 0820338443
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This work directs attention to the various structural devices by which Shakespeare creates and sustains anticipation in his audience whil simultaneously provoking them to participate in the tragic protagonist's anguish.
Author: Rhodri Lewis
Publisher: Princeton University Press
ISBN: 0691246696
Category : Drama
Languages : en
Pages : 400
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Book Description
"In this book Rhodri Lewis argues that Shakespeare's tragedies are a series of experiments that attempt to tell the truth about the world as Shakespeare sees it, and to discover how far he can stretch tragic affirmation to accommodate the darker aspects of this vision. Lewis argues that Shakespeare worked hard to develop an understanding of what tragedy might be good for; that this understanding emerged from his engagement with the traditions of tragic writing and theorizing that had gone before him; that he used this understanding to shape his tragic plays as carefully patterned aesthetic wholes; and that Shakespeare's understanding of the tragic has "as little to do with Hegel as it does with the unities of tragic time, place, and action that many of Shakespeare's peers and successors busied themselves abstracting from Aristotle's Poetics." Lewis begins the book by tracing the ideas and practices of tragedy as they were known to Shakespeare and his contemporaries in the sixteenth century. He then takes a chronological approach to Shakespeare's plays, ultimately seeking to affirm the status of dramatic art in Shakespeare's time as a medium for telling the truth about the human experience in a world that is not fully susceptible to rational analysis"--
Author: Susan Snyder
Publisher: Princeton University Press
ISBN: 0691196613
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Comic elements in Shakespeare's tragedies have often been noted, but while most critics have tended to concentrate on humorous interludes or on a single play, Susan Snyder seeks a more comprehensive understanding of how Shakespeare used the conventions, structures, and assumptions of comedy in his tragic writing. She argues that Shakespeare's early mastery of romantic comedy deeply influenced his tragedies both in dramaturgy and in the expression and development of his tragic vision. From this perspective she sheds new light on Romeo and Juliet, Hamlet, Othello, and King Lear. The author shows Shakespeare's tragic vision evolving as he moves through three possibilities: comedy and tragedy functioning first as polar opposites, later as two sides of the same coin, and finally as two elements in a single compound. In the four plays examined here, Professor Snyder finds that traditional comic structures and assumptions operate in several ways to shape the tragedy: they set up expectations which when proven false reinforce the movement into tragic inevitability; they underline tragic awareness by a pointed irrelevance; they establish a point of departure for tragedy when comedy's happy assumptions reveal their paradoxical "shadow" side; and they become part of the tragedy itself when the comic elements threaten the tragic hero with insignificance and absurdity. Susan Snyder is Professor of English at Swarthmore College. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Kiernan Ryan
Publisher: Bloomsbury Publishing
ISBN: 1472587014
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
This ground-breaking book reveals the prophetic, revolutionary vision that drives Shakespeare's tragedies, tracing its unbroken development from its beginnings in the Henry VI plays and Shakespeare's first tragedy, Titus Andronicus, right through to his last, Coriolanus. The four full-length studies at the heart of the book focus in depth on Shakespeare's four greatest tragedies: Hamlet, Othello, King Lear and Macbeth. Shakespearean Tragedy engages with each of these titanic masterpieces as a singular, complete work of dramatic art with its own distinctive concerns and critical challenges, but with the same unmistakably Shakespearean tragic vision at its core. Through compelling new readings of the plays, grounded in close analysis of their language and form, Kiernan Ryan shows how Shakespeare dramatizes the tragic realities of his world from the standpoint of the transfigured future that our world still awaits.
Author: Rhodri Lewis
Publisher: Princeton University Press
ISBN: 0691204519
Category : Drama
Languages : en
Pages : 390
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Book Description
'Hamlet and the Vision of Darkness' is a radical new interpretation of the most famous play in the English language. By exploring Shakespeare's engagements with the humanist traditions of early modern England and Europe, Rhodri Lewis reveals a 'Hamlet' unseen for centuries: an innovative, coherent, and exhilaratingly bleak tragedy in which the governing ideologies of Shakespeare's age are scrupulously upended.
