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Author: Murray Cox
Publisher: Jessica Kingsley Publishers
ISBN: 9781853021350
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
Between 1989 and 1991 several of Shakespeare's tragedies were performed in the central hall of Broadmoor Hospital. This book sets these important events on record. It offers insights into the impact of such drama, in such a setting, upon actors and audience. It includes interviews with the directors and the actors playing the title roles, as well as a description of the hospital and its community of patients and staff. The performances were given by actors from The Royal Shakespeare Company (Hamlet and Romeo and Juliet), The Royal National Theatre (King Lear) and the Wilde Community Theatre Company, a local amateur drama group (Measure for Measure). An account is given of `workshops' which took place after the performances. And a collage of comment, by actors and audience, is presented as a stream of corporate consciousness. The final section of the book has a more academic timbre, including chapters on performance and projective possibilities, the nature and scope of dramatherapy, and contributions on the place of drama in custodial settings by specialists from a variety of disciplines.
Author: Murray Cox
Publisher: Jessica Kingsley Publishers
ISBN: 9781853021350
Category : Performing Arts
Languages : en
Pages : 312
Get Book Here
Book Description
Between 1989 and 1991 several of Shakespeare's tragedies were performed in the central hall of Broadmoor Hospital. This book sets these important events on record. It offers insights into the impact of such drama, in such a setting, upon actors and audience. It includes interviews with the directors and the actors playing the title roles, as well as a description of the hospital and its community of patients and staff. The performances were given by actors from The Royal Shakespeare Company (Hamlet and Romeo and Juliet), The Royal National Theatre (King Lear) and the Wilde Community Theatre Company, a local amateur drama group (Measure for Measure). An account is given of `workshops' which took place after the performances. And a collage of comment, by actors and audience, is presented as a stream of corporate consciousness. The final section of the book has a more academic timbre, including chapters on performance and projective possibilities, the nature and scope of dramatherapy, and contributions on the place of drama in custodial settings by specialists from a variety of disciplines.
Author: Sue Jennings
Publisher: Psychology Press
ISBN: 9780415131407
Category : Medical
Languages : en
Pages : 372
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Book Description
Brings you up-to-date with the latest developments in dramatherapy. Shows how dramatherapy is evolving its own theory, methodology and models for assessment and supervision. Twenty-nine international contributors.
Author: Murray Cox
Publisher: Jessica Kingsley Publishers
ISBN: 9781853021596
Category : Literary Criticism
Languages : en
Pages : 482
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Book Description
Prompting is the thematic thread that pervades the pages of this book. Its primary connotation is that of the prompter who is urgently called into action, at moments of anxiety, when narrative begins to fail. The central dynamic issue concerns the amending imagination as a prompting resource which, through creativity and the aesthetic imperative, can be invoked in this therapeutic space when the patient - through fear, resistance or distraction - is unable to continue with his story. Psychotherapy can be regarded as a process in which the patient is enabled to do for himself what he cannot do on his own. Shakespeare - as the spokesman for all other poets and dramatists - prompts the therapist in the incessant search for those resonant rhythms and mutative metaphors which augment empathy and make for deeper communication and which also facilitates transference interpretation and resolution. The cadence of the spoken word and the different laminations of silence always call for more finely tuned attentiveness than the therapist, unprompted, can offer. The authors show how Shakespeare can prompt therapeutic engagement with "inaccessible" patients who might otherwise be out of therapeutic reach. At the same time, they demonstrate that the clinical, off-stage world of therapy can also prompt the work of the actor in his on-stage search for representational precision.
Author: David Elliott
Publisher: Oxford University Press
ISBN: 0199393761
Category : Music
Languages : en
Pages : 617
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Book Description
This first-of-its-kind compendium unites perspectives from artists, scholars, arts educators, policymakers, and activists to investigate the complex system of values surrounding artistic-educational endeavors. Addressing a range of artistic domains-including music, dance, theater, visual arts, film, and poetry-contributors explore and critique the conventions that govern our interactions with these practices. Artistic Citizenship focuses on the social responsibilities and functions of amateur and professional artists and examines ethical issues that are conventionally dismissed in discourses on these topics. The questions this book addresses include: How does the concept of citizenship relate to the arts? What sociocultural, political, environmental, and gendered "goods" can artistic engagements create for people worldwide? Do particular artistic endeavors have distinctive potentials for nurturing artistic citizenship? What are the most effective strategies in the arts to institute change and/or resist local, national, and world problems? What obligations do artists and consumers of art have to facilitate relationships between the arts and citizenship? How can artistic activities contribute to the eradication of adverse 'ism's? A substantial accompanying website features video clips of "artivism" in action, videotaped interviews with scholars and practitioners working in a variety of spaces and places, a blog, and supplementary resources about existing and emerging initiatives. Thoroughly researched and engagingly written, Artistic Citizenship is an essential text for artists, scholars, policymakers, educators, and students.
