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Author: Ruth Nevo
Publisher: Routledge
ISBN: 100035041X
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Shakespeare’s last plays, the tragicomic Romances, are notoriously strange plays, riddled with fabulous events and incredible coincidences, magic and dream. These features have sometimes been interpreted as the carelessness of an of an aging dramatist weary of his craft, or justified as folklore motifs, suitable to the romance tale. But neither view explains the fascination and power these plays still exert. Originally published in 1987, Ruth Nevo’s book offers a reading of the plays which invokes the findings and methods of post-psychoanalytic semiotics. Drawing on a Lacanian model of the "textual unconscious", she embarks on searching analyses of Pericles, Cymbeline, The Winter’s Tale, and The Tempest, brilliantly illuminating their apparent absurdities and anomalies, their bizarre or preposterous events and obscurely motivated actions, their often puzzling syntax. Her investigation of the plays’ informing fantasies produces unified and enriched readings which serve both to rehabilitate those plays which have been less than highly thought of, and to disclose new significance in the acknowledged masterpieces.
Author: James E. Ryan
Publisher: McFarland
ISBN: 147662416X
Category : Biography & Autobiography
Languages : en
Pages : 247
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Book Description
The organization of Shakespeare's plays has challenged, even baffled audiences and critics since the 17th century. Cymbeline has been dismissed as "incoherent." Hamlet "is of no clear shape." And Antony and Cleopatra "bewilders the mind." These judgments result from an incomplete understanding of Shakespeare's constructive practice. It is not the narrative arc alone that organizes the plays but a complex structure of interwoven narrative and thematic actions. While the narrative varies from play to play, thematic actions are invariably created in mirroring pairs around the central scene: A-B-C-B-A. This symmetrical pattern, which can be visualized as an arch with a focal keystone, is the foundation of all of Shakespeare's mature work, as shown through an analysis of the 26 plays in this book. This arch illuminates the structure of plays that have long been puzzling, demonstrating that they are thematically organized and rigorously crafted. It also reveals subtleties otherwise invisible.
Author: James E. Ryan
Publisher: McFarland
ISBN: 147666370X
Category : Biography & Autobiography
Languages : en
Pages : 247
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Book Description
The organization of Shakespeare's plays has challenged, even baffled audiences and critics since the 17th century. Cymbeline has been dismissed as "incoherent." Hamlet "is of no clear shape." And Antony and Cleopatra "bewilders the mind." These judgments result from an incomplete understanding of Shakespeare's constructive practice. It is not the narrative arc alone that organizes the plays but a complex structure of interwoven narrative and thematic actions. While the narrative varies from play to play, thematic actions are invariably created in mirroring pairs around the central scene: A-B-C-B-A. This symmetrical pattern, which can be visualized as an arch with a focal keystone, is the foundation of all of Shakespeare's mature work, as shown through an analysis of the 26 plays in this book. This arch illuminates the structure of plays that have long been puzzling, demonstrating that they are thematically organized and rigorously crafted. It also reveals subtleties otherwise invisible.
Author: Jonathan Post
Publisher: OUP Oxford
ISBN: 0191665061
Category : Literary Criticism
Languages : en
Pages : 2204
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Book Description
The Oxford Handbook of Shakespeare's Poetry contains thirty-eight original essays written by leading Shakespeareans around the world. Collectively, these essays seek to return readers to a revivified understanding of Shakespeare's verbal artistry in both the poems and the drama. The volume understands poetry to be not just a formal category designating a particular literary genre but to be inclusive of the dramatic verse as well, and of Shakespeare's influence as a poet on later generations of writers in English and beyond. Focusing on a broad set of interpretive concerns, the volume tackles general matters of Shakespeare's style, earlier and later; questions of influence from classical, continental, and native sources; the importance of words, line, and rhyme to meaning; the significance of songs and ballads in the drama; the place of gender in the verse, including the relationship of Shakespeare's poetry to the visual arts; the different values attached to speaking 'Shakespeare' in the theatre; and the adaptation of Shakespearean verse (as distinct from performance) into other periods and languages. The largest section, with ten essays, is devoted to the poems themselves: the Sonnets, plus 'A Lover's Complaint', the narrative poems, Venus and Adonis and The Rape of Lucrece, and 'The Phoenix and the Turtle'. If the volume as a whole urges a renewed involvement in the complex matter of Shakespeare's poetry, it does so, as the individual essays testify, by way of responding to critical trends and discoveries made during the last three decades.
