Author: Sīrūs Ghanī
Publisher:
ISBN: 9781933823249
Category : Great Britain
Languages : en
Pages : 0
Book Description
No writer's work has been studied more closely or more often than the plays of William Shakespeare, that master of language and peerless explorer of the human heart. Books about him number in the thousands, yet "Shakespeare, Persia, and the East" brings a truly fresh perspective to his genius. In the three dozen plays he composed between 1590 and 1612, Shakespeare ranged far and wide in his imagination, setting some of his tales in places as varied as Denmark, Venice and Athens - while drawing on a rich array of imagery and lore from lands further east. This remarkable book by a lifelong student of Shakespeare, Cyrus Ghani, reveals how rich a source of inspiration those exotic Eastern realms were for the playwright. Elizabethan England was especially fascinated by Persia, whose deep-rooted culture was then flourishing under the Safavid dynasty. An Englishman first visited there in 1562, two years before Shakespeare's birth. More contacts between England and Persia followed, prompted by hopes of a lucrative trading relationship and a possible military alliance against the Ottoman Turks. A pair of English adventurers, Anthony and Robert Sherley, spent years attempting to establish these ties, not always scrupulously, and their story was well known to England's greatest dramatist. To illuminate the creative uses Shakespeare made of the East, this book first looks at the life of the playwright himself, then at the dynasties that did so much to shape England and Persia in that tumultuous age. Other sections in the book profile key figures in the efforts to forge a connection between the two lands, with particular focus on the colourful Sherleys and their fatally ambitious sponsor, the Earl of Essex -- a great admirer of Shakespeare. The final section of the book briefly describes the plays and cites their many allusions to the East -- testimony that this literary giant was very much a man of his time.
Shakespeare, Persia, and the East
Author: Sīrūs Ghanī
Publisher:
ISBN: 9781933823249
Category : Great Britain
Languages : en
Pages : 0
Book Description
No writer's work has been studied more closely or more often than the plays of William Shakespeare, that master of language and peerless explorer of the human heart. Books about him number in the thousands, yet "Shakespeare, Persia, and the East" brings a truly fresh perspective to his genius. In the three dozen plays he composed between 1590 and 1612, Shakespeare ranged far and wide in his imagination, setting some of his tales in places as varied as Denmark, Venice and Athens - while drawing on a rich array of imagery and lore from lands further east. This remarkable book by a lifelong student of Shakespeare, Cyrus Ghani, reveals how rich a source of inspiration those exotic Eastern realms were for the playwright. Elizabethan England was especially fascinated by Persia, whose deep-rooted culture was then flourishing under the Safavid dynasty. An Englishman first visited there in 1562, two years before Shakespeare's birth. More contacts between England and Persia followed, prompted by hopes of a lucrative trading relationship and a possible military alliance against the Ottoman Turks. A pair of English adventurers, Anthony and Robert Sherley, spent years attempting to establish these ties, not always scrupulously, and their story was well known to England's greatest dramatist. To illuminate the creative uses Shakespeare made of the East, this book first looks at the life of the playwright himself, then at the dynasties that did so much to shape England and Persia in that tumultuous age. Other sections in the book profile key figures in the efforts to forge a connection between the two lands, with particular focus on the colourful Sherleys and their fatally ambitious sponsor, the Earl of Essex -- a great admirer of Shakespeare. The final section of the book briefly describes the plays and cites their many allusions to the East -- testimony that this literary giant was very much a man of his time.
