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Author: Brian Vickers
Publisher: Cambridge University Press
ISBN: 0521859123
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
This text was the first full study of the origins and authorship of A Lover's Complaint.
Author: Brian Vickers
Publisher: Cambridge University Press
ISBN: 0521859123
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
This text was the first full study of the origins and authorship of A Lover's Complaint.
Author: Jonathan F. S. Post
Publisher: Oxford University Press
ISBN: 0198717571
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
Jonathan Post introduces all of Shakespeare's poetry, including the sonnets and his great narrative poems, and explores themes of love and lust in these works. He also considers the debates surrounding their disputed authorship, and the impact these poems had, from contemporary readers right up to today.
Author: Adhaar Noor Desai
Publisher: Cornell University Press
ISBN: 1501769855
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Blotted Lines rebuffs centuries of mythologization about the creative process—the idea that William Shakespeare "never blotted out line"—to argue that by studying how early modern writers faced the challenges of writing poetry, instructors today can empower their students' approaches to critical writing. Adhaar Noor Desai offers deeply researched accounts of how poetic labor intersected with early modern rhetorical theory, material culture, and social networks. Tracing the productive struggles of such writers as George Gascoigne, Philip Sidney, John Davies of Hereford, Lady Anne Southwell, and Shakespeare across their manuscripts, Desai identifies in their work instances of discomposition: frustration, hesitation, self-doubt, and insecurity. Inspired to unmake their poems so that they might remake them, these poets welcomed discomposition because it catalyzed ongoing thinking and learning. Blotted Lines brings literary scholarship into conversation with modern composition studies, challenging early modern literary studies to treat writing as both noun and verb and foregrounding the ways poetry and criticism alike can model for students the cultivation of patience, collaboration, and risk in their writing.
Author: Paul Hemenway Altrocchi, MD
Publisher: iUniverse
ISBN: 149174345X
Category : Literary Criticism
Languages : en
Pages : 475
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Book Description
The greatest cultural mystery in the Western World is, "Who wrote the plays and sonnets published under the pen name of William Shakespeare?" For reasons of monarchial succession, greed and power, Robert Cecil, Queen Elizabeth's chief counselor, forced Edward de Vere, 17th Earl of Oxford, to use a pseudonym for his great works. De Vere chose the pen name William Shakespeare. Because of his similar name, Cecil selected Will Shakspere of Stratford-on-Avon as the fraudulent front man. Poor choice: Shakspere was uneducated, never owned a book, never traveled abroad, knew no foreign languages and could not read or write. Because of the tenacious grip of Conventional Wisdom, professors of English still believe Cecil's hoax 400 years later, clinging futilely to their Stratford Man despite abundant evidence against their illogical theory. Soul of the Age contains 28 high-quality articles by a remarkable new generation of authorship experts who clearly establish de Vere as Shakespeare and annihilate the illiterate Will Shakspere's candidacy. Hugh Trevor-Roper, Professor of History, Oxford University, 1962: "Armies of scholars, formidably equipped, have examined all the documents which could possibly contain at least a mention of his (Shakespeare's) name. One hundredth part of this labour applied to one of his insignificant contemporaries would be sufficient to produce a substantial biography. And yet the greatest of all Englishmen, after this tremendous inquisition, still remains so close a mystery that even his identity can still be doubted . . . "During his lifetime nobody claimed to know him. Not a single tribute was paid to him at his death. As far as the records go, he was uneducated, had no literary friends, possessed at his death no books, and could not write. It is true, six of his signatures have been found, all spelt differently; but they are so ill-formed that some graphologists suppose the hand to have been guided. Except for these signatures, no syllable of writing by Shakespeare [Shakspere] has been identified . . . Such is the best the historians can do. Clearly it is not enough. It may be the shell: it is not the man."
Author: Tom MacFaul
Publisher: Cambridge University Press
ISBN: 1139488015
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Becoming a father was the main way that an individual in the English Renaissance could be treated as a full member of the community. Yet patriarchal identity was by no means as secure as is often assumed: when poets invoke the idea of paternity in love poetry and other forms, they are therefore invoking all the anxieties that a culture with contradictory notions of sexuality imposed. This study takes these anxieties seriously, arguing that writers such as Sidney and Spenser deployed images of childbirth to harmonize public and private spheres, to develop a full sense of selfhood in their verse, and even to come to new accommodations between the sexes. Shakespeare, Donne and Jonson, in turn, saw the appeal of the older poets' aims, but resisted their more radical implications. The result is a fiercely personal yet publicly-committed poetry that wouldn't be seen again until the time of the Romantics.