Author: Kodŭng Kwahagwŏn (Korea). International Conference
Publisher: World Scientific
ISBN: 9789812799821
Category : Mirror symmetry
Languages : en
Pages : 940
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Book Description
In 1993, M. Kontsevich proposed a conceptual framework for explaining the phenomenon of mirror symmetry. Mirror symmetry had been discovered by physicists in string theory as a duality between families of three-dimensional Calabi–Yau manifolds. Kontsevich's proposal uses Fukaya's construction of the A∞-category of Lagrangian submanifolds on the symplectic side and the derived category of coherent sheaves on the complex side. The theory of mirror symmetry was further enhanced by physicists in the language of D-branes and also by Strominger–Yau–Zaslow in the geometric set-up of (special) Lagrangian torus fibrations. It rapidly expanded its scope across from geometry, topology, algebra to physics. In this volume, leading experts in the field explore recent developments in relation to homological mirror symmetry, Floer theory, D-branes and Gromov–Witten invariants. Kontsevich-Soibelman describe their solution to the mirror conjecture on the abelian variety based on the deformation theory of A∞-categories, and Ohta describes recent work on the Lagrangian intersection Floer theory by Fukaya–Oh–Ohta–Ono which takes an important step towards a rigorous construction of the A∞-category. There follow a number of contributions on the homological mirror symmetry, D-branes and the Gromov–Witten invariants, e.g. Getzler shows how the Toda conjecture follows from recent work of Givental, Okounkov and Pandharipande. This volume provides a timely presentation of the important developments of recent years in this rapidly growing field.
Author: Brian Vickers
Publisher: Routledge
ISBN: 1136565523
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order.
Author: Richard Kopley
Publisher: Camden House (NY)
ISBN: 1640140328
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
An investigation of the phenomenon of the framed formal center in literature of the last 180 years, illuminating both the works and correspondences among works of different genres, periods, and nations.
Author: Susan Zimmerman
Publisher: Associated University Presse
ISBN: 9780838641798
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Shakespeare Studies is an international volume published every year in hard cover that contains essays and studies by critics and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its sociopolitical history, and its place in the emerging globalism of the period. In addition to articles, the journal includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modem culture. Volume XXXVI features another in the journal's ongoing series of Forums, in which scholars exchange views on an issue of importance to early modern studies. Organized and introduced by Patrick Cheney, the Forum is entitled The Return of the Author and includes commentary by ten contributors considering the issue of authorship in a postmodern milieu. Volume XXXVI also features essays on Shakespeare's Hamlet, Henry V, and Richard II and an essay on Marlowe's Doctor Faustus, as well as fourteen reviews by scholars on such wide-ranging topics as early modern cultural capitals, the Jamestown project, shaping sound in Renaissance England, the places of London comedy, Shakespeare's Shylock, and the connections between animals, rationality, and humanity in Shakespeare's time. Susan Zimmerman is Professor of English at Queens College, CUNY. Garrett Sullivan is Associate Professor of English at Pennsylvania State University.
Author: Aureliu Manea
Publisher: Routledge
ISBN: 1000074145
Category : Drama
Languages : en
Pages : 151
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Book Description
In Imaginary Performances in Shakespeare, visionary modernist theatre director Aureliu Manea analyses the theatrical possibilities of Shakespeare. Through nineteen Shakespeare plays, Manea sketches the intellectual parameters, the visual languages, and the emotional worlds of imagined stage interpretations of each; these nineteen short essays are appended by his essay ‘Confessions,’ an autobiographical meditation on the nature of theatre and the role of the director. This captivating book which will be attractive to anyone interested in Shakespeare and modern theatre.
Author: Ruth Nevo
Publisher: Routledge
ISBN: 100035041X
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Shakespeare’s last plays, the tragicomic Romances, are notoriously strange plays, riddled with fabulous events and incredible coincidences, magic and dream. These features have sometimes been interpreted as the carelessness of an of an aging dramatist weary of his craft, or justified as folklore motifs, suitable to the romance tale. But neither view explains the fascination and power these plays still exert. Originally published in 1987, Ruth Nevo’s book offers a reading of the plays which invokes the findings and methods of post-psychoanalytic semiotics. Drawing on a Lacanian model of the "textual unconscious", she embarks on searching analyses of Pericles, Cymbeline, The Winter’s Tale, and The Tempest, brilliantly illuminating their apparent absurdities and anomalies, their bizarre or preposterous events and obscurely motivated actions, their often puzzling syntax. Her investigation of the plays’ informing fantasies produces unified and enriched readings which serve both to rehabilitate those plays which have been less than highly thought of, and to disclose new significance in the acknowledged masterpieces.
Author: John Freund
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 250
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Book Description
This important study makes a convincing case for its thesis that the dramatic form of Shakespeare's plays corresponds to that of a natural system evolving to a more complex state while undergoing symmetry breaking. Drawing upon such key concepts of chaos theory as global agency and self-similarity, the book constructs a methodology which illuminates many problematic aspects of agency in the selected comedies, tragedies, and histories it examines. Each of these genres is shown to reflect the paradoxical dynamics of a chaotic system. This fresh «systems perspective» offers a serious challenge to the structuralist assumptions underlying many current literary approaches.