Publisher:
ISBN: 9781933823249
Category : Great Britain
Languages : en
Pages : 0
Book Description
No writer's work has been studied more closely or more often than the plays of William Shakespeare, that master of language and peerless explorer of the human heart. Books about him number in the thousands, yet "Shakespeare, Persia, and the East" brings a truly fresh perspective to his genius. In the three dozen plays he composed between 1590 and 1612, Shakespeare ranged far and wide in his imagination, setting some of his tales in places as varied as Denmark, Venice and Athens - while drawing on a rich array of imagery and lore from lands further east. This remarkable book by a lifelong student of Shakespeare, Cyrus Ghani, reveals how rich a source of inspiration those exotic Eastern realms were for the playwright. Elizabethan England was especially fascinated by Persia, whose deep-rooted culture was then flourishing under the Safavid dynasty. An Englishman first visited there in 1562, two years before Shakespeare's birth. More contacts between England and Persia followed, prompted by hopes of a lucrative trading relationship and a possible military alliance against the Ottoman Turks. A pair of English adventurers, Anthony and Robert Sherley, spent years attempting to establish these ties, not always scrupulously, and their story was well known to England's greatest dramatist. To illuminate the creative uses Shakespeare made of the East, this book first looks at the life of the playwright himself, then at the dynasties that did so much to shape England and Persia in that tumultuous age. Other sections in the book profile key figures in the efforts to forge a connection between the two lands, with particular focus on the colourful Sherleys and their fatally ambitious sponsor, the Earl of Essex -- a great admirer of Shakespeare. The final section of the book briefly describes the plays and cites their many allusions to the East -- testimony that this literary giant was very much a man of his time.
Worldly Shakespeare
Author: Richard Wilson
Publisher: Edinburgh University Press
ISBN: 1474411339
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
A comprehensive rereading of Shakespeare's plays in light of current debates about free speech and toleration.
Publisher: Edinburgh University Press
ISBN: 1474411339
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
A comprehensive rereading of Shakespeare's plays in light of current debates about free speech and toleration.
Marxist Shakespeares
Author: Jean Elizabeth Howard
Publisher: Psychology Press
ISBN: 9780415202336
Category : Drama
Languages : en
Pages : 322
Book Description
This book reveals the continuing power of Marxist thought to address: the relationship of texts to social class; the historical construction of the aesthetic; and utopian dimensions of literary production.
Publisher: Psychology Press
ISBN: 9780415202336
Category : Drama
Languages : en
Pages : 322
Book Description
This book reveals the continuing power of Marxist thought to address: the relationship of texts to social class; the historical construction of the aesthetic; and utopian dimensions of literary production.
All the World's a Stage
Author: Jayne Seagrave
Publisher: Heritage House Publishing Co
ISBN: 1772031771
Category : Drama
Languages : en
Pages : 311
Book Description
A celebration of the twenty-eight-year history of Western Canada’s most illustrious Shakespeare festival. Over the summer of 1990, six thousand Vancouverites flocked into a rented tent at Vanier Park to watch A Midsummer Night’s Dream. It was the inaugural production of what would become one of the city’s most popular and enduring yearly cultural events, the Bard on the Beach Shakespeare Festival. Twenty-five years after Bard’s debut, the company had an operating budget of almost $6 million, and attendance had ballooned to nearly 100,000 for the season. Today it is undoubtedly one of the most successful theatre companies in the country. Bestselling author and long-time Bard aficionado Jayne Seagrave goes behind the scenes to discover what makes the festival tick. The story of Bard on the Beach unfolds in five “acts” highlighting the people, history, growth, and future of this unique theatre company and features dozens of full-colour photographs of sumptuous sets, elaborate costumes, tireless volunteers, actors in mid-soliloquy, and more. All the World’s a Stage is a stunning, informative, and entertaining keepsake for Bard on the Beach fans new and old.
