Seventeenth-century Italian Sacred Music PDF Download
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Author: Anne Schnoebelen
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Anne Schnoebelen
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Jeffrey G. Kurtzman
Publisher: Routledge
ISBN: 9781409469827
Category : Sacred music
Languages : en
Pages : 0
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Book Description
Although he is often identified as a Monteverdi scholar, the majority of Jeffrey Kurtzman's work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, this book provides critical and analytical essays spotlighting the sacred music of Monteverdi and other seventeenth-century composers such as Giovanni Francesco Capello and Palestrina. It investigates issues of performance and surveys Italian liturgical music in its historical context.
Author: Jeffrey G. Kurtzman
Publisher: Routledge
ISBN: 9781032921174
Category : Art
Languages : en
Pages : 0
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Book Description
Although he is often identified as a Monteverdi scholar, the majority of Jeffrey Kurtzman's work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, this book provides critical and analytical essays spotlighting the sacred music of Monteverdi and other composers such as Giovanni Francesco Cap
Author: Jeffrey Kurtzman
Publisher: Routledge
ISBN: 1136744185
Category : Music
Languages : en
Pages : 280
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Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Mary E. Frandsen
Publisher: Oxford University Press
ISBN: 019534636X
Category : Music
Languages : en
Pages : 530
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Book Description
This book is an examination of the uneasy alliance of two confessions, Lutheran and Catholic, at the prominent seventeenth-century court of Dresden, and the implications of this alliance for the repertoire of sacred art music cultivated there, an influential repertoire that has received only scant attention from scholars.
Author: Stephen Bonta
Publisher: Taylor & Francis
ISBN: 1040237290
Category : Music
Languages : en
Pages : 352
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Book Description
Stephen Bonta's research on seventeenth-century Italian music, particularly for strings, spans more than 30 years. Included in this selection of his published articles is his seminal study of the early history of the bass violin which proved to be the foundation for his subsequent articles on the early history of the violoncello. In addition to the discussions of secular instrumental music, the volume features essays that explore Italian sacred music of the period, including Monteverdi's Marian Vespers.
Author: Tim Carter
Publisher: Cambridge University Press
ISBN: 9780521792738
Category : Music
Languages : en
Pages : 636
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Book Description
First published in 2005, this title provides extensive knowledge on seventeenth-century music.
Author: Lorenzo Bianconi
Publisher: Cambridge University Press
ISBN: 9780521269155
Category : Music
Languages : en
Pages : 364
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Book Description
Examines musical life in the seventeenth century, a period of profound change in the history of music.
Author: Jeffrey Kurtzman
Publisher: Taylor & Francis
ISBN: 104023349X
Category : History
Languages : en
Pages : 356
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Book Description
Although he is often identified as a Monteverdi scholar (Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies, published in the Variorum series in 2013), the majority of Jeffrey Kurtzman’s work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, part one begins with a chapter on the Monteverdi Mass and Vespers of 1610 which spotlights the other major work in Monteverdi’s first prominent sacred print, the Missa in illo tempore, followed by examples of Kurtzman’s work on the sacred music of other composers such as Giovanni Francesco Capello and Palestrina. The section concludes with a piece on polyphonic psalm structures in seventeenth-century Italian Office music. Part two includes pieces which explore the relationship between the standard clef set, the high clef set, specific Magnificat tones and sounding pitch in the Magnificats of Roman composers; the issue of polyphonic psalm antiphons and the question of vocal and instrumental substitutes for plainchant antiphons in the Vespers service; and the use of instruments in the performance of sacred music, demonstrating that the concertato style of the seventeenth century had its origins in the practice of substituting instruments for voices and doubling voices with instruments, thereby introducing multifaceted possibilities for varying sonorities through the course of a composition. Part 3 contains two articles: the first surveying various styles in the Office repertoire of the seventeenth-century based on the approximately 1500 prints of Italian Office music in Kurtzman’s and Anne Schnoebelen’s catalogue of Mass, Office and Holy Week Music Printed in Italy, 1516-1770. The second article, published for the first time in this volume, assesses the impact on Italian liturgical music of the Catholic reform of the second half of the sixteenth-century.
