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Author: Irving Ribner
Publisher: Routledge
ISBN: 1136568816
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama
Author: Kenneth Muir
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 36
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Book Description
Author: Irving Ribner
Publisher: Routledge
ISBN: 1136568816
Category : Literary Criticism
Languages : en
Pages : 218
Get Book Here
Book Description
First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama
Author: Robert Lanier Reid
Publisher: University of Delaware Press
ISBN: 9780874137255
Category : Drama
Languages : en
Pages : 208
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Book Description
Since about 1960, when five-act division in Shakespeare's plays was strongly disputed, most critics have focused on individual scenes rather than holistic form. This book argues for Shakespeare's use of five acts, arranged in three cycles to form a 2-1-2 pattern. It also examines the role of multiple plots and centers of consciousness, especially in the festive comedies and romances. Additionally, it traces Shakespeare's gradual mastery of the art of epiphany, compares it to Spenser's complementary focus on transcendent reality, and traces in Macbeth the dark mode of Shakespeare's dramaturgical pattern.
Author: Susan Snyder
Publisher: Princeton University Press
ISBN: 0691196621
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Comic elements in Shakespeare's tragedies have often been noted, but while most critics have tended to concentrate on humorous interludes or on a single play, Susan Snyder seeks a more comprehensive understanding of how Shakespeare used the conventions, structures, and assumptions of comedy in his tragic writing. She argues that Shakespeare's early mastery of romantic comedy deeply influenced his tragedies both in dramaturgy and in the expression and development of his tragic vision. From this perspective she sheds new light on Romeo and Juliet, Hamlet, Othello, and King Lear. The author shows Shakespeare's tragic vision evolving as he moves through three possibilities: comedy and tragedy functioning first as polar opposites, later as two sides of the same coin, and finally as two elements in a single compound. In the four plays examined here, Professor Snyder finds that traditional comic structures and assumptions operate in several ways to shape the tragedy: they set up expectations which when proven false reinforce the movement into tragic inevitability; they underline tragic awareness by a pointed irrelevance; they establish a point of departure for tragedy when comedy's happy assumptions reveal their paradoxical "shadow" side; and they become part of the tragedy itself when the comic elements threaten the tragic hero with insignificance and absurdity. Susan Snyder is Professor of English at Swarthmore College. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Kenneth Muir
Publisher: Routledge
ISBN: 1136568530
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
First published in 1972. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. The plays are almost always concerned with one person; they end with the death of the hero; the suffering and calamity that befall him are exceptional; and the tragedies include the medieval idea of the reversal of fortune.
Author: Ruth Nevo
Publisher: Princeton University Press
ISBN: 140087260X
Category : Drama
Languages : en
Pages : 424
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Book Description
A "symbolist" approach has dominated Shakespearean criticism for many years, but Ruth Nevo believes that the emphasis on static and pictorial aspects has obscured the essentially dynamic nature of dramatic expression and this study of the development of Shakespeare's tragic form is offered to correct the imbalance. From detailed analyses of each of Shakespeare's ten tragedies emerges a characteristic structure—a five-phased movement of discovery—that articulates and orders the traditional components of tragedy. This sequence is one of predicament, psychomachia, peripeteia, perspectives of irony and pathos, and catastrophe. It is a continuous, accumulative, and consummatory one, rather than a simple up-down movement or even a more complex thesis-antithesis-synthesis. Inheriting a five-act model and its developed rationale, Shakespeare used it to express an ever richer and more complex tragic experience. As the protagonist's life unfolds before us, the development of his tragic recognition is coextensive with the whole of the action. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: T. McAlindon
Publisher: Cambridge University Press
ISBN: 9780521566056
Category : Drama
Languages : en
Pages : 328
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Book Description
This study focuses on Romeo and Juliet, Julius Caesar, the four main tragedies and Antony and Cleopatra. Tom McAlindon argues that there were two models of nature in Renaissance culture, one hierarchical, in which everything has an appointed place, and the other contrarious, showing nature as a tense system of interacting opposites, liable to sudden collapse and transformation. This latter model informs Shakespeare's tragedy.
Author: Ralph Berry
Publisher: University of Delaware Press
ISBN: 9780874136852
Category : Drama
Languages : en
Pages : 244
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Book Description
"Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Claire McEachern
Publisher: Cambridge University Press
ISBN: 110701977X
Category : Drama
Languages : en
Pages : 325
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Book Description
This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars.
Author: D. Douglas Waters
Publisher: Associated University Presse
ISBN: 9780838635285
Category : Christian drama, English
Languages : en
Pages : 334
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Book Description
Battenhouse's Shakespearean tragedy: Its art and Christian premises, Irving Ribner's Patterns in Shakespearian tragedy, Virgil K. Whitaker's The mirror up to nature: The techniques of Shakespeare's tragedies, and Robert Grams Hunter's Shakespeare and the mystery of God's judgments. Waters questions, for example, Battenhouse's validity of Christian theological and didactic emphases on the old purgation theory of catharsis. His approach differs also from Northrop Frye's views on the tragedies in Northrop Frye on Shakespeare, an archetypal approach to representative plays including the tragedies.
