The Works of John Donne PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Works of John Donne PDF full book. Access full book title The Works of John Donne by John Donne. Download full books in PDF and EPUB format.
Author: John Donne
Publisher:
ISBN:
Category : Sermons
Languages : en
Pages : 582
Get Book Here
Book Description
Author: John Donne
Publisher:
ISBN:
Category : Sermons
Languages : en
Pages : 582
Get Book Here
Book Description
Author: John Donne
Publisher:
ISBN:
Category : Sermons
Languages : en
Pages : 604
Get Book Here
Book Description
Author: John Millar Scott
Publisher:
ISBN:
Category :
Languages : en
Pages : 78
Get Book Here
Book Description
Author: Musō Soseki
Publisher:
ISBN: 9781556594397
Category : Literary Criticism
Languages : en
Pages : 0
Get Book Here
Book Description
Out of print for two decades and reissued in this updated edition, Sun at Midnight is the first translation into English of the work of Muso Soseki, a Zen roshi of the fourteenth century and father of what we now think of as the Zen rock garden. These sublime translations reveal W.S. Merwin's own resources as a gardener; the heart of both his and Soseki's endeavors can be seen with clarity through these inspiring poems and letters. Intensely lyric and rich with the concrete details of sight, sound, and scent, deeply immersed in the great philosophical questions, the work is transformative and full-spectrum. From a telling smile and handshake in "the one wind" to "something beyond happiness / inside the gate / of this mountain," the infinity in a moment can be found everywhere. All worries and troubles have gone from my breast and I play joyfully far from the world For a person of Zen no limits exist The blue sky must feel ashamed to be so small Book jacket.
Author: Margret Fetzer
Publisher: Manchester University Press
ISBN: 1847797865
Category : Literary Criticism
Languages : en
Pages : 436
Get Book Here
Book Description
Ever since their rediscovery in the 1920s, John Donne's writings have been praised for their energy, vigour and drama – yet so far, no attempt has been made to approach and define systematically these major characteristics of his work. Drawing on J. L. Austin's speech act theory, Margret Fetzer's comparative reading of Donne's poetry and prose eschews questions of personal or religious sincerity and instead recreates an image of John Donne as a man of many performances. No matter if engaged in the writing of a sermon or a piece of erotic poetry, Donne placed enormous trust in what words could do. Questions as to how saying something may actually bring about that very thing, or how playing the part of someone else affects an actor's identity, are central to Donne's oeuvre – and moreover highly relevant in the cultural and theological contexts of the early modern period in general. In treating both canonical and lesser known Donne texts, John Donne's Performances hopes to make a significant contribution not only to Donne criticism and research into early modern culture: by using concepts of performance and performativity as its major theoretical backdrop, it aims to establish an interdisciplinary link with the field of performance studies.
Author: Charles Kingley
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
Get Book Here
Book Description
Author:
Publisher: Penguin
ISBN: 1440684499
Category : Poetry
Languages : en
Pages : 369
Get Book Here
Book Description
"The book is full of strong, memorable poems that stick with readers like a friend during a long, hard night. " - The Christian Science Monitor Here, readers will find solace in works that are bracing and courageous, organized into such resonant headings as "Such As It Is More or Less" and "Let It Spill." From William Shakespeare and Walt Whitman to R. S. Gwynn and Mary Oliver, the voices gathered in this collection will be more than welcome to those who've been struck by bad news, who are burdened by stress, or who simply appreciate the power of good poetry.
Author: Saint Bede (the Venerable)
Publisher:
ISBN:
Category : Abbots
Languages : en
Pages : 438
Get Book Here
Book Description
Author: Paul Baynes
Publisher:
ISBN:
Category : Christian life
Languages : en
Pages : 496
Get Book Here
Book Description
Author: James Weldon Johnson
Publisher: Bibliotech Press
ISBN:
Category : Fiction
Languages : en
Pages : 0
Get Book Here
Book Description
God's Trombones: Seven Negro Sermons in Verse is a 1927 book of poems by James Weldon Johnson patterned after traditional African-American religious oratory. African-American scholars Henry Louis Gates and Cornel West have identified the collection as one of Johnson's two most notable works, the other being Autobiography of an Ex-Colored Man. Johnson observed an absence of attention in folklore studies to what he called a "folk sermon," then went on to describe its nature and specific examples from his memory: I remember hearing in my boyhood sermons that were current, sermons that passed with only slight modifications from preacher to preacher and from locality to locality. Such sermons were: "The Valley of Dry Bones," which was based on the vision of the prophet in the 37th chapter of Ezekiel; the "Train Sermon," in which both God and the devil were pictured as running trains, one loaded with saints, that pulled up in heaven, and the other with sinners, that dumped its load in hell; the "Heavenly March," which gave in detail the journey of the faithful from earth, on up through the pearly gates to the great white throne. Then there was a stereotyped sermon which had no definite subject, and which was quite generally preached; it began with the Creation, went on to the fall of man, rambled through the trials and tribulations of the Hebrew Children, came down to the redemption by Christ, and ended with the Judgment Day and a warning and an exhortation to sinners. Johnson explains the title's use of the trombone by discussing the vocal and rhetorical qualities of a preacher he had recently heard who, he felt, exemplified the compelling and persuasive nature of the folk preacher, naming the trombone as "the instrument possessing above all others the power to express the wide and varied range of emotions encompassed by the human voice - and with greater amplitude." He also cited a dictionary definition that noted the trombone as being the brass instrument most resembling the range and sound of the human voice. The seven poems were composed primarily in 1926, with "Go Down[, ] Death" being composed in the space of a single afternoon on Thanksgiving Day, 1926, and the remaining five poems during a two-week retreat; "The Creation," the first poem of the set, had been composed about 1919. The work went on to find acclaim in many circles, proving "enormously popular among both the black cognoscenti as well of the masses of black Americans" and being used widely in oratorical contests; poet Owen Dodson wrote Johnson in 1932 to tell him that Dodson and his brother had taken first and second place in a poetry-recitation competition with works from that volume. Gates and West particularly note that the work "attempts a mimetic capturing of the black church sermon... without making recourse to the misspellings and orthographic tricks often employed in representing black vernacular speech." Dorothy Canfield Fisher, in a personal letter to the poet to thank him and offer to help promote the collection, praised the work as "heart-shakingly beautiful and original, with the peculiar piercing tenderness and intimacy which seems to me special gifts of the Negro. ...it is a profound satisfaction to find those special qualities so exquisitely expressed." The poem "The Creation" was used in the 1951 film Five, serving as the soliloquy for the character Charles, played by African-American actor Charles Lampkin. Lampkin convinced film-maker Arch Oboler to include excerpts of the poem in the final script of Five where it would become Lampkin's soliloquy for his character Charles. This may be the first time that audiences in the USA, Latin America, and Europe were exposed to African-American poetry, albeit not identified as such in the film. (wikipedia.org)
