Author: Erik Didriksen
Publisher: HarperCollins UK
ISBN: 0008145431
Category : Humor
Languages : en
Pages : 136
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Book Description
‘One of the very best collections of pop songs written in the style of William Shakespeare that I’ve read so far this year!’ ‘Weird Al’ Yankovic ‘Ever wonder what Taylor Swift and Beyoncé would sound like in iambic pentameter? We hadn’t either, but now we can’t get enough’ TIME ‘Amazing’ Buzzfeed
Author: Bill Barclay
Publisher: Cambridge University Press
ISBN: 1107139333
Category : Drama
Languages : en
Pages : 303
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Book Description
This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.
Author: Christopher R. Wilson
Publisher: Oxford University Press
ISBN: 0190945141
Category : Drama
Languages : en
Pages : 1289
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Book Description
"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--
Author: Adam Hansen
Publisher: Bloomsbury Publishing
ISBN: 1441134255
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Exploring the interactions between Shakespeare and popular music, this book links these seeming polar opposites, showing how musicians have woven the Bard into their sounds.
Author: Julie Sanders
Publisher: Polity
ISBN: 0745632971
Category : Language Arts & Disciplines
Languages : en
Pages : 243
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Book Description
This is a study of the rich and diverse range of musical responses to Shakespeare that have taken place from the seventeenth century onwards. Written from a literary perspective, the book explores the many genres and contexts in which Shakespeare and his work have enjoyed a musical afterlife discussing opera, ballet, and classical symphony alongside musicals and film soundtracks, as well as folk music and hip-hop traditions. Taking as its starting point ideas of creativity and improvisation stemming from early modern baroque practices and the more recent example of twentieth-century jazz adaptation, this volume explores the many ways in which Shakespeares plays and poems have been re-worked by musical composers. It also places these cultural productions in their own historical moment and context. Adaptation studies is a fast emerging field of scholarship and as a contribution to this field, Shakespeare and Music: Afterlives and Borrowings: develops theories and practices from adaptation studies to think about musical responses to Shakespeare across the centuries brings together in an exciting intellectual encounter ideas and methodologies deriving from literary criticism, theatre history, film studies, and musicology explores music in its widest context, looking at classical symphonies including the work of Berlioz and Elgar and operas by Verdi and Britten as well as Broadway musicals, film scores by Shostakovich, Walton, and contemporary performers, and the jazz adaptations of Duke Ellington and others. This is a timely study that will appeal to a wide readership from lovers of Shakespeare and classical music through to students of film and historians of the theatre.
Author: Ross W. Duffin
Publisher: W. W. Norton & Company
ISBN: 9780393058895
Category : Art
Languages : en
Pages : 536
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Book Description
Eight years in the making, "Shakespeare's Songbook" is a meticulously researched collection of 160 songs--ballads and narratives, drinking songs, love songs, and rounds--that appear in, are quoted in, or alluded to in Shakespeare's plays.
Author: Irene G. Dash
Publisher: Indiana University Press
ISBN: 0253354145
Category : Music
Languages : en
Pages : 249
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Book Description
The Bard on Broadway
Author: Margreta De Grazia
Publisher: Cambridge University Press
ISBN: 0521886325
Category : Drama
Languages : en
Pages : 381
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Book Description
Twenty-one essays provide lively and authoritative approaches to the literary, historical, cultural and performative aspects of Shakespeare works.
Author: Robert Shaughnessy
Publisher: Cambridge University Press
ISBN: 0521844290
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
This book offers a collection of essays on Shakespeare's life and works in popular forms and media.
Author: David Lindley
Publisher: Bloomsbury Publishing
ISBN: 1408143674
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
This unique and comprehensive study examines how music affects Shakespeare's plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period's theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.
