Author: David John George
Publisher: Boydell & Brewer
ISBN: 1855662205
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
A major contemporary playwright and director. By the late 1970s, internationally known performance groups such as Els Joglars, La Fura dels Baus or La Cubana had precipitated a decline in text-based Catalan theatre, reversed in the mid 1980s with the appearance of a younger generation of playwrights led by Sergi Belbel. Influenced by contemporary European rather than Spanish or Catalan drama, his work was very different from the realist idiom favoured by playwrights of the Franco generation. Butplaywriting is only one aspect of Belbel's work as a theatre practitioner. He also has a highly successful career as a director of Spanish, Catalan and foreign plays [a number of which he himself has translated], and, since 2006, he has held the position of Artistic Director of the National Theatre of Catalonia. This study examines these three key aspects of his career, as well as Ventura Pons's film adaptations of his plays. Finally, it considersthe reception of his plays in several countries, analysing his evolving relationship with critics at home and abroad. DAVID GEORGE is Professor of Hispanic Studies at Swansea University.
Sergi Belbel and Catalan Theatre
Author: David John George
Publisher: Boydell & Brewer
ISBN: 1855662205
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
A major contemporary playwright and director. By the late 1970s, internationally known performance groups such as Els Joglars, La Fura dels Baus or La Cubana had precipitated a decline in text-based Catalan theatre, reversed in the mid 1980s with the appearance of a younger generation of playwrights led by Sergi Belbel. Influenced by contemporary European rather than Spanish or Catalan drama, his work was very different from the realist idiom favoured by playwrights of the Franco generation. Butplaywriting is only one aspect of Belbel's work as a theatre practitioner. He also has a highly successful career as a director of Spanish, Catalan and foreign plays [a number of which he himself has translated], and, since 2006, he has held the position of Artistic Director of the National Theatre of Catalonia. This study examines these three key aspects of his career, as well as Ventura Pons's film adaptations of his plays. Finally, it considersthe reception of his plays in several countries, analysing his evolving relationship with critics at home and abroad. DAVID GEORGE is Professor of Hispanic Studies at Swansea University.
Publisher: Boydell & Brewer
ISBN: 1855662205
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
A major contemporary playwright and director. By the late 1970s, internationally known performance groups such as Els Joglars, La Fura dels Baus or La Cubana had precipitated a decline in text-based Catalan theatre, reversed in the mid 1980s with the appearance of a younger generation of playwrights led by Sergi Belbel. Influenced by contemporary European rather than Spanish or Catalan drama, his work was very different from the realist idiom favoured by playwrights of the Franco generation. Butplaywriting is only one aspect of Belbel's work as a theatre practitioner. He also has a highly successful career as a director of Spanish, Catalan and foreign plays [a number of which he himself has translated], and, since 2006, he has held the position of Artistic Director of the National Theatre of Catalonia. This study examines these three key aspects of his career, as well as Ventura Pons's film adaptations of his plays. Finally, it considersthe reception of his plays in several countries, analysing his evolving relationship with critics at home and abroad. DAVID GEORGE is Professor of Hispanic Studies at Swansea University.
Spanish Theatre 1920-1995
Author: Maria M. Delgado
Publisher: Taylor & Francis
ISBN: 9789057021169
Category : Spanish drama
Languages : en
Pages : 132
Book Description
Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Publisher: Taylor & Francis
ISBN: 9789057021169
Category : Spanish drama
Languages : en
Pages : 132
Book Description
Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Catalan Culture
Author:
Publisher: University of Wales Press
ISBN: 178683202X
Category : History
Languages : en
Pages : 223
Book Description
This volume presents studies of some of the key artistic manifestations in Catalonia in recent times, a period of innovation and experimentation, and addresses issues concerning literature, film, theatre and performance art. From the creation of a new popular theatre in the work of the Valencian playwright Rodolf Sirera, or the conception of landscape, myth and memory in the late work of the novelist Mercè Rodoreda and the urgency of memory and remembrance in the writings of Jordi Coca, the effects of censorship in Catalonia appear to have proved a spur and a challenge to writers. Desiring to occupy illegal spaces, performance groups have manifested both literally and metaphorically the international dimension of Catalan culture in the modern period, posed in the present volume by the instances of La Cubana and Els Joglars, and further evidenced in the cross-fertilization in the work of contemporary Catalan playwrights and filmmakers to foreground issues of national plurality and tensions arising between the periphery (Catalonia) and the centre (Spain and Castile).
Publisher: University of Wales Press
ISBN: 178683202X
Category : History
Languages : en
Pages : 223
Book Description
This volume presents studies of some of the key artistic manifestations in Catalonia in recent times, a period of innovation and experimentation, and addresses issues concerning literature, film, theatre and performance art. From the creation of a new popular theatre in the work of the Valencian playwright Rodolf Sirera, or the conception of landscape, myth and memory in the late work of the novelist Mercè Rodoreda and the urgency of memory and remembrance in the writings of Jordi Coca, the effects of censorship in Catalonia appear to have proved a spur and a challenge to writers. Desiring to occupy illegal spaces, performance groups have manifested both literally and metaphorically the international dimension of Catalan culture in the modern period, posed in the present volume by the instances of La Cubana and Els Joglars, and further evidenced in the cross-fertilization in the work of contemporary Catalan playwrights and filmmakers to foreground issues of national plurality and tensions arising between the periphery (Catalonia) and the centre (Spain and Castile).
