Author: Myron Stagman
Publisher: Cambridge Scholars Publishing
ISBN: 1443818054
Category : Drama
Languages : en
Pages : 184
Book Description
Are some of Shakespeare’s romantic storybook heroines actually emoting sexually obscene (but very funny) lines? {“Sexual quibbles (puns, play-on words), covertly uttered by precious-and-pure heroines, call for an immediate revision of viewpoint.”} When Fernando (The Tempest) is described as bravely swimming for shore “in lusty stroke”, would he be disqualified for doing this in Olympic competition? Before the walls of Harfleur, when Henry V threatens to “mow like grass your fresh-fair virgins” and have “your naked infants spitted upon pikes”, is he (and by inference his creator) barbarous? Or is he doing an hilarious comic imitation of Marlowe’s Tamburlaine before the walls of Damascus? {“There exists an interesting Marlovian source for the Tamburlaine protagonist himself—Ivan the Terrible. He proposed marriage to Queen Elizabeth, who tactfully turned him down.”} Rule Number 1: If a good writer seems surprisingly inept and has been known to be a wit or humorist, suspect parody or satire. Well, esteemed readers, you decide where to place your bets. On the critics? Or on William Shakespeare?
Shakespeare’s Double-Dealing Comedies
Author: Myron Stagman
Publisher: Cambridge Scholars Publishing
ISBN: 1443818054
Category : Drama
Languages : en
Pages : 184
Book Description
Are some of Shakespeare’s romantic storybook heroines actually emoting sexually obscene (but very funny) lines? {“Sexual quibbles (puns, play-on words), covertly uttered by precious-and-pure heroines, call for an immediate revision of viewpoint.”} When Fernando (The Tempest) is described as bravely swimming for shore “in lusty stroke”, would he be disqualified for doing this in Olympic competition? Before the walls of Harfleur, when Henry V threatens to “mow like grass your fresh-fair virgins” and have “your naked infants spitted upon pikes”, is he (and by inference his creator) barbarous? Or is he doing an hilarious comic imitation of Marlowe’s Tamburlaine before the walls of Damascus? {“There exists an interesting Marlovian source for the Tamburlaine protagonist himself—Ivan the Terrible. He proposed marriage to Queen Elizabeth, who tactfully turned him down.”} Rule Number 1: If a good writer seems surprisingly inept and has been known to be a wit or humorist, suspect parody or satire. Well, esteemed readers, you decide where to place your bets. On the critics? Or on William Shakespeare?
Publisher: Cambridge Scholars Publishing
ISBN: 1443818054
Category : Drama
Languages : en
Pages : 184
Book Description
Are some of Shakespeare’s romantic storybook heroines actually emoting sexually obscene (but very funny) lines? {“Sexual quibbles (puns, play-on words), covertly uttered by precious-and-pure heroines, call for an immediate revision of viewpoint.”} When Fernando (The Tempest) is described as bravely swimming for shore “in lusty stroke”, would he be disqualified for doing this in Olympic competition? Before the walls of Harfleur, when Henry V threatens to “mow like grass your fresh-fair virgins” and have “your naked infants spitted upon pikes”, is he (and by inference his creator) barbarous? Or is he doing an hilarious comic imitation of Marlowe’s Tamburlaine before the walls of Damascus? {“There exists an interesting Marlovian source for the Tamburlaine protagonist himself—Ivan the Terrible. He proposed marriage to Queen Elizabeth, who tactfully turned him down.”} Rule Number 1: If a good writer seems surprisingly inept and has been known to be a wit or humorist, suspect parody or satire. Well, esteemed readers, you decide where to place your bets. On the critics? Or on William Shakespeare?
Shakespeare’s Greek Drama Secret
Author: Myron Stagman
Publisher: Cambridge Scholars Publishing
ISBN: 1443824666
Category : Drama
Languages : en
Pages : 441
Book Description
To begin with, Shakespeare had a complete grammar school education, and Euripides, Sophocles and Aristophanes were assigned reading!! This book presents voluminous, striking, unmediated textual correspondences between the Greek and Shakespearean plays, and illuminating historical background. Not only should this prove the Shakespeare-Greek Drama connection, but that William Shakespeare became “Shakespeare” because of his mastery of the ancient Greek treasury of Drama. 3. “Pluck’d my nipple from his boneless gums” Many of us associate Lady Macbeth’s special temper with some of the most blood-curdling lines in literature: I have given suck, and know How tender ’tis to love the babe that milks me; I would, while it was smiling in my face, Have pluck’d my nipple from his boneless gums, And dash’d the brains out, had I so sworn As you have done to this. Shakespeare’s precise action image appears in Euripides’ Iphigenia in Aulis, from verses spoken by Clytemnestra. She says to Agamemnon: It was not of my own free will but by force that Thou didst take and wed me, after slaying Tantalus, My former husband, and dashing my babe on the ground alive, When thou hadst torn him from my breast with brutal violence. The derivation of Lady Macbeth’s dashing image cannot be in doubt.
