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Author: Natália Pikli
Publisher: Routledge
ISBN: 1000431614
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
This book explores the ways in which the early modern hobby-horse featured in different productions of popular culture between the 1580s and 1630s. Natália Pikli approaches this study with a thorough and interdisciplinary examination of hobby-horse references, with commentary on the polysemous uses of the word, offers an informative background to reconsider well-known texts by Shakespeare and others, and provides an overview on the workings of cultural memory regarding popular culture in early modern England. The book will appeal to those with interest in early modern drama and theatre, dramaturgy, popular culture, cultural memory, and iconography.
Author: Natália Pikli
Publisher: Routledge
ISBN: 1000431614
Category : Performing Arts
Languages : en
Pages : 287
Get Book Here
Book Description
This book explores the ways in which the early modern hobby-horse featured in different productions of popular culture between the 1580s and 1630s. Natália Pikli approaches this study with a thorough and interdisciplinary examination of hobby-horse references, with commentary on the polysemous uses of the word, offers an informative background to reconsider well-known texts by Shakespeare and others, and provides an overview on the workings of cultural memory regarding popular culture in early modern England. The book will appeal to those with interest in early modern drama and theatre, dramaturgy, popular culture, cultural memory, and iconography.
Author: Natália Pikli
Publisher: Routledge
ISBN: 9781003054238
Category : Art
Languages : en
Pages : 272
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Book Description
"This book explores the ways in which the early modern hobby-horse featured in different productions of popular culture between 1580s-1630s. Natâalia Pikli approaches this study with a thorough and interdisciplinary examination of hobby-horse references, with commentary on the polysemous uses of the word, offers an informative background to reconsider well-known texts by Shakespeare and others, and provides an overview on the workings of cultural memory regarding popular culture in early modern England. The book will appeal to those with interest in early modern drama and theatre, dramaturgy, popular culture, cultural memory, and iconography"--
Author: Kinga Földváry
Publisher: Cambridge Scholars Publishing
ISBN: 1443846457
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
As suggested by the title Early Modern Communi(cati)ons, the volume demonstrates that the connections and common points of reference within early modern studies bind Elizabethan and Jacobean cultural studies and Shakespearean investigations together in an unexpected number of ways, and this diversity of ties has been used as the main theme around which the thirteen essays have been organised. While the first group of essays deals with early modern culture, presenting the socio-historical context necessary for any in-depth literary investigation, as exemplified through analyses of outstanding literary achievements from the period, the second part of the volume focuses on the oeuvre of the most famous representative of the age, William Shakespeare, with individual chapters creating a tangible continuum, moving from the cultural and literary context that informs his works, to their interpretation in present-day performances and their theoretical backgrounds. In the same way as the volume comprises writings on a diverse but still coherent range of topics, the authorial team is equally representative of diversity and continuity at the same time. The authors include several senior scholars working in the Hungarian academic community, representing all significant research centres in the field from all over the country. A number of essays have been contributed by promising young talents as well.
Author: Mary Ellen Lamb
Publisher: Routledge
ISBN: 1134441118
Category : Business & Economics
Languages : en
Pages : 276
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Book Description
By analyzing appropriations of fairies, old wives, and mummers, this project explores the conflicted entanglements of early moderns leaving, or attempting to leave, a once-shared common culture behind.
Author: James Alsop
Publisher: Taylor & Francis
ISBN: 1040035442
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
This book explores historical, socio-political, and metatheatrical readings of a whole host of dying bodies and risen corpses, each part of a long tradition of living death on stage. Just as zombies, ghouls, and the undead in modern media often stand in for present-day concerns, early modern writers frequently imagined living death in complex ways that allowed them to address contemporary anxieties. These include fresh bleeding bodies (and body parts), ghostly Lord Mayors, and dying characters who must carefully choose their last words – or have those words chosen for them by the living. As well as offering fresh interpretations of well-known plays such as Middleton’s The Lady’s Tragedy and Webster’s The White Devil, this innovative study also sheds light on less well-known works such as the anonymous The Tragedy of Locrine, Marston’s Antonio’s Revenge, and Munday’s mayoral pageants Chruso-thriambos and Chrysanaleia. The author demonstrates that wherever characters in early modern drama appear to straddle the line between this world and the next, it is rarely a simple matter of life and death. This book will be of great interest to students, scholars, and practitioners in theatre and performance studies, and cultural and social studies.
