Sexual Visuality From Literature To Film 1850-1950 PDF Download
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Author: D. Denisoff
Publisher: Springer
ISBN: 0230287875
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
A must-read for scholars of visuality, gender and sexuality. Denisoff's study explores the ways in which gothic, sensation and noir literature and cinema manipulated common notions of the visual in order to challenge sex- and gender-based assumptions that marginalized certain people and desires. Addressing authors and directors such as Mary Braddon, Wilkie Collins, Oscar Wilde, Vernon Lee, Virigina Woolf, Daphne du Maurier, Alfred Hitchcock, Otto Preminger and Fritz Lang, this study shows that what a society gets is often what it tries hardest not to see.
Author: D. Denisoff
Publisher: Springer
ISBN: 0230287875
Category : Literary Criticism
Languages : en
Pages : 223
Get Book
Book Description
A must-read for scholars of visuality, gender and sexuality. Denisoff's study explores the ways in which gothic, sensation and noir literature and cinema manipulated common notions of the visual in order to challenge sex- and gender-based assumptions that marginalized certain people and desires. Addressing authors and directors such as Mary Braddon, Wilkie Collins, Oscar Wilde, Vernon Lee, Virigina Woolf, Daphne du Maurier, Alfred Hitchcock, Otto Preminger and Fritz Lang, this study shows that what a society gets is often what it tries hardest not to see.
Author: Dennis Denisoff
Publisher:
ISBN: 9781349515448
Category : English fiction
Languages : en
Pages : 223
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Book Description
With the body, what you see is not exactly what you get. For centuries, vision has often been held as the purest, most direct encounter between the individual and the outside world. Recent visuality theory, however, has demonstrated that the process of seeing is always influenced by other senses, cultural elements, memory and history. Meanwhile, scholarship on gender and sexuality has developed a conception of the body itself as a 'text' written by more than one person and read in more than one way. Sexual visuality from literature to film, 1850-1950 explores the ways in which gothic, sensation and noir literature and cinema manipulated common notions of the visual in order to foreground our unsightly desires. By doing so, the texts challenged sex- and gender-based assumptions that marginalized certain types of people. Addressing authors and directors such as Mary Braddon, Wilkie Collins, Oscar Wilde, Vernon Lee, Virgnia Woolf, Daphne du Maurier, Alfred Hitchcock, Otto Preminger and Fritz Lang, this study shows that what a society gets is often what it tries hardest not to see. A must-read for scholars and students of visuality, gender and sexuality.
Author: D. Jones
Publisher: Springer
ISBN: 1137298928
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
This fascinating study explores the multifarious erotic themes associated with the magic lantern shows, which proved the dominant visual medium of the West for 350 years, and analyses how the shows influenced the portrayals of sexuality in major works of Gothic fiction.
Author: L. Calè
Publisher: Springer
ISBN: 0230297390
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Paying attention to the historically specific dimensions of objects such as the photograph, the illustrated magazine and the collection, the contributors to this volume offer new ways of thinking about nineteenth-century practices of reading, viewing, and collecting, revealing new readings of Wordsworth, Shelley, James and Wilde, among others.
Author: Jessica Hope Jordan
Publisher: Cambria Press
ISBN: 1604976632
Category : Biography & Autobiography
Languages : en
Pages : 282
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Book Description
"In the first critical study of the sex goddess in film, Jessica Hope Jordan illustrates how Jean Harlow uses her sexualized body to "affect" and seduce viewers away from any primary identification with those characters and their plotlines that are supposed to lead the film, to identifying instead with the kind of sexual empowerment and self-possession her characters consistently display. Linking the idea of sexual empowerment to the filmic and public celebration of hyper-feminine sexuality, the book additionally covers previous feminist discussions of Mae West's performances as "feminist camp" to argue that West sought to both celebrate and embody for women viewers what she viewed as cultural ideals of femininity and women's sexuality. With Lana Turner and the "cinematic code," the book considers the many problems inherent in both the filmic and public celebration of hyper-feminine sexuality in relation to censorship and considers the effects of the Hays Code on hyper-feminine sexuality as depicted in film noir." "The book also importantly presents the first critical discussion of the actress Jayne Mansfield, suggesting that her 1950s open acceptance, celebration, and public promotion of her feminine sexuality, both onscreen and off, makes her not only a precursor of the more sexually liberated 60s, but also, like the other actresses discussed here, a kind of prescient performance artist, even theorist, of feminine sexuality in particular, and cultural ideas about sexuality more generally. Beyond recouping her image as feminist, the book demonstrates how the kind of desire aroused by the sex goddess, a desire which remains endlessly suspended, works as a supreme example of the aesthetic apparatus of cinema itself." --Book Jacket.