Publisher: Heritage House Publishing Co
ISBN: 1772031771
Category : Drama
Languages : en
Pages : 311
Book Description
A celebration of the twenty-eight-year history of Western Canada’s most illustrious Shakespeare festival. Over the summer of 1990, six thousand Vancouverites flocked into a rented tent at Vanier Park to watch A Midsummer Night’s Dream. It was the inaugural production of what would become one of the city’s most popular and enduring yearly cultural events, the Bard on the Beach Shakespeare Festival. Twenty-five years after Bard’s debut, the company had an operating budget of almost $6 million, and attendance had ballooned to nearly 100,000 for the season. Today it is undoubtedly one of the most successful theatre companies in the country. Bestselling author and long-time Bard aficionado Jayne Seagrave goes behind the scenes to discover what makes the festival tick. The story of Bard on the Beach unfolds in five “acts” highlighting the people, history, growth, and future of this unique theatre company and features dozens of full-colour photographs of sumptuous sets, elaborate costumes, tireless volunteers, actors in mid-soliloquy, and more. All the World’s a Stage is a stunning, informative, and entertaining keepsake for Bard on the Beach fans new and old.
Humankinds
Author: Andreas Höfele
Publisher: Walter de Gruyter
ISBN: 3110258307
Category : History
Languages : en
Pages : 289
Book Description
Anthropology is a notoriously polysemous term. Within a continental European academic context, it is usually employed in the sense of philosophical anthropology, and mainly concerned with exploring concepts of a universal human nature. By contrast, Anglo-American scholarship almost exclusively associates anthropology with the investigation of cultural and ethnic differences (cultural anthropology). How these two main traditions (and their 'derivations' such as literary anthropology, historical anthropology, ethnology, ethnography, intercultural studies) relate to each other is a matter of debate. Both, however, have their roots in the path-breaking changes that occurred within sixteenth and early seventeenth-century culture and scientific discourse. It was in fact during this period that the term anthropology first acquired the meanings on which its current usage is based. The Renaissance did not 'invent' the human. But the period that gave rise to 'humanism' witnessed an unprecedented diversification of the concept that was at its very core. The question of what defines the human became increasingly contested as new developments like the emergence of the natural sciences, religious pluralisation, as well as colonial expansion, were undermining old certainties. The proliferation of doctrines of the human in the early modern age bears out the assumption that anthropology is a discipline of crisis, seeking to establish sets of common values and discursive norms in situations when authority finds itself under pressure.
Publisher: Walter de Gruyter
ISBN: 3110258307
Category : History
Languages : en
Pages : 289
Book Description
Anthropology is a notoriously polysemous term. Within a continental European academic context, it is usually employed in the sense of philosophical anthropology, and mainly concerned with exploring concepts of a universal human nature. By contrast, Anglo-American scholarship almost exclusively associates anthropology with the investigation of cultural and ethnic differences (cultural anthropology). How these two main traditions (and their 'derivations' such as literary anthropology, historical anthropology, ethnology, ethnography, intercultural studies) relate to each other is a matter of debate. Both, however, have their roots in the path-breaking changes that occurred within sixteenth and early seventeenth-century culture and scientific discourse. It was in fact during this period that the term anthropology first acquired the meanings on which its current usage is based. The Renaissance did not 'invent' the human. But the period that gave rise to 'humanism' witnessed an unprecedented diversification of the concept that was at its very core. The question of what defines the human became increasingly contested as new developments like the emergence of the natural sciences, religious pluralisation, as well as colonial expansion, were undermining old certainties. The proliferation of doctrines of the human in the early modern age bears out the assumption that anthropology is a discipline of crisis, seeking to establish sets of common values and discursive norms in situations when authority finds itself under pressure.
The Oxford Handbook of Shakespeare
Author: Arthur F. Kinney
Publisher: Oxford University Press
ISBN: 0199566100
Category : Drama
Languages : en
Pages : 846
Book Description
Contains forty original essays.
Publisher: Oxford University Press
ISBN: 0199566100
Category : Drama
Languages : en
Pages : 846
Book Description
Contains forty original essays.