Author: Brett Kahr
Publisher: Routledge
ISBN: 0429916558
Category : Psychology
Languages : en
Pages : 380
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Book Description
New Horizons in Forensic Psychotherapy: Exploring the Work of Estela V. Welldon, edited by the author, contains many rich contributions by some of Welldon's most distinguished former students and proteges. The book consists of important chapters on the creative ways in which colleagues have utilised and expanded upon Welldon's work in the field of forensic psychotherapy in a variety of settings, including in hospitals, prisons, community mental health clinics, and, also, in private practice.
Author: Sue Jennings
Publisher: Routledge
ISBN: 1317798945
Category : Psychology
Languages : en
Pages : 372
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Book Description
The third volume of Dramatherapy: Theory and Practice brings the reader up-to-date with the latest developments in the profession of dramatherapy and tackles key issues in contemporary social relationships. It shows how dramatherapy is evolving its own theory and methodology as well as specific models for supervision and assessment. Dramatherapy is now being used in a broad continuum of care and contributors give many examples of its practice in contexts of prevention, maintenance and cure. This new volume has twenty-nine international contributors and covers major new themes of gender, race and politics as well as incorporating the latest method, theoretical concepts and research.
Author: Herschel A. Prins
Publisher: Psychology Press
ISBN: 0415102200
Category : Crime prevention
Languages : en
Pages : 298
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Book Description
Examines the relationship between mental abnormality and criminal behaviour, the ways this is used or misused in the courts and the treatment available. Thoroughly updated and unique in its multidisciplinary approach.
Author: Andrew Sims
Publisher: Bloomsbury Publishing
ISBN: 1441129219
Category : Religion
Languages : en
Pages : 252
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Book Description
Is faith delusion? Is religion bad for your health? How, in a scientifically and technologically advanced age, can people still believe in God/spirit/'other'? Clearly not all believers are primitive and ill-educated; an alternative explanation is that they must be mad, or at least severely neurotic (as suggested by Freud). This book starts by looking at, and giving reasons for, the connection and the division between Christian faith and psychiatry. It asks whether science challenges Christians involved with psychiatry, as patients or professionals, and whether the spiritual needs of patients are recognised. The author examines the scope and use of the neuro-sciences and considers cause and effect, natural selection and determinism. He explores the overlap (and the difference) between psychiatric symptoms and religious belief, the possible association between demon possession and mental illness, and the idea that some people are intrinsically religious and some are not. The variations of personality are examined, with their implications for belief. Posited as a statement, that faith is delusion is always hostile, but outcome studies (reviewed here) show that in general religious belief and practice convey good mental health. Religious faith and mental illness are different, and their concepts come from different world-views. A consideration of them in relation to each other is long overdue. The author is a former Professor of Psychiatry and President of the Royal College of Psychiatrists, and has also been Chairman of their Spirituality and Psychiatry Special Interest Group, so is exceptionally well qualified to address the subject. Although the book is technically proficient, it is aimed at the general reader and is illustrated with stories, brief case histories and anecdotes.
Author: Jonathan Croall
Publisher: Bloomsbury Publishing
ISBN: 1350030740
Category : Drama
Languages : en
Pages : 217
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Book Description
Hamlet is arguably the most famous play on the planet, and the greatest of all Shakespeare's works. Its rich story and complex leading role have provoked intense debate and myriad interpretations. To play such a uniquely multi-faceted character as Hamlet represents the supreme challenge for a young actor. Performing Hamlet contains Jonathan Croall's revealing in-depth interviews with five distinguished actors who have played the Prince this century: Jude Law: 'You get to speak possibly the most beautiful lines about humankind ever given to an actor.' Simon Russell Beale: 'Hamlet is a very hospitable role: it will take anything you throw at it.' David Tennant: 'No other part has been so satisfying. It was tough, but utterly compelling.' Maxine Peake: 'Hamlet was a way of accessing bits of me as an actress I've not been able to access before.' Adrian Lester: 'Working with Peter Brook on Hamlet changed me as an actor, and for the better.' The book benefits from the author's interviews with six leading directors of the play during these years: Greg Doran, Nicholas Hytner, Michael Grandage, John Caird, Sarah Frankcom and Simon Godwin. Many other productions are described, from those starring Michael Redgrave, Alec Guinness and Paul Scofield in the 1950s, to the performances of Benedict Cumberbatch, Andrew Scott and Paapa Essiedu in recent times. The volume also includes an updated text of the author's earlier book Hamlet Observed, and an account of actors' experiences of performing at Elsinore.
Author: Jonathan Glover
Publisher: Harvard University Press
ISBN: 0674368363
Category : Medical
Languages : en
Pages : 448
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Book Description
Do people with mental disorders share enough psychology with other people to make human interpretation possible? Jonathan Glover tackles the hard cases—violent criminals, people with delusions, autism, schizophrenia—to answer affirmatively. He offers values linked with agency and identity to guide how the boundaries of psychiatry should be drawn.
