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Author: Laura Pelaschiar
Publisher: Syracuse University Press
ISBN: 0815653123
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Shakespeare’s presence in Joyce’s work is tentacular, extending throughout his career on many different levels: cultural, structural, lexical, and psychological; yet a surprisingly long time has passed since the last monograph on this literary nexus was published. Joyce/Shakespeare brings together fresh work by internationally recognized Joyce scholars on these two icons, reinvigorating our understanding of Joyce at play with the Bard. One way these essays revitalize the discussion is by moving well beyond the traditional Joycean challenge of "thinking Shakespearean" by "thinking Hamletian," redefining the field to include works like Troilus and Cressida, Othello, and The Tempest. This collection also transforms our understanding of how Hamlet works in and for Joyce. In compelling essays that introduce new variables to the equation such as Trieste, Goethe, and Futurism, Hamlet’s role in Joyce gains fresh mobility. The Danish prince’s shadow, we learn, can still cast itself in unpredictable shapes, making Joyce/Shakespeare as rewarding in its analyses of this well-studied pairing as it is when it considers fresh Shakespearean matches.
Author: Laura Pelaschiar
Publisher: Syracuse University Press
ISBN: 0815653123
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Shakespeare’s presence in Joyce’s work is tentacular, extending throughout his career on many different levels: cultural, structural, lexical, and psychological; yet a surprisingly long time has passed since the last monograph on this literary nexus was published. Joyce/Shakespeare brings together fresh work by internationally recognized Joyce scholars on these two icons, reinvigorating our understanding of Joyce at play with the Bard. One way these essays revitalize the discussion is by moving well beyond the traditional Joycean challenge of "thinking Shakespearean" by "thinking Hamletian," redefining the field to include works like Troilus and Cressida, Othello, and The Tempest. This collection also transforms our understanding of how Hamlet works in and for Joyce. In compelling essays that introduce new variables to the equation such as Trieste, Goethe, and Futurism, Hamlet’s role in Joyce gains fresh mobility. The Danish prince’s shadow, we learn, can still cast itself in unpredictable shapes, making Joyce/Shakespeare as rewarding in its analyses of this well-studied pairing as it is when it considers fresh Shakespearean matches.
Author: Vincent John Cheng
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
After God, Shakespeare created most, James Joyce wrote in Ulysses. The importance of Shakespeare in Ulysses has been often discussed and documented; that this royal bard is as central and omnipresent in Finnegans Wake has been roundly agreed upon by Joyce scholars, yet no printed volume has exhaustively investigated the topic. This study arrives, therefore, as a welcome and timely look into the assertion, as on critic put it, that "Finnegans Wake is about Shakespeare." "Throughout his life," Dr. Cheng writes, "Joyce was in the habit of comparing himself to England's national poet." In the Wake, Shakespeare--his life, his plays and his characters--forms a "dense and extensive matrix of allusion." Part I of this book provides a critical and interpretative view of how Shakespearean influences and allusions illuminate the themes and meanings of the Wake; the chapters are arranged to follow general patterns of allusion and motif. Part II comprises explications of a thousand Shakespearean allusions in Finnegans Wake, recorded by page and line of the novel. Finally, Part III is a set of appendixes which list the Shakespearean allusions by play, act, scene, and line for easy reference.
Author: Jane M. Ford
Publisher:
ISBN: 9780813015958
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
"A highly satisfying book that will be of great interest both to psychoanalytic critics and to students of the English novel. . . . By taking the theme of father-daughter incest as a guiding thread, Jane Ford traces a pattern of indisputable importance in the works of Shakespeare and major English novelists."--Peter L. Rudnytsky, University of Florida Using Shakespeare's plots as a backdrop, Jane Ford traces the incest theme in novels by Charles Dickens, Henry James, Joseph Conrad, and James Joyce, exploring in particular the father-daughter-suitor triangle. As Ford demonstrates, three patterns predominate: the father eliminates the suitor and retains the daughter; the father submits to outside authority and relinquishes the daughter; or the father resolves the incest threat by choosing the daughter's suitor. Ford provides evidence that the fictive characters' incest conflicts often mirror the writer's own incest dilemmas, whether subliminal or not, and in readings that break with traditional criticism, she points to textual evidence for the occurrence of actual incest in The Golden Bowl and Ulysses. Ford maintains that each of the five writers wrote final works that seemed to return to a plot of retention of the daughter by the father. Ford's book offers a valuable amplification of Otto Rank's seminal work, The Incest Theme in Literature and Legend: Fundamentals of a Psychology of Literary Creation, and extends an important issue in 20th-century psychology into the study of major works of literature written in English. Jane M. Ford is a visiting scholar in the Department of Literature at the University of California, San Diego.