Author: Y. Ivory
Publisher: Springer
ISBN: 023024243X
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Why were so many late-nineteenth-century homosexuals passionate about the Italian Renaissance? This book answers that question by showing how the Victorian coupling of criminality with self-fashioning under the sign of the Renaissance provided queer intellectuals with an enduring model of ruthlessly permissive individualism.
Author: Bénédicte Coste
Publisher: Taylor & Francis
ISBN: 1317265084
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Charting the period that extends from the 1860s to the 1940s, this volume offers fresh perspectives on Aestheticism and Modernism. By acknowledging that both movements had a passion for the ‘new’, it goes beyond the alleged divide between Modernism and its predecessors. Rather than reading the modernist credo, ‘Make it New!’, as a desire to break away from the past, the authors of this book suggest reading it as a continuation and a reappropriation of the spirit of the ‘New’ that characterizes Aestheticism. Basing their arguments on recent reassessments of Aestheticism and Modernism and their articulation, contributors take up the challenge of interrogating the connections, continuities, and intersections between the two movements, thus revealing the working processes of cultural and aesthetic change so as to reassess the value of the new for each. Attending to well-known writers such as Waugh, Woolf, Richardson, Eliot, Pound, Ford, Symons, Wilde, and Hopkins, as well as to hitherto neglected figures such as Lucas Malet, L.S. Gibbon, Leonard Woolf, or George Egerton, they revise assumptions about Aestheticism and Modernism and their very definitions. This collection brings together international scholars specializing in Aestheticism or Modernism who push their analyses beyond their strict period of expertise and take both movements into account through exciting approaches that borrow from aesthetics, philosophy, or economics. The volume proposes a corrective to the traditional narratives of the history of Aestheticism and Modernism, revitalizing definitions of these movements and revealing new directions in aestheticist and modernist studies.
Author: M. Finn
Publisher: Springer
ISBN: 023027725X
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
This innovative book draws together literature, law and economic and social history to investigate the meanings and uses of legitimacy in nineteenth-century Britain. This broad range of essays highlights the ways in which contested narratives and interested performances shaped the idea of legitimate authority during this period.
Author: Patricia Pulham
Publisher: Springer
ISBN: 0230287522
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
This, the first collection of essays on the aesthete and intellectual Vernon Lee, offers a wide range of critical writings by scholars. Key works are examined including Euphorion, Hauntings: Fantastic Stories and Music and Its Lovers . New light is shed on Lee's relationships with contemporaries such as Lee-Hamilton, Pater and Wilde.
Author: Angela Blumberg
Publisher: Manchester University Press
ISBN: 152616146X
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
British literature and archaeology, 1880-1930 reveals how British writers and artists across the long turn of the twentieth century engaged with archaeological discourse—its artefacts, landscapes, bodies, and methods—uncovering the materials of the past to envision radical possibilities for the present and future. This project traces how archaeology shaped major late-Victorian and modern discussions: informing debates over shifting gender roles; facilitating the development of queer iconography and the recovery of silenced or neglected histories; inspiring artefactual forgery and transforming modern conceptions of authenticity; and helping writers and artists historicise the traumas of the First World War. Ultimately unearthing archaeology at the centre of these major discourses, this book simultaneously positions literary and artistic engagements with the archaeological imagination as forms of archaeological knowledge in themselves.