Jane Austen and William Shakespeare
Author: Marina Cano
Publisher: Springer Nature
ISBN: 3030256898
Category : Literary Criticism
Languages : en
Pages : 422
Book Description
This volume explores the multiple connections between the two most canonical authors in English, Jane Austen and William Shakespeare. The collection reflects on the historical, literary, critical and filmic links between the authors and their fates. Considering the implications of the popular cult of Austen and Shakespeare, the essays are interdisciplinary and comparative: ranging from Austen’s and Shakespeare’s biographies to their presence in the modern vampire saga Twilight, passing by Shakespearean echoes in Austen’s novels and the authors’ afterlives on the improv stage, in wartime cinema, modern biopics and crime fiction. The volume concludes with an account of the Exhibition “Will & Jane” at the Folger Shakespeare Library, which literally brought the two authors together in the autumn of 2016. Collectively, the essays mark and celebrate what we have called the long-standing “love affair” between William Shakespeare and Jane Austen—over 200 years and counting.
Publisher: Springer Nature
ISBN: 3030256898
Category : Literary Criticism
Languages : en
Pages : 422
Book Description
This volume explores the multiple connections between the two most canonical authors in English, Jane Austen and William Shakespeare. The collection reflects on the historical, literary, critical and filmic links between the authors and their fates. Considering the implications of the popular cult of Austen and Shakespeare, the essays are interdisciplinary and comparative: ranging from Austen’s and Shakespeare’s biographies to their presence in the modern vampire saga Twilight, passing by Shakespearean echoes in Austen’s novels and the authors’ afterlives on the improv stage, in wartime cinema, modern biopics and crime fiction. The volume concludes with an account of the Exhibition “Will & Jane” at the Folger Shakespeare Library, which literally brought the two authors together in the autumn of 2016. Collectively, the essays mark and celebrate what we have called the long-standing “love affair” between William Shakespeare and Jane Austen—over 200 years and counting.
Persian Presence in Victorian Poetry
Author: Taher-Kermani Reza Taher-Kermani
Publisher: Edinburgh University Press
ISBN: 1474448194
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
A study of the wealth of meanings that 'Persia' - real or imagined - held for Victorian poetryTakes a broad, interdisciplinary approach to a significant strand in the 'Oriental' texture of Victorian poetry Contributes to a growing body of research on the process of cultural exchange between the West and the 'Orient' Provides the first systematic index of nineteenth-century 'Persianised' poemsOffers a distinctive mix of history and literature, dealing with an array of texts, ranging from ancient Greece to nineteenth-century British travel writings The Persian Presence in Victorian Poetry surveys the variety of ways in which Persia, and the multitude of ideological, historical, cultural and political notions that it embodied, were received, circulated and appropriated. Providing the first systematic index of nineteenth-century poems that were in any way involved with Persia, the book explores its presence across a broad range of works incorporating literary, historical and cultural material.
Publisher: Edinburgh University Press
ISBN: 1474448194
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
A study of the wealth of meanings that 'Persia' - real or imagined - held for Victorian poetryTakes a broad, interdisciplinary approach to a significant strand in the 'Oriental' texture of Victorian poetry Contributes to a growing body of research on the process of cultural exchange between the West and the 'Orient' Provides the first systematic index of nineteenth-century 'Persianised' poemsOffers a distinctive mix of history and literature, dealing with an array of texts, ranging from ancient Greece to nineteenth-century British travel writings The Persian Presence in Victorian Poetry surveys the variety of ways in which Persia, and the multitude of ideological, historical, cultural and political notions that it embodied, were received, circulated and appropriated. Providing the first systematic index of nineteenth-century poems that were in any way involved with Persia, the book explores its presence across a broad range of works incorporating literary, historical and cultural material.
Eastern Resonances in Early Modern England
Author: Claire Gallien
Publisher: Springer Nature
ISBN: 3030229254
Category : History
Languages : en
Pages : 215
Book Description
The concept of resonance collapses the binary between subject and object, perceiver and perceived, evoking a sound or image that is prolonged and augmented by making contact with another surface. This collection uses resonance as an innovative framework for understanding the circulation of people and objects between England and its multiple Asian Easts. Moving beyond Saidian Orientalism to engage with ongoing critical conversations in the fields of connected history, material culture, and thing theory, it offers a vibrant range of case studies that consider how meanings accrue and shift through circulation and interconnection from the sixteenth to the early nineteenth century. Spanning centuries of traveling translations, narratives, myths, practices, and other cultural phenomena, Eastern Resonances in Early Modern England puts forth resonance not just as a metaphor, but a mode of investigation.
