Seven Lectures on the Law and History of Copyright in Books PDF Download
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Author: Augustine Birrell
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 260
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Book Description
Author: Augustine Birrell
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 260
Get Book Here
Book Description
Author: Augustine Birrell
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Book Description
Author: Augustine Birrell
Publisher: Forgotten Books
ISBN: 9780266173472
Category : Biography & Autobiography
Languages : en
Pages : 252
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Book Description
Excerpt from Seven Lectures on the Law and History of Copyright in Books Whether this judicial opinion as to the existence at Common Law of perpetual Oopy right in an author and his assigns was sound may well be doubted, and possibly if the House of Lords had held in Donaldson v. Becket that perpetual Copyright had survived Queen Anne, an Act of Parliament would, sooner or later, have been passed curtailing the rights Of authors. But how annoying, how distressing, to have evolution artificially arrested and so interesting a question stifled by an ignorant Legislature, set in motion not by an irate populace clamouring for cheap books (as a generation later they were to clamour for cheap gin), but by the authors and their proprietors, the booksellers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Isabella Alexander
Publisher: Edward Elgar Publishing
ISBN: 1783472405
Category : Law
Languages : en
Pages : 495
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Book Description
There has been an explosion of interest in recent years regarding the origin and of intellectual property law. The study of copyright history, in particular, has grown remarkably in the last twenty years, with a flurry of activity in the last ten. Crucial to this activity has been a burgeoning focus on unpublished primary sources, enabling new and stimulating insights. This Handbook takes stock of the field of copyright history as it stands today, as well as examining potential developments in the future.
Author: Walter Arthur Copinger
Publisher: The Lawbook Exchange, Ltd.
ISBN: 1584778962
Category : Copyright
Languages : en
Pages : 464
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Book Description
With a new introduction by Ronan Deazley, Professor of Law, University of Glasgow. First Edition of "A Standard Book on the Law of Copyright" Reprint of the first edition. "A standard book on the law of copyright was published by W.A. Copinger [1847-1910] in 1870. It deals very fully with the history and the statute law as to literary copyright; as to Crown and university and college copyright; as to musical, dramatic, and artistic copyright, and copyright in designs; as to international copyright and copyright in foreign countries; and as to agreements between authors and publishers. The merits of the book are proved by the fact that is reached a ninth edition in 1958." --William S. Holdsworth, History of English Law XV 299-300 WALTER ARTHUR COPINGER [1847-1910] was a barrister-at-law of the Middle Temple.
Author: Stina Teilmann-Lock
Publisher: Routledge
ISBN: 1317804600
Category : Law
Languages : en
Pages : 165
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Book Description
Recent years have seen a number of pressing developments in copyright law: there has been an enormous increase in the range and type of work accorded protection; the concept of the ‘original work’ has entered into national copyright acts; and intangible entities are now entitled to protection by copyright. All these are consequences of legislative and technological developments that can be traced back over two centuries and more. the result. This book presents an interdisciplinary study of the growth of copyright law, largely based on archival research and on archival materials only recently made available online. The new history here articulated helps to explain why print is no longer today the sole or even the chief object of copyright protection. Taking its key examples from British, French and Danish copyright law, the book begins by exploring how the earliest copyright laws emerged out of the technological understanding of a printed ‘copy,’ and out of the philosophical notions of originals and copies, tangibles and intangibles. Dr Teilmann-Lockgoes on to examine the concept of the ‘work’ as it develops both conceptually and legally, as the object of protection, and then explains how, in a curious consequence, 'the work' turns the ‘copy’ into the 'mere' material instantiation of the intangible 'original'. The book concludes by addressing the considerable and complicated problems now emerging in copyright law following the inclusion of design within the scope of its protection. In this field Danish law, striving to protect Danish design, has been setting the trend for over a hundred years. In its examination of terminological exchanges between the diverse legal traditions and philosophical discourse, and in its thorough investigation of particular terms central to copyright legislation, this interdisciplinary book will be of great interest to scholars and students of copyright and intellectual property law; it also makes an important contribution to literary studies, legal history and cultural theory.
Author: Daniel J. Gervais
Publisher: Edward Elgar Publishing
ISBN: 1782544801
Category : Law
Languages : en
Pages : 525
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Book Description
International Intellectual Property: A Handbook of Contemporary Research provides researchers and practitioners of international intellectual property law with the necessary tools to understand the latest debates in this incredibly dynamic and complex
Author: Matthew David
Publisher: SAGE
ISBN: 1473909023
Category : Social Science
Languages : en
Pages : 841
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Book Description
This Handbook brings together scholars from around the world in addressing the global significance of, controversies over and alternatives to intellectual property (IP) today. It brings together over fifty of the leading authors in this field across the spectrum of academic disciplines, from law, economics, geography, sociology, politics and anthropology. This volume addresses the full spectrum of IP issues including copyright, patent, trademarks and trade secrets, as well as parallel rights and novel applications. In addition to addressing the role of IP in an increasingly information based and globalized economy and culture, it also challenges the utility and viability of IP today and addresses a range of alternative futures.
Author: Internationale Vereinigung für Vergleichende Rechtswissenschaft und Volkswirtschaftslehre zu Berlin
Publisher:
ISBN:
Category : Berlin (Germany)
Languages : en
Pages : 1046
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Book Description
Author: Paul K. Saint-Amour
Publisher: Cornell University Press
ISBN: 0801457963
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
They borrow from published works without attribution. They remake literary creation in the image of consumption. They celebrate the art of scissors and paste. Who are these outlaws? Postmodern culture-jammers or file-sharing teens? No, they are the Copywrights—Victorian and modernist writers, among them Oscar Wilde and James Joyce, whose work wrestled with the intellectual property laws of their day. In a highly readable and thought-provoking book that places today's copyright wars in historical context, Paul K. Saint-Amour asks: Would their art have survived the copyright laws of the new millennium? Revisiting major works by Wilde and Joyce as well as centos assembled by anonymous writers from existing poems, Saint-Amour sees the period 1830–1930 as a time when imaginative literature became aware of its own status as intellectual property and began to register that awareness in its subjects, plots, and formal architecture. The authors of these self-reflexive literary texts were more conscious than their precursors of the role played by consumption in both the composition and the consecration of literature. The texts in question became, in turn, part of what Saint-Amour characterizes as a "counterdiscourse" to extensive monopoly copyright, a vocal minority that insisted on a broadly conceived public domain not only as indispensable to free expression and fresh creation but as a good in itself. Recent events such as the court battle over the Copyright Term Extension Act (CTEA), which extends copyright terms by 20 years, the patenting of the human genome and of genetically altered seed lines, and high-stakes controversies over literary parody have increased public awareness of intellectual property law. In The Copywrights, Saint-Amour challenges the notion that copyright's function ends with the provision of private incentives to creation and innovation. The cases he examines lead him to argue that copyright performs a range of political, emotional, and even sacred functions that are too often ignored and that what seems to have emerged as copyright's primary function—the creation of private property incentives—must not be an end in itself.