Author: Sylvia Beach
Publisher: Columbia University Press
ISBN: 0231145365
Category : Americans
Languages : en
Pages : 402
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Book Description
Founder of the Left Bank bookstore Shakespeare and Company and the first publisher of James Joyce's Ulysses, Sylvia Beach had a legendary facility for nurturing literary talent. In this first collection of her letters, we witness Beach's day-to-day dealings as bookseller and publisher to expatriate Paris. Friends and clients include Ernest Hemingway, Gertrude Stein, H.D., Ezra Pound, Janet Flanner, William Carlos Williams, F. Scott Fitzgerald, James Joyce, and Richard Wright. As librarian, publicist, publisher, and translator, Beach carved out a unique space for herself in English and French letters. This collection reveals Beach's charm and resourcefulness, sharing her negotiations with Marianne Moore to place Joyce's work in The Dial; her battle to curb the piracy of Ulysses in the United States; her struggle to keep Shakespeare and Company afloat during the Depression; and her complicated affair with the French bookstore owner Adrienne Monnier. These letters also recount Beach's childhood in New Jersey; her work in Serbia with the American Red Cross; her internment in a German prison camp; and her friendship with a new generation of expatriates in the 1950s and 1960s. Beach was the consummate American in Paris and a tireless champion of the avant-garde. Her warmth and wit made the Rue de l'Odéon the heart of modernist Paris.
Author: William M. Schutte
Publisher:
ISBN:
Category : History
Languages : en
Pages : 216
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Joyce Green MacDonald
Publisher: Springer Nature
ISBN: 3030506800
Category : Literary Criticism
Languages : en
Pages : 183
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Book Description
As readers head into the second fifty years of the modern critical study of blackness and black characters in Renaissance drama, it has become a critical commonplace to note black female characters’ almost complete absence from Shakespeare’s plays. Despite this physical absence, however, they still play central symbolic roles in articulating definitions of love, beauty, chastity, femininity, and civic and social standing, invoked as the opposite and foil of women who are “fair”. Beginning from this recognition of black women’s simultaneous physical absence and imaginative presence, this book argues that modern Shakespearean adaptation is a primary means for materializing black women’s often elusive presence in the plays, serving as a vital staging place for historical and political inquiry into racial formation in Shakespeare’s world, and our own. Ranging geographically across North America and the Caribbean, and including film and fiction as well as drama as it discusses remade versions of Othello, Romeo and Juliet, Antony and Cleopatra, and The Taming of the Shrew, Shakespearean Adaptation, Race, and Memory in the New World will attract scholars of early modern race studies, gender and performance, and women in Renaissance drama.
Author: Patrick Hastings
Publisher: JHU Press
ISBN: 1421443503
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
From the creator of UlyssesGuide.com, this essential guide to James Joyce's masterpiece weaves together plot summaries, interpretive analyses, scholarly perspectives, and historical and biographical context to create an easy-to-read, entertaining, and thorough review of Ulysses. In The Guide to James Joyce's 'Ulysses,' Patrick Hastings provides comprehensive support to readers of Joyce's magnum opus by illuminating crucial details and reveling in the mischievous genius of this unparalleled novel. Written in a voice that offers encouragement and good humor, this guidebook maintains a closeness to the original text and supports the first-time reader of Ulysses with the information needed to successfully finish and appreciate the novel. Deftly weaving together spirited plot summaries, helpful interpretive analyses, scholarly criticism, and explanations of historical and biographical context, Hastings makes Joyce's famously intimidating novel—one that challenges the conventions and limits of language—more accessible and enjoyable than ever before. He unpacks each chapter of Ulysses with episode guides, which offer pointed and readable explanations of what occurs in the text. He also deals adroitly with many of the puzzles Joyce hoped would "keep the professors busy for centuries." Full of practical resources—including maps, explanations of the old British system of money, photos of places and things mentioned in the text, annotated bibliographies, and a detailed chronology of Bloomsday (June 16, 1904—the single day on which Ulysses is set)—this is an invaluable first resource about a work of art that celebrates the strength of spirit required to endure the trials of everyday existence. The Guide to James Joyce's 'Ulysses' is perfect for anyone undertaking a reading of Joyce's novel, whether as a student, a member of a reading group, or a lover of literature finally crossing this novel off the bucket list.
Author: Adrian Poole
Publisher: A&C Black
ISBN: 1472557468
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
Great Shakespeareans offers a systematic account of thosefigures who have had the greatest influence on the interpretation,understanding and cultural reception of Shakespeare, both nationally andinternationally. In this volume, leading scholars assess the contribution ofJames Joyce, T.S. Eliot, W.H. Auden and Samuel Beckett to the afterlife andreception of Shakespeare and his works.Each essay assesses the double impact of Shakespeare on the figurecovered and of that figure on the understanding, interpretation andappreciation of Shakespeare, providing a sketch of its subject's intellectualand professional biography and an account of the wider cultural context.
Author: Vincent John Cheng
Publisher: Penn State University Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 296
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Book Description
After God, Shakespeare created most, James Joyce wrote in Ulysses. The importance of Shakespeare in Ulysses has been often discussed and documented; that this royal bard is as central and omnipresent in Finnegans Wake has been roundly agreed upon by Joyce scholars, yet no printed volume has exhaustively investigated the topic. This study arrives, therefore, as a welcome and timely look into the assertion, as on critic put it, that "Finnegans Wake is about Shakespeare." "Throughout his life," Dr. Cheng writes, "Joyce was in the habit of comparing himself to England's national poet." In the Wake, Shakespeare--his life, his plays and his characters--forms a "dense and extensive matrix of allusion." Part I of this book provides a critical and interpretative view of how Shakespearean influences and allusions illuminate the themes and meanings of the Wake; the chapters are arranged to follow general patterns of allusion and motif. Part II comprises explications of a thousand Shakespearean allusions in Finnegans Wake, recorded by page and line of the novel. Finally, Part III is a set of appendixes which list the Shakespearean allusions by play, act, scene, and line for easy reference.
