Shakespeare and the Culture of Christianity in Early Modern England PDF Download
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Author: Dennis Taylor
Publisher: Studies in Religion and Litera
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
The question of Shakespeare's Catholic contexts has occupied many scholars in recent years and this study brings together 16 original essays examining Shakespeare's work in the light of revisionist scholarship, from monastic life in 'Measure for Measure' to Puritanism in 'Hamlet'.
Author: Dennis Taylor
Publisher: Studies in Religion and Litera
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
The question of Shakespeare's Catholic contexts has occupied many scholars in recent years and this study brings together 16 original essays examining Shakespeare's work in the light of revisionist scholarship, from monastic life in 'Measure for Measure' to Puritanism in 'Hamlet'.
Author: Peter Iver Kaufman
Publisher: Penn State Press
ISBN: 0271069589
Category : Religion
Languages : en
Pages : 341
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Book Description
For years scholars and others have been trying to out Shakespeare as an ardent Calvinist, a crypto-Catholic, a Puritan-baiter, a secularist, or a devotee of some hybrid faith. In Religion Around Shakespeare, Peter Kaufman sets aside such speculation in favor of considering the historical and religious context surrounding his work. Employing extensive archival research, he aims to assist literary historians who probe the religious discourses, characters, and events that seem to have found places in Shakespeare’s plays and to aid general readers or playgoers developing an interest in the plays’ and playwright’s religious contexts: Catholic, conformist, and reformist. Kaufman argues that sermons preached around Shakespeare and conflicts that left their marks on literature, law, municipal chronicles, and vestry minutes enlivened the world in which (and with which) he worked and can enrich our understanding of the playwright and his plays.
Author: Kristen Poole
Publisher: Cambridge University Press
ISBN: 9780521025447
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
The figure of the puritan has long been conceived as dour and repressive in character, an image which has been central to ways of reading sixteenth- and seventeenth-century history and literature. Kristen Poole's original study challenges this perception arguing that, contrary to current critical understanding, radical reformers were most often portrayed in literature of the period as deviant, licentious and transgressive. Through extensive analysis of early modern pamphlets, sermons, poetry and plays, the fictional puritan emerges as a grotesque and carnivalesque figure; puritans are extensively depicted as gluttonous, sexually promiscuous, monstrously procreating, and even as worshipping naked. By recovering this lost alternative satirical image, Poole sheds new light on the role played by anti-puritan rhetoric. Her book contends that such representations served an important social role, providing an imaginative framework for discussing familial, communal and political transformations that resulted from the Reformation.
Author: Ken Jackson
Publisher:
ISBN: 9780268206864
Category :
Languages : en
Pages : 0
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Book Description
Shakespeare and Religion examines the topic of religion in Shakespearean drama from two points of view: the historical, and that of postmodern philosophy and theology.
Author: David Loewenstein
Publisher: Cambridge University Press
ISBN: 110702661X
Category : Drama
Languages : en
Pages : 331
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Book Description
This volume freshly illuminates the diversity of early modern religious beliefs, practices and issues, and their representation in Shakespeare's plays.
Author: Elizabeth Williamson
Publisher: Routledge
ISBN: 1317068114
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.
Author: Dr Elizabeth Williamson
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475352
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage. Rather than being aligned with identifiably Catholic or Protestant values, the author reveals how religious stage properties functioned as fulcrums around which more subtle debates about the status of Christian worship played out. Given the relative lack of existing documentation on stage properties, The Materiality of Religion in Early Modern English Drama employs a wide range of source materials-including inventories published in the Records of Early English Drama (REED) volumes-to account for the material presence of these objects on the public stage. By combining historical research on popular religion with detailed readings of the scripts themselves, the book fills a gap in our knowledge about the physical qualities of the stage properties used in early modern productions. Tracing the theater's appropriation of highly charged religious properties, The Materiality of Religion in Early Modern English Drama provides a new framework for understanding the canonization of early modern plays, especially those of Shakespeare.
Author: Kenneth J. E. Graham
Publisher: Early Modern Literature in History
ISBN:
Category : Drama
Languages : en
Pages : 308
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Book Description
Challenging dominant views on the subject, this collection considers the relationship of Shakespeare's plays to the religious past and present. Among the contributors are Anthony Dawson, Jeffrey Knapp and Debora Shuger.
Author: Brian Cummings
Publisher:
ISBN: 0199677719
Category : Art
Languages : en
Pages : 384
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Book Description
Mortal Thoughts is a study of the question of human identity in the early modern period. It examines literature alongside emerging forms of life writing and life drawing and self-portraits and considers portrayals of mortality and the moment of death.
Author: David Scott Kastan
Publisher: OUP Oxford
ISBN: 0191004294
Category : Drama
Languages : en
Pages : 168
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Book Description
On 19 December 1601, John Croke, then Speaker of the House of Commons, addressed his colleagues: "If a question should be asked, What is the first and chief thing in a Commonwealth to be regarded? I should say, religion. If, What is the second? I should say, religion. If, What the third? I should still say, religion." But if religion was recognized as the "chief thing in a Commonwealth," we have been less certain what it does in Shakespeare's plays. Written and performed in a culture in which religion was indeed inescapable, the plays have usually been seen either as evidence of Shakespeare's own disinterested secularism or, more recently, as coded signposts to his own sectarian commitments. Based upon the inaugural series of the Oxford-Wells Shakespeare Lectures in 2008, A Will to Believe offers a thoughtful, surprising, and often moving consideration of how religion actually functions in them: not as keys to Shakespeare's own faith but as remarkably sensitive registers of the various ways in which religion charged the world in which he lived. The book shows what we know and can't know about Shakespeare's own beliefs, and demonstrates, in a series of wonderfully alert and agile readings, how the often fraught and vertiginous religious environment of Post-Reformation England gets refracted by the lens of Shakespeare's imagination.