Author: Clinton Heylin
Publisher: ReadHowYouWant.com
ISBN: 1458777847
Category : Literary Criticism
Languages : en
Pages : 450
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Book Description
In this lively, fascinating account of the publication of Shakespeare's Sonnets, noted biographer Clinton Heylin brings their convoluted history to light, beginning with the first complete appearance of the Sonnets in print in May, 1609. He introduces us to the ''unholy alliance'' involved in this precarious enterprise: Thomas Thorpe, the publisher, a self-described ''well wishing adventurer;'' George Eld, the printer, heavily embroiled in large-scale pirating; William Aspley, the prestigious bookseller, who mysteriously ended his association with Thorpe soon after. Leaving the calamitous world of Elizabethan publishing, Heylin goes on to chart the many editions of the Sonnets through the years and the editorial decisions that led to their present configuration. Passionate, astute, and brilliantly entertaining, the result is a concise and vivid history of perhaps the greatest poetry ever written.
Author: Brian Boyd
Publisher: Harvard University Press
ISBN: 0674064844
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Argues that lyric making is universal across cultures, and uses the example of Shakespeare's "Sonnets" to showcase the human disposition to play with lyrical patterns.
Author: MacDonald P. Jackson
Publisher: OUP Oxford
ISBN: 0191009520
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Editors of Shakespeare's Complete Works must decide what to include. Although not in the First Folio collection of 1623, The Two Noble Kinsmen and Edward III have now entered the canon as plays co-authored by Shakespeare. Determining the Shakespeare Canon makes the case for lifting Arden of Faversham, first published in 1592, over the same threshold. A wealth of evidence indicates that Shakespeare was wholly or largely responsible for several of its central scenes (constituting Act III in editions divided into acts), and that the domestic tragedy can thus be added to the mounting list of his dramatic collaborations. Shakespeare's beginnings as a playwright are due for reconsideration. The second half of this volume provides solid grounds for accepting that publisher Thomas Thorpe's inclusion of A Lover's Complaint within the 1609 quarto of Shakespeare Sonnets was justified. While A Lover's Complaint has long been part of the Shakespeare canon, according to most editors, the poem's authenticity has been vigorously challenged in recent years. Its status is crucial to how critics assess the authority of the quarto's ordering of sonnets and interpret the structure of the sequence as a whole. These two problems of attribution are each addressed in five separate chapters that describe the converging results of different approaches and rebut counter-arguments. Stylometric techniques, using the resources of computers and electronic databases, are applied and the research methodologies of other scholars explained and evaluated. Quantitative tests are supplemented with traditional literary-critical analysis.
Author: Erin A. McCarthy
Publisher: Oxford University Press
ISBN: 019257356X
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
When poetry was printed, poets and their publishers could no longer take for granted that readers would have the necessary knowledge and skill to read it well. By making poems available to anyone who either had the means to a buy a book or knew someone who did, print publication radically expanded the early modern reading public. These new readers, publishers feared, might not buy or like the books. Worse, their misreadings could put the authors, the publishers, or the readers themselves at risk. Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England focuses on early modern publishers' efforts to identify and accommodate new readers of verse that had previously been restricted to particular social networks in manuscript. Focusing on the period between the maturing of the market for printed English literature in the 1590s and the emergence of the professional poet following the Restoration, this study shows that poetry was shaped by—and itself shaped—strong print publication traditions. By reading printed editions of poems by William Shakespeare, Aemilia Lanyer, John Donne, and others, this book shows how publishers negotiated genre, gender, social access, reputation, literary knowledge, and the value of English literature itself. It uses literary, historical, bibliographical, and quantitative evidence to show how publishers' strategies changed over time. Ultimately, Doubtful Readers argues that although—or perhaps because—publishers' interpretive and editorial efforts are often elided in studies of early modern poetry, their interventions have had an enduring impact on our canons, texts, and literary histories.
Author: DK
Publisher: Penguin
ISBN: 1465439021
Category : Drama
Languages : en
Pages : 760
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Book Description
Learn the entire works of one of the greatest writers of the English language in The Shakespeare Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about the works of William Shakespeare in this overview guide, great for beginners looking to learn and experts wishing to refresh their knowledge alike! The Shakespeare Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Shakespeare, with: - Every play and poem from Shakespeare’s canon, including lost plays and less well-known works of poetry - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Easy to follow text makes topics accessible for people at any level of understanding The Shakespeare Book is the perfect introduction to the entire canon of Shakespeare’s plays, sonnets, and other poetry, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Here you’ll discover the complete works, from The Comedy of Errors, to the great tragedies of Hamlet, Othello, King Lear, and Macbeth. Your Shakespeare Questions, Simply Explained This is a brilliant, innovative exploration of the entire canon of Shakespeare plays, sonnets, and other poetry with detailed plot summaries and a full analysis of the major characters and themes. If you thought it was difficult to learn about the works of one of the greatest writers in the English language, The Shakespeare Book presents key information in a simple layout. Every work is covered, from the comedies of Twelfth Night and As You Like It to the tragedies of Julius Caesar and Hamlet, with easy-to-understand graphics and illustrations bringing the themes, plots, characters, and language of Shakespeare to life. The Big Ideas Series With millions of copies sold worldwide, The Shakespeare Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.
