Shakespeare's Repentance Plays PDF Download
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Author: Alan R. Velie
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838611265
Category : Drama
Languages : en
Pages : 140
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Book Description
Follows the treatment of repentance in Two Gentlemen of Verona, Much Ado About Nothing, All's Well That Ends Well, Measure for Measure, Cymbeline, The Winter's Tale, and The Tempest to show the relationship of theme and form, and the dramatist's experimentation with forms until he accomplished his goal--the probing psychological exploration of men who sin, repent, and achieve redemption.
Author: Alan R. Velie
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838611265
Category : Drama
Languages : en
Pages : 140
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Book Description
Follows the treatment of repentance in Two Gentlemen of Verona, Much Ado About Nothing, All's Well That Ends Well, Measure for Measure, Cymbeline, The Winter's Tale, and The Tempest to show the relationship of theme and form, and the dramatist's experimentation with forms until he accomplished his goal--the probing psychological exploration of men who sin, repent, and achieve redemption.
Author: David N. Beauregard
Publisher: Associated University Presse
ISBN: 0874130026
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
Explores and reexamines Shakespeare's theology from the standpoint of revisionist history of the English Reformation.
Author: Sarah Beckwith
Publisher: Cornell University Press
ISBN: 9780801461101
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Shakespeare lived at a time when England was undergoing the revolution in ritual theory and practice we know as the English Reformation. With it came an unprecedented transformation in the language of religious life. Whereas priests had once acted as mediators between God and men through sacramental rites, Reformed theology declared the priesthood of all believers. What ensued was not the tidy replacement of one doctrine by another but a long and messy conversation about the conventions of religious life and practice. In this brilliant and strikingly original book, Sarah Beckwith traces the fortunes of this conversation in Shakespeare’s theater. Beckwith focuses on the sacrament of penance, which in the Middle Ages stood as the very basis of Christian community and human relations. With the elimination of this sacrament, the words of penance and repentance—"confess," "forgive," "absolve" —no longer meant (no longer could mean) what they once did. In tracing the changing speech patterns of confession and absolution, both in Shakespeare’s work and Elizabethan and Jacobean culture more broadly, Beckwith reveals Shakespeare’s profound understanding of the importance of language as the fragile basis of our relations with others. In particular, she shows that the post-tragic plays, especially Pericles, Cymbeline, The Winter’s Tale, and The Tempest, are explorations of the new regimes and communities of forgiveness. Drawing on the work of J. L. Austin, Ludwig Wittgenstein, and Stanley Cavell, Beckwith enables us to see these plays in an entirely new light, skillfully guiding us through some of the deepest questions that Shakespeare poses to his audiences.
Author: R. Chris Hassel Jr.
Publisher: A&C Black
ISBN: 0826458904
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
An A to Z reference guide to religious terms, concepts and references in Shakespeare.
Author: N. Herold
Publisher: Springer
ISBN: 1137432675
Category : Performing Arts
Languages : en
Pages : 142
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Book Description
Over the last decade a number of prison theatre programs have developed to rehabilitate inmates by having them perform Shakespearean adaptations. This book focuses on how prison theatre today reveals certain elements of the early modern theatre that were themselves responses to cataclysmic changes in theological doctrine and religious practice.
Author: Heather Hirschfeld
Publisher: Cornell University Press
ISBN: 0801470633
Category : History
Languages : en
Pages : 255
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Book Description
Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term "satisfaction" as used in dramas of the sixteenth and early seventeenth centuries.
Author: A. J. Hoenselaars
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634318
Category : Drama
Languages : en
Pages : 366
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Book Description
The connection between Renaissance ideas about the character of individual nations and the presentation of stage characters of various nationalities in the drama of Shakespeare and his contemporaries is examined in this volume.
Author: Mrs. Mary Ellen Ferris Gettemy
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
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Book Description
Author: Velma Bourgeois Richmond
Publisher: Bloomsbury Publishing
ISBN: 1474247490
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This book assesses William Shakespeare in the context of political and religious crisis, paying particular attention to his Catholic connections, which have heretofore been underplayed by much Protestant interpretation. Bourgeois Richmond's most important contribution is to study the genre of romance in its guise as a 'cover' for recusant Catholicism, drawing on a long tradition of medieval-religious plays devoted to the propagation of Catholic religious faith.
Author: Anthony Brennan
Publisher: Routledge
ISBN: 1000350142
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Originally published in 1989, this book focuses on the handling of the relationship between the onstage world and the offstage world, between the world that Shakespeare shows us and the one he tells us about. It is developed in two parts. Initially examined is the way reports are used in Shakespeare to relate the offstage and onstage worlds, building from simple examples within individual scenes in various plays to related sequences of reports which can be evaluated as part of broader strategies effecting the structure of a whole play. In the second part the author examines the ways in which several, or all, of these strategies work in individual plays, and what combined effect the prominent employment of them has in shaping the effect of the plays. In all cases the author is concerned to indicate why Shakespeare chose to handle matters as he does rather than in other ways available in the sources or in the speculative alternative methods which can be imaginatively constructed.