Publisher: Cambridge Scholars Publishing
ISBN: 1443824666
Category : Drama
Languages : en
Pages : 441
Book Description
To begin with, Shakespeare had a complete grammar school education, and Euripides, Sophocles and Aristophanes were assigned reading!! This book presents voluminous, striking, unmediated textual correspondences between the Greek and Shakespearean plays, and illuminating historical background. Not only should this prove the Shakespeare-Greek Drama connection, but that William Shakespeare became “Shakespeare” because of his mastery of the ancient Greek treasury of Drama. 3. “Pluck’d my nipple from his boneless gums” Many of us associate Lady Macbeth’s special temper with some of the most blood-curdling lines in literature: I have given suck, and know How tender ’tis to love the babe that milks me; I would, while it was smiling in my face, Have pluck’d my nipple from his boneless gums, And dash’d the brains out, had I so sworn As you have done to this. Shakespeare’s precise action image appears in Euripides’ Iphigenia in Aulis, from verses spoken by Clytemnestra. She says to Agamemnon: It was not of my own free will but by force that Thou didst take and wed me, after slaying Tantalus, My former husband, and dashing my babe on the ground alive, When thou hadst torn him from my breast with brutal violence. The derivation of Lady Macbeth’s dashing image cannot be in doubt.
Shakespeare and Religion: Global Tapestry, Dramatic Perspectives
Author: Margie Burns
Publisher: Vernon Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Twelve research articles deal with aspects of religion in the plays of William Shakespeare, from early in the dramatist’s career to the end. Ordered by chronology, two chapters focus on history plays; three chapters focus on comedies and three on tragedies; one deals with "Troilus and Cressida," and three chapters deal with the late romances. The anthology does not cover all of Shakespeare’s plays and collaborations or the lyric poems. The collection is ecumenical and transnational. While the contributors all recognize that Shakespeare wrote in a Renaissance Christian universe, Christianity is not the only world religion dealt with. Approaches involve history and philosophy as well as theology, and individual perspectives vary. One thing the collection makes clear is that religion, in some sense, operates in every Shakespearean work, and its large spectrum ranges through plot and character from shallow to deep, self-interested to elevated, bloody to harmonious. Religion and religious differences were also part of the fabric and history of the playwright’s world, manifesting in the plays in situation, language, and iconography. From various perspectives, a common denominator is that the authors approach aspects of religion as one element in an informed analysis of the works.
Publisher: Vernon Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Twelve research articles deal with aspects of religion in the plays of William Shakespeare, from early in the dramatist’s career to the end. Ordered by chronology, two chapters focus on history plays; three chapters focus on comedies and three on tragedies; one deals with "Troilus and Cressida," and three chapters deal with the late romances. The anthology does not cover all of Shakespeare’s plays and collaborations or the lyric poems. The collection is ecumenical and transnational. While the contributors all recognize that Shakespeare wrote in a Renaissance Christian universe, Christianity is not the only world religion dealt with. Approaches involve history and philosophy as well as theology, and individual perspectives vary. One thing the collection makes clear is that religion, in some sense, operates in every Shakespearean work, and its large spectrum ranges through plot and character from shallow to deep, self-interested to elevated, bloody to harmonious. Religion and religious differences were also part of the fabric and history of the playwright’s world, manifesting in the plays in situation, language, and iconography. From various perspectives, a common denominator is that the authors approach aspects of religion as one element in an informed analysis of the works.
The Comedies of William Shakespeare
Author: William Shakespeare
Publisher: BookCaps Study Guides
ISBN: 1610426320
Category : Drama
Languages : en
Pages : 1109
Book Description
A massive anthology of Shakespeare's comedies are collected here; included is an analysis of each major work and a biography about the life and times of Shakespeare. The following works are included in this collection: All's Well That Ends Well As You Like It The Comedy of Errors A Fairy Tale in Two Acts Taken from Shakespeare Love’s Labour’s Lost Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Pericles Prince of Tyre The Taming of the Shrew The Tempest Twelfth Night Two Gentlemen of Verona The Winter's Tale
Publisher: BookCaps Study Guides
ISBN: 1610426320
Category : Drama
Languages : en
Pages : 1109
Book Description
A massive anthology of Shakespeare's comedies are collected here; included is an analysis of each major work and a biography about the life and times of Shakespeare. The following works are included in this collection: All's Well That Ends Well As You Like It The Comedy of Errors A Fairy Tale in Two Acts Taken from Shakespeare Love’s Labour’s Lost Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Pericles Prince of Tyre The Taming of the Shrew The Tempest Twelfth Night Two Gentlemen of Verona The Winter's Tale
Shakespeare's Comedy of The Merchant of Venice
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
Book Description
Shakespeare's Comedy of Twelfth Night
Author: William Shakespeare
Publisher:
ISBN:
Category : Brothers and sisters
Languages : en
Pages : 210
Book Description
Publisher:
ISBN:
Category : Brothers and sisters
Languages : en
Pages : 210
Book Description
Mr. William Shakespeare's Comedies, Histories, Tragedies and Poems: Comedies
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
Book Description
The Comedies of Shakespeare
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 1212
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1212
Book Description
The Comedies, Histories, Tragedies, and Poems of William Shakespeare
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 552
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 552
Book Description
The Metamorphoses of Shakespearean Comedy
Author: William C. Carroll
Publisher: Princeton University Press
ISBN: 1400854814
Category : Drama
Languages : en
Pages : 304
Book Description
This book argues that the idea of metamorphosis is central to both the theory and practice of Shakespearean comedy. It offers a synthesis of several major themes of Shakespearean comedy--identity, change, desire, marriage, and comic form--under the master trope of transformation. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400854814
Category : Drama
Languages : en
Pages : 304
Book Description
This book argues that the idea of metamorphosis is central to both the theory and practice of Shakespearean comedy. It offers a synthesis of several major themes of Shakespearean comedy--identity, change, desire, marriage, and comic form--under the master trope of transformation. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.