Author: Dr. Balwinder Singh
Publisher: Lulu.com
ISBN: 1365050831
Category : Education
Languages : en
Pages : 180
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Book Description
Shakespeare's tragic vision has its roots firmly grounded in the thrust and theme represented by the Elizabethan tragic view. Here fate isn't character but it is the character that creates volley like tragic fate. Due to this flaw in his character, Lear got himself fated to be doomed in the world of suffering. Again Shakespeare's Timon suffers for being poor judge human nature. He buys flatterers not friends. By the way, friends aren't for sale, the fact Timon must have been aware of. No gods or prophecies never ever directed their actions, In a world where man is surrounded by Gonerils, Reagans and Edmunds man must have strong cerebral part of character to treat them judiciously. Other heroes of Shakespeare's tragedies became zeros due to the hamartia- a flaw in their character e.g. Hamlet was indecisive, Othello was over-passionate etc. Etc. With the passage of time, paradigms do undergo transformation i.e. Greek tragic vision got replaced by the Shakespeare's.
Author: Michele Marrapodi
Publisher: Routledge
ISBN: 1351815121
Category : Literary Criticism
Languages : en
Pages : 672
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Book Description
Critical investigation into the rubric of 'Shakespeare and the visual arts' has generally focused on the influence exerted by the works of Shakespeare on a number of artists, painters, and sculptors in the course of the centuries. Drawing on the poetics of intertextuality and profiting from the more recent concepts of cultural mobility and permeability between cultures in the early modern period, this volume’s tripartite structure considers instead the relationship between Renaissance material arts, theatre, and emblems as an integrated and intermedial genre, explores the use and function of Italian visual culture in Shakespeare’s oeuvre, and questions the appropriation of the arts in the production of the drama of Shakespeare and his contemporaries. By studying the intermediality between theatre and the visual arts, the volume extols drama as a hybrid genre, combining the figurative power of imagery with the plasticity of the acting process, and explains the tri-dimensional quality of the dramatic discourse in the verbal-visual interaction, the stagecraft of the performance, and the natural legacy of the iconographical topoi of painting’s cognitive structures. This methodolical approach opens up a new perspective in the intermedial construction of Shakespearean and early modern drama, extending the concept of theatrical intertextuality to the field of pictorial arts and their social-cultural resonance. An afterword written by an expert in the field, a rich bibliography of primary and secondary literature, and a detailed Index round off the volume.
Author: Larry S. Champion
Publisher: University of Georgia Press
ISBN: 082033846X
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Larry S. Champion examines Shakespeare's English history plays and describes the structural devices through which Shakespeare controls the audience's angle of vision and its response to the pattern of historical events. Champion observes the experimentation between stage worlds and the significance of a dramatic technique unique to the history play—one that combines the detachment of a documentary necessary for a broad intellectual view of history and the simultaneous engagement between character and spectator. Champion sees a conscious bifurcation occurring in Shakespeare's dramaturgy after Richard II. In Julius Caesar, Shakespeare continues to focus on the psychological analysis and internalized protagonist which lead to his major tragic achievements. In King John and Henry IV, the playwright develops a middle ground between the polarities of Henry VI, in which the flat, onedimensional characters essentially serve the purposes of the narrative, and the tragedies, in which the spectator's consuming interest is in the developing centralfigure whose critical moments they share. Champion sees Henry V as the culmination of Shakespeare's e fforts in the English history play.
Author: Dr. Balwinder Singh
Publisher: Lulu.com
ISBN: 1365050777
Category : Education
Languages : en
Pages : 154
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Book Description
Here laying more stress on modern tragic vision, it is generally democratized, but comparatively speaking this is more true of Arthur Miller than Eugene O'Neill's. O'Neill takes a much more perspicacious, psychological approach that renders the psyche bare and illustrates his view that science and its brainchild of materialism, offers no psychic balm or emotional solace to mankind. O'Neill's tragic vision thus doesn't man but, rather, lays bare the spiritual wasteland that he is in the contemporary materialist world. By contrast, Miller in Death of a Salesman attempts to affirm and reaffirm man within the confines of materialism - a concomitant of capitalism. Other canons of Aristotle, Sri Aurobindo, C.G. Jung, Joseph Campbell, George A. Kelly, Rollo May and Tony Wolfe have also been applied to make the critical study more effective and encompassing .
