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Author: William Shakespeare
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 108
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 108
Get Book Here
Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 328
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Author: William Shakespeare
Publisher: Bantam Classics
ISBN: 0307420590
Category : Drama
Languages : en
Pages : 736
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Book Description
The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography
Author: Horacio Sierra
Publisher: Cambridge Scholars Publishing
ISBN: 1443845507
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
The last decade has witnessed a spate of high-profile presentations of The Merchant of Venice: the 2004 Michael Radford film, 2010’s New York City “Shakespeare in the Park” production, as well as the play’s Tony Award-nominated 2010-11 Broadway run. Likewise, new scholarly works such as Kenneth Gross’s Shylock is Shakespeare (2006) and Janet Adelman’s Blood Relations (2008) have offered poignant insights into this play. Why has this drama garnered so much attention of late? What else can we learn from this contentious comedy? How else can we read the drama’s characters? Where do studies of The Merchant of Venice go from here? This collection offers readers sundry answers to these questions by showcasing a sampling of ways this culturally arresting play can be read and interpreted. The strength of this monograph lies in the disparate approaches its contributors offer – from a feminist view of Portia and Nerissa’s friendship to psychoanalytic readings of allegories between the play and Shakespeare’s Pericles to a reading of a Manga comic book version of The Merchant of Venice. Each essay is supported by a strong basis in traditional close reading practices. Our collection of scholars then buttresses such work with the theoretical or pedagogical frameworks that reflect their area of expertise. This collection offers readers different critical lenses through which to approach the primary text. Although Shakespeare scholars and graduate students will no doubt appreciate and employ the work of this collection, the primary audience of this anthology is undergraduate students and the professors who work with them. Many budding scholars have had the experience of checking out a monograph from the library and then finding it was a waste of time because the author spends three hundred pages discussing a perspective of which they have no interest. With this collection, students will not only see how multi-faceted interpretations of the play can be but they also are more likely to find essays that appeal to their own research interests.
Author: Anni St.
Publisher: GRIN Verlag
ISBN: 3656136653
Category : Language Arts & Disciplines
Languages : en
Pages : 29
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Book Description
Seminar paper from the year 2010 in the subject English - Literature, Works, grade: 1,3, RWTH Aachen University (Institut für Anglistik), course: Hauptseminar Shakespeare's Comedies, language: English, abstract: The first question that Shakespeare's play The Merchant of Venice raises is "What kind of play is this? Is it a comedy, a tragedy or a problem play?" The Merchant of Venice is believed to be written between 1596 and 1598. Already from the very beginning, hardly any other play has experienced so many diverse receptions after its publication. In his essay on The Merchant of Venice, Walter Cohen comments that "no other Shakespeare comedy before All's Well That Ends Well (1602) and Measure for Measure (1604), perhaps no other Shakespeare comedy at all, has excited comparable controversy." Although the title page of the first edition of the play "The Most Excellent Historie of the Merchant of Venice" (first print in 1600) suggested it to be a history play, it had initially been classified as a comedy. In 1623, Heminges and Condell placed The Merchant of Venice among the comedies in the First Folio of Shakespeare's works. However, many readers, actors, directors and playgoers still argue about the genre of the play. They have difficulties in defining The Merchant of Venice as a comedy as the following quotation shows: "Indeed, seen from any angle, The Merchant of Venice is not a very funny play, and we might gain a lot if, for the moment, we ceased to be bullied by its inclusion in the comedies." Today, The Merchant of Venice is often read and played more like a problem play or even a tragedy. The following term paper deals with the classification of the literary genre of The Merchant of Venice. Does the play belong to the category of comedies or shall it rather be identified as a tragedy or problem play? To assign the play to a specific category, it is necessary to shortly present the criteria of the genres comedy, tragedy and problem play. In chapter 3, the pl
Author: Alexander Leggatt
Publisher: Psychology Press
ISBN: 9780415352680
Category : Drama
Languages : en
Pages : 296
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Book Description
This study removes some of the critical puzzles that Shakespeare's comedies of love have posed in the past. The author shows that what distinguishes the comedies is not their similarity but their variety.
Author: Marjorie Garber
Publisher: Anchor
ISBN: 0307490815
Category : Drama
Languages : en
Pages : 1010
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Book Description
A brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country’s foremost authorities on his life and work. Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare’s life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.
Author: William Shakespeare
Publisher: Library of Alexandria
ISBN: 146558739X
Category : Fiction
Languages : en
Pages : 103
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Book Description
Your silence and attention, worthy friends, That your free spirits may with more pleasing sense Relish the life of this our active scene: To which intent, to calm this murmuring breath, We ring this round with our invoking spells; If that your listning ears be yet prepard To entertain the subject of our play, Lend us your patience. Tis Peter Fabell, a renowned Scholler, Whose fame hath still been hitherto forgot By all the writers of this latter age. In Middle-sex his birth and his abode, Not full seven mile from this great famous City, That, for his fame in sleights and magicke won, Was calde the merry Friend of Emonton. If any here make doubt of such a name, In Edmonton yet fresh unto this day, Fixt in the wall of that old antient Church, His monument remayneth to be seen; His memory yet in the mouths of men, That whilst he lived he could deceive the Devill. Imagine now that whilst he is retirde From Cambridge back unto his native home, Suppose the silent, sable visagde night Casts her black curtain over all the World; And whilst he sleeps within his silent bed, Toiled with the studies of the passed day, The very time and hour wherein that spirit That many years attended his command, And often times twixt Cambridge and that town Had in a minute borne him through the air, By composition twixt the fiend and him, Comes now to claim the Scholler for his due.
Author: William Shakespeare
Publisher:
ISBN: 1406820873
Category : Drama
Languages : en
Pages : 124
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Book Description
This clear print title is set in Tiresias 13pt font for easy reading