Publisher: Springer Nature
ISBN: 3030229254
Category : History
Languages : en
Pages : 215
Book Description
The concept of resonance collapses the binary between subject and object, perceiver and perceived, evoking a sound or image that is prolonged and augmented by making contact with another surface. This collection uses resonance as an innovative framework for understanding the circulation of people and objects between England and its multiple Asian Easts. Moving beyond Saidian Orientalism to engage with ongoing critical conversations in the fields of connected history, material culture, and thing theory, it offers a vibrant range of case studies that consider how meanings accrue and shift through circulation and interconnection from the sixteenth to the early nineteenth century. Spanning centuries of traveling translations, narratives, myths, practices, and other cultural phenomena, Eastern Resonances in Early Modern England puts forth resonance not just as a metaphor, but a mode of investigation.
The Lives of Girls and Women from the Islamic World in Early Modern British Literature and Culture, 1500-1630
Author: Bernadette Andrea
Publisher: University of Toronto Press
ISBN: 1487501250
Category : History
Languages : en
Pages : 263
Book Description
Cover -- Copyright page -- Contents -- Note on Sources -- Acknowledgments -- Introduction: Can the Subaltern Signify? Tracing the Lives of Girls and Women from the Islamic World in British Literature and Culture, c. 1500-1630 -- Chapter One: The "Presences of Women" from the Islamic World in Late Medieval Scotland and Early Modern England -- Chapter Two: The Islamic World and the Construction of Early Modern Englishwomen's Authorship: Queen Elizabeth I, the Tartar Girl, and the Tartar-Indian Woman -- Chapter Three: The Islamic World and the Construction of Early Modern Englishwomen's Authorship: Lady Mary Wroth, the Tartar-Persian Princess, and the Tartar King -- Chapter Four: Signifying Gender and Islam in Early Shakespeare: The Comedy of Errors (1594) and the Gray's Inn Revels -- Chapter Five: Signifying Gender and Islam in Late Shakespeare: Henry VIII or All is True (1613) and British "Masques of Blackness" -- Chapter Six: The Intersecting Paths of Two Women from the Islamic World: Teresa Sampsonia, Mariam Khanim, and the East India Company -- Notes -- Bibliography -- Index
Publisher: University of Toronto Press
ISBN: 1487501250
Category : History
Languages : en
Pages : 263
Book Description
Cover -- Copyright page -- Contents -- Note on Sources -- Acknowledgments -- Introduction: Can the Subaltern Signify? Tracing the Lives of Girls and Women from the Islamic World in British Literature and Culture, c. 1500-1630 -- Chapter One: The "Presences of Women" from the Islamic World in Late Medieval Scotland and Early Modern England -- Chapter Two: The Islamic World and the Construction of Early Modern Englishwomen's Authorship: Queen Elizabeth I, the Tartar Girl, and the Tartar-Indian Woman -- Chapter Three: The Islamic World and the Construction of Early Modern Englishwomen's Authorship: Lady Mary Wroth, the Tartar-Persian Princess, and the Tartar King -- Chapter Four: Signifying Gender and Islam in Early Shakespeare: The Comedy of Errors (1594) and the Gray's Inn Revels -- Chapter Five: Signifying Gender and Islam in Late Shakespeare: Henry VIII or All is True (1613) and British "Masques of Blackness" -- Chapter Six: The Intersecting Paths of Two Women from the Islamic World: Teresa Sampsonia, Mariam Khanim, and the East India Company -- Notes -- Bibliography -- Index