Shakespeare and the Spectacles of Strangeness PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Shakespeare and the Spectacles of Strangeness PDF full book. Access full book title Shakespeare and the Spectacles of Strangeness by John G. Demaray. Download full books in PDF and EPUB format.
Author: John G. Demaray
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 200
Get Book Here
Book Description
Shakespeare and the Spectacles of Strangeness pays close attention to genre, structure and issues of printing and textual scholarship. Demaray examines the First Folio printings of The Tempest and of printings of drama, masques, balets de cour, spectacle productions and stage documents. On the basis of these primary documents, Demaray is able to show the influence of the conventions of court presentations on Shakespeare's theatrical references, and to reveal new accounts of the imaginative significance of stage illusions designed by Inigo Jones in the early 1600s.
Author: John G. Demaray
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 200
Get Book Here
Book Description
Shakespeare and the Spectacles of Strangeness pays close attention to genre, structure and issues of printing and textual scholarship. Demaray examines the First Folio printings of The Tempest and of printings of drama, masques, balets de cour, spectacle productions and stage documents. On the basis of these primary documents, Demaray is able to show the influence of the conventions of court presentations on Shakespeare's theatrical references, and to reveal new accounts of the imaginative significance of stage illusions designed by Inigo Jones in the early 1600s.
Author: Emily C. Bartels
Publisher: University of Pennsylvania Press
ISBN: 1512801003
Category : Literary Criticism
Languages : en
Pages : 241
Get Book Here
Book Description
Selected by Choice magazine as an Outstanding Academic Title Bartels focuses on Marlowe's preoccupation with "strangers" and "strange" lands, and his use—and subversion—of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as the vital presence on the Renaissance stage and within Renaissance society.
Author: Peter Hulme
Publisher: University of Pennsylvania Press
ISBN: 9780812217537
Category : Drama
Languages : en
Pages : 340
Get Book Here
Book Description
A casebook of the ways the Shakespeare play has been reinterpreted time and time again.
Author: Shokhan Rasool Ahmed
Publisher: AuthorHouse
ISBN: 1496992814
Category : Drama
Languages : en
Pages : 129
Get Book Here
Book Description
The Staging of Witchcraft and a Spectacle of Strangeness: Witchcraft at Court and the Globe presents a new interest in Continental texts on witchcraft coincided with technological advances in the English stage, which made a variety of dramatic effects possible in the private playhouses, such as flying witches, and the appearance of spirits and deities in Elizabethan plays. This book also evaluates how the technology of the Blackfriars playhouse facilitated the appearance of spirits, devils, witches, magicians, deities and dragons on stage. The study investigates the visual spectacle of witchcraft scenes which intersect with the genre of the plays, and it also presents to what extent changing theatrical tastes affect the way that supernatural characters are shown on stage.
Author: Pascale Aebischer
Publisher: Cambridge University Press
ISBN: 1108420486
Category : Drama
Languages : en
Pages : 259
Get Book Here
Book Description
Examining how technological developments in performance practices affect spectator experience of Shakespeare and early modern drama.
Author: Sophie Chiari
Publisher: Edinburgh University Press
ISBN: 1474442552
Category : Literary Criticism
Languages : en
Pages : 288
Get Book Here
Book Description
The first comprehensive history of Byzantine warfare in the tenth century
Author: Roger A. Stritmatter
Publisher: McFarland
ISBN: 0786471042
Category : Literary Criticism
Languages : en
Pages : 273
Get Book Here
Book Description
This book challenges a longstanding and deeply ingrained belief in Shakespearean studies that The Tempest--long supposed to be Shakespeare's last play--was not written until 1611. In the course of investigating this proposition, which has not received the critical inquiry it deserves, a number of subsidiary and closely related interpretative puzzles come sharply into focus. These include the play's sources of New World imagery; its festival symbolism and structure; its relationship to William Strachey's True Reportory account of the 1609 Bermuda wreck of the Sea Venture (not published until 1625)--and the tangled history of how and why scholars have for so long misunderstood these matters. Publication of some preliminary elements of the authors' arguments in leading Shakespearean journals (starting in 2007) ignited a controversy that became part of the critical history. This book presents the case in full for the first time.
Author: Shokhan Rasool Ahmed
Publisher: Author House
ISBN: 1496992830
Category : Drama
Languages : en
Pages : 169
Get Book Here
Book Description
The Visual Spectacle of Witchcraft in Jacobean Plays: Blackfriars Theatre is an ideal reference for early modern scholars and lecturers who seek a thorough and practical guide to stage directions in print and performance, and paying particular attention to the early texts as evidence of performance practice. Stage directions here are re-thought in the light of early theatre practice, and the issues of stage directions as evidence of performance practice and later interpolations, in association with witchcraft, of several Jacobean plays can be found in this book. This book includes a general introduction to Blackfriars witchcraft plays and the Jacobean theatre, a chronology, suggestions for further reading and discussing performance options on both indoor and outdoor playhouses, and a commentary. The illuminating and informative general introduction and the short introductions to individual plays have been revised in the light of current scholarship.
Author: Frederick Kiefer
Publisher: Cambridge University Press
ISBN: 9780521827256
Category : Literary Collections
Languages : en
Pages : 378
Get Book Here
Book Description
In this study of Shakespeare's visual culture Frederick Kiefer looks at the personified characters created by Shakespeare in his plays, his walking, talking abstractions. These include Rumour in 2 Henry IV, Time in The Winter's Tale, Spring and Winter in Love's Labour's Lost, Revenge in Titus Andronicus, and the deities in the late plays. All these personae take physical form on the stage: the actors performing the roles wear distinctive attire and carry appropriate props. The book seeks to reconstruct the appearance of Shakespeare's personified characters; to explain the symbolism of their costumes and props; and to assess the significance of these symbolic characters for the plays in which they appear. To accomplish this reconstruction, Kiefer brings together a wealth of visual and literary evidence including engravings, woodcuts, paintings, drawings, tapestries, emblems, civic pageants, masques, poetry and plays. The book contains over forty illustrations of personified characters in Shakespeare's time.
Author: Callan Davies
Publisher: Routledge
ISBN: 100017431X
Category : Drama
Languages : en
Pages : 314
Get Book Here
Book Description
Callan Davies presents “strangeness” as a fresh critical paradigm for understanding the construction and performance of Jacobean drama—one that would have been deeply familiar to its playwrights and early audiences. This study brings together cultural analysis, philosophical enquiry, and the history of staged special effects to examine how preoccupation with the strange unites the verbal, visual, and philosophical elements of performance in works by Marston, Shakespeare, Middleton, Dekker, Heywood, and Beaumont and Fletcher. Strangeness in Jacobean Drama therefore offers an alternative model for understanding this important period of English dramatic history that moves beyond categories such as “Shakespeare’s late plays,” “tragicomedy,” or the home of cynical and bloodthirsty tragedies. This book will be of great interest to students and scholars of early modern drama and philosophy, rhetorical studies, and the history of science and technology.
