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Author: J. M. Evenson
Publisher:
ISBN: 9781615931415
Category : Motion picture authorship
Languages : en
Pages : 0
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Book Description
Every writer aspire to create a character like Hamlet or a Love story like Romeo and Juliet. But how did Shakespeare create characters of such compelling psychological depth? What makes his stories so romantic, funny, heartbreaking, and gripping? Why have his creations stood the test of time? Shakespeare for Screenwriters is the first book to use Shakespeare's works to examine the fundamentals of screenwriting, breaking down beloved characters, stories, and scenes to uncover timeless storytelling secrets. Book jacket.
Author: J. M. Evenson
Publisher:
ISBN: 9781615931415
Category : Motion picture authorship
Languages : en
Pages : 0
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Book Description
Every writer aspire to create a character like Hamlet or a Love story like Romeo and Juliet. But how did Shakespeare create characters of such compelling psychological depth? What makes his stories so romantic, funny, heartbreaking, and gripping? Why have his creations stood the test of time? Shakespeare for Screenwriters is the first book to use Shakespeare's works to examine the fundamentals of screenwriting, breaking down beloved characters, stories, and scenes to uncover timeless storytelling secrets. Book jacket.
Author: Linda Seger
Publisher:
ISBN: 9781932907384
Category : Crash (Motion picture : 2004)
Languages : en
Pages : 0
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Book Description
This book provides a CSI (Crime Scene Investigation) approach to Academy Award-winning screenplays, giving you the nitty gritty details of how an Academy Award script was created.
Author: Lance Lee
Publisher: University of Texas Press
ISBN: 029277804X
Category : Performing Arts
Languages : en
Pages : 164
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Book Description
Writing successful screenplays that capture the public imagination and richly reward the screenwriter requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial for writing a memorable movie. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method. Lee explores each aspect of screenwriting in detail. He covers primary plot elements, dramatic reality, storytelling stance and plot types, character, mind in drama, spectacle and other elements, and developing and filming the story. Relevant examples from dozens of American and foreign films, including Rear Window, Blue, Witness, The Usual Suspects, Virgin Spring, Fanny and Alexander, The Godfather, and On the Waterfront, as well as from dramas ranging from the Greek tragedies to the plays of Shakespeare and Ibsen, illustrate all of his points. This new overview of the dramatic art provides a highly useful update for all students and professionals who have tried to adapt the principles of Aristotle's Poetics to the needs of modern screenwriting. By explaining "why" good screenplays work, this book is the indispensable companion for all the "how-to" guides.
Author: Pauline Kiernan
Publisher:
ISBN: 9781908264008
Category : Art
Languages : en
Pages : 202
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Book Description
At a time when mainstream and independent film producers are despairing at their slush piles of tent-pole scripts that are derivative, formulaic and forgettable, desperately searching for bold and original work, screenwriter and Shakespeare scholar Pauline Kiernan offers a radically new and provocative approach to screenwriting for writers who want to discover how to create screenplays that are daring, inventive and wholly original- and have a real chance of getting developed. Out go the '3-Act Structure' and other structural constraints prescribed by the screenwriting 'gurus' that lead only to existential despair. Instead, the focus is on orchestrating all the elements of the script around the central imperative of all storytelling which Kiernan calls Emotional Pull. Intensive practical workouts and unorthodox ideas and inspirations as well as weblinks for scripts and video clips show how the screenwriter can develop for themselves their unique, creative vision to create screenplays of originality and solid market potential. Screenwriting They Can't Resist is for writers passionate about the wondrous potential of cinematic storytelling, who want their screenplays to challenge and disturb, excite and exhilarate an audience, and leave them emotionally and mentally stretched. Pauline Kiernan is a commissioned screenwriter, award-winning playwright and distinguished Shakespeare scholar. She is a visiting screenwriting tutor at the University of Oxford and creator of the website Unique Screenwriting.
Author: Jill Chamberlain
Publisher: University of Texas Press
ISBN: 1477303731
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.
Author: Jack Epps, Jr.
Publisher: Bloomsbury Publishing USA
ISBN: 1628927380
Category : Performing Arts
Languages : en
Pages : 361
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Book Description
If there is one skill that separates the professional screenwriter from the amateur, it is the ability to rewrite successfully. From Jack Epps, Jr., the screenwriter of Top Gun, Dick Tracy, and The Secret of My Success, comes a comprehensive guide that explores the many layers of rewriting. In Screenwriting is Rewriting, Epps provides a practical and tested approach to organizing notes, creating a game plan, and executing a series of focused passes that address the story, character, theme, structure, and plot issues. Included are sample notes, game plans, and beat sheets from Epps' work on films such as Sister Act and Turner and Hooch. Also featured are exclusive interviews with Academy Award® winning screenwriters Robert Towne (Chinatown) and Frank Pierson (Dog Day Afternoon), along with Academy Award® nominee Susannah Grant (Erin Brockovich).
Author: Ted Nannicelli
Publisher: Routledge
ISBN: 0415521440
Category : Art
Languages : en
Pages : 278
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Book Description
Recently, scholars in a variety of disciplines--including philosophy, film and media studies, and literary studies--have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art--more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
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Book Description
Author: Marc Norman
Publisher: Gardners Books
ISBN: 9780571201082
Category : Performing Arts
Languages : en
Pages : 169
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Book Description
The companion screenplay to the acclaimed Miramax/Universal/Bedford Falls Company Film starring Gwyneth Paltrow, Joseph Fiennes, Ben Affleck, Geoffrey Rush, Colin Firth, and Dame Judy Dench. It is the summer of 1593, and the rising young star of London's theater scene, Will Shakespeare, faces a scourge like no other: a paralyzing bout of writer's block. The great Elizabethan age of entertainment unfolds around him, but Will is without inspiration, he just can't seem to work up any enthusiasm for his latest play, "Romeo and Ethel, the Pirate's Daughter." What he needs is a muse. She appears when Lady Viola, desperate to become an actor in a time when women are forbidden on stage, disguises herself as a man to audition for Will's play. But the guise slips away as their passion ignites. Now Will's quill again begins to flow, turning love into words, as Viola becomes his real-life Juliet and Romeo finds his reason to exist.
Author: Magdalena Cieslak
Publisher: Rowman & Littlefield
ISBN: 1498563759
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
When adapting Shakespeare's comedies, cinema and television have to address the differences and incompatibilities between early modern gender constructs and contemporary cultural, social, and political contexts. Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in the Twenty-First Century analyzes methods employed by cinema and television in approaching those aspects of Shakespeare's comedies, indicating a range of ways in which adaptations made in the twenty-first century approach the problems of cultural and social normativity, gender politics, stereotypes of femininity and masculinity, the dynamic of power relations between men and women, and social roles of men and women. This book discusses both mainstream cinematic productions, such as Michael Radford's The Merchant of Venice or Julie Taymor's The Tempest, and more low-key adaptations, such as Kenneth Branagh's As You Like It and Joss Whedon's Much Ado About Nothing, as well as the three comedies of BBC ShakespeaRe-Told miniseries: Much Ado About Nothing, The Taming of the Shrew, and A Midsummer Night's Dream. This book examines how the analyzed films deal with elements of Shakespeare's comedies that appear subversive, challenging, or offensive to today's culture, and how they interpret or update gender issues to reconcile Shakespeare with contemporary cultural norms. By exploring tensions and negotiations between early modern and present-day gender politics, the book defines the prevailing attitudes of recent adaptations in relation to those issues, and identifies the most popular strategies of accommodating early modern constructs for contemporary audiences.