Author: Boika Sokolova
Publisher: Bloomsbury Publishing
ISBN: 1350125962
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
The Merchant of Venice and Othello are the two Shakespeare plays which serve as touchstones for contemporary understandings and responses to notions of 'the stranger' and 'the other'. This groundbreaking collection explores the dissemination of the two plays through Europe in the first two decades of the 21st-century, tracing how productions and interpretations have reflected the changing conditions and attitudes locally and nationally. Packed with case studies of productions of each play in different countries, the volume opens vistas on the continent's turbulent history marked by the instability of allegiances and boundaries, and shifting senses of identity in a context of war, decolonization and migration. Chapters examine productions in Bulgaria, Hungary, Poland, Romania, Serbia, Italy, France, Portugal and Germany to shed light on wide-scale European developments for the first time in English. In a final section, performance insights are offered by interviews with three directors: Karin Coonrod on directing The Merchant in Venice at the Venetian Ghetto in 2016, Plamen Markov on his 2020 Othello for the Varna Theatre (Bulgaria) and Arnaud Churin, whose Othello toured France in 2019. In drawing attention to the ways in which historical circumstances and collective memory shape and refashion performance, Shakespeare's Others in 21st-century European Performance offers a rich review of European theatrical engagements with Otherness in the productions of these two plays.
Author: Elizabeth Schafer
Publisher: Taylor & Francis
ISBN: 1040037623
Category : Drama
Languages : en
Pages : 243
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Book Description
Seismic shifts in the theatrical meanings of The Merry Wives of Windsor have taken place across the centuries as Shakespeare’s frequently performed play has relocated to Windsor across the world, journeying along the production/adaptation/appropriation continuum. This (eco-)performance history of Shakespeare’s The Merry Wives of Windsor not only offers the first in-depth analysis of the play in production, with a particular focus on the representation of merry women, but also utilises the comedy’s forest-aware dramaturgy to explore Mistress Page’s concept of being ‘frugal in my mirth’ in relation to sustainable theatre practices. Herne’s Oak – the fictitious tree in Windsor Forest where everyone meets in the final scene of the play – is utilised to enable a maverick but ecologically based reframing of the productions of Merry Wives analysed here. This study engages with gender, physical comedy, and cultural relocations of Windsor across the world to offer new insight into Merry Wives and its theatricality.
Author: Leslie Thomson
Publisher: Taylor & Francis
ISBN: 1000615650
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
This book reconsiders the evidence for what we know (or think we know) about early modern performance conditions. This study encourages a new recognition and treatment of certain aspects of the plays as evidence – and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks, about the parts that players memorized, about the functions of the bookkeeper, about casting, about prompting, and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance, that rehearsal was minimal, and that a bookkeeper compensated for these circumstances by prompting any player who was "out of his part." By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts, Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will, in turn, influence how we read, study, and edit the plays. This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.
Author: Fabio Ciambella
Publisher: Routledge
ISBN: 1000423573
Category : Performing Arts
Languages : en
Pages : 142
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Book Description
This book provides a thorough analysis of terpsichorean lexis in Renaissance drama. Besides considering not only the Shakespearean canon but also the Bard’s contemporaries (e.g., dramatists as John Marston and Ben Jonson among the most refined Renaissance dance aficionados), the originality of this volume is highlighted in both its methodology and structure. As far as methods of analysis are concerned, corpora such as the VEP Early Modern Drama collection and EEBO, and corpus analysis tools such as #LancsBox are used in order to offer the widest range of examples possible from early modern plays and provide co-textual references for each dance. Examples from Renaissance playwrights are fundamental for the analysis of connotative meanings of the dances listed and their performative, poetic and metaphoric role in sixteenth- and seventeenth-century drama. This study will be of great interest to Renaissance researchers, lexicographers and dance historians.
Author: Artemis Preeshl
Publisher: Routledge
ISBN: 1000441148
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
By examining how female characters speak and act during coming of age, engagement, marriage, and intimacy, Consent in Shakespeare will enhance understanding about how and why women spoke, remained silent, or acted as they did in relation to their intimate partners in Early Modern and contemporary private and public situations in and around the Mediterranean. Consent in intimate relationships is front and center in today’s conversations. This book re-examines the verbal and physical interactions of female-identified characters in Early Modern and contemporary cultures in Shakespeare’s Mediterranean comedies and the sources from which he derived his plays. This re-examination of the words that women say or do not say, and actions that women do or do not take, in Shakespeare’s Mediterranean plays and his probable sources sheds light on how Shakespeare’s audiences might have perceived Mediterranean cultural mores and norms. Assessment of source materials for Shakespeare’s comedies set in the Balkans, France, Italy, the Near East, North Africa, and Spain suggests how women of diverse backgrounds communicated in everyday life and peak life experiences in the Early Modern era. Given Shakespeare’s impact worldwide, this initiative to shift the conversation about the power of consent of female protagonists and supporting characters in Shakespeare’s Mediterranean plays will further transform conversations about consent in class, board and conference rooms, and the international stage.