The Aesthetics of the Ephemeral
Author: Jennifer Duprey
Publisher: SUNY Press
ISBN: 1438452330
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Analyzes theatrical texts and performances while providing political and historical mappings. In The Aesthetics of the Ephemeral, Jennifer Duprey examines five contemporary plays from Barcelona: Olors and Testament by Josep Maria Benet i Jornet, Antígona by Jordi Coca, Forasters by Sergi Belbel, and Temptació by Carles Batlle. She argues that in both the theatrical text and its performance an aesthetics of the ephemeral materializes that is related to specific manifestations of cultural and historical memory in Spain and Catalonia. These manifestations of memory include historical concerns such as the possibility of another form of justice in predicaments of violence after the Civil War, and they also include contemporary issues such as the production of ruins by the processes of gentrification in Barcelona, the complexity of immigration in Spain, and the destruction or preservation of Catalan cultural legacies. In her analysis of these topics, Duprey engages and expands on theories related to questions of subjectivity and identity in late modernity. This book will be of interest to those concerned with Iberian cultural studies and with how theater reflects on and contributes to contemporary political dialogue.
Publisher: SUNY Press
ISBN: 1438452330
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Analyzes theatrical texts and performances while providing political and historical mappings. In The Aesthetics of the Ephemeral, Jennifer Duprey examines five contemporary plays from Barcelona: Olors and Testament by Josep Maria Benet i Jornet, Antígona by Jordi Coca, Forasters by Sergi Belbel, and Temptació by Carles Batlle. She argues that in both the theatrical text and its performance an aesthetics of the ephemeral materializes that is related to specific manifestations of cultural and historical memory in Spain and Catalonia. These manifestations of memory include historical concerns such as the possibility of another form of justice in predicaments of violence after the Civil War, and they also include contemporary issues such as the production of ruins by the processes of gentrification in Barcelona, the complexity of immigration in Spain, and the destruction or preservation of Catalan cultural legacies. In her analysis of these topics, Duprey engages and expands on theories related to questions of subjectivity and identity in late modernity. This book will be of interest to those concerned with Iberian cultural studies and with how theater reflects on and contributes to contemporary political dialogue.
Modern Catalan Plays
Author: John London
Publisher: Bloomsbury Publishing
ISBN: 1474278973
Category : Drama
Languages : en
Pages : 192
Book Description
Four plays from the rich theatrical world of Catalan drama. Since the early 1990s, Catalonia has proven to the world that its rich heritage and artistic tradition are worthy of focus and study. The plays in the volume reflect the post-Franco era during which Barcelona and other parts of Catalonia have become the focal point for new dramatic expression. Joan Brossa (1919-1998) was the spiritual father of this new wave of artistic revolution in writing. His play The Quarrelsome Party is a dark family drama as surreal as any bad dream. The Audition by Rodolf Sirera has its roots in the author's anti-Franco stance. This in-the-theatre drama has the mystery cat-and-mouse playfulness of Anthony Shaffer's Sleuth. Benet i Jornet's play Desire is a Beckettian mystery play about four unnamed characters. Sergi Belbel represents the new generation of Catalan playwrights and his plays have had wide appeal abroad. In Fourplay he experiments with the idea of a sex farce and the play's 38 scenes lead to wild conclusions.
Publisher: Bloomsbury Publishing
ISBN: 1474278973
Category : Drama
Languages : en
Pages : 192
Book Description
Four plays from the rich theatrical world of Catalan drama. Since the early 1990s, Catalonia has proven to the world that its rich heritage and artistic tradition are worthy of focus and study. The plays in the volume reflect the post-Franco era during which Barcelona and other parts of Catalonia have become the focal point for new dramatic expression. Joan Brossa (1919-1998) was the spiritual father of this new wave of artistic revolution in writing. His play The Quarrelsome Party is a dark family drama as surreal as any bad dream. The Audition by Rodolf Sirera has its roots in the author's anti-Franco stance. This in-the-theatre drama has the mystery cat-and-mouse playfulness of Anthony Shaffer's Sleuth. Benet i Jornet's play Desire is a Beckettian mystery play about four unnamed characters. Sergi Belbel represents the new generation of Catalan playwrights and his plays have had wide appeal abroad. In Fourplay he experiments with the idea of a sex farce and the play's 38 scenes lead to wild conclusions.
Barcelona
Author: Helena Buffery
Publisher: University of Wales Press
ISBN: 1783161434
Category : History
Languages : en
Pages : 338
Book Description
This fully illustrated, edited volume brings together fresh insights into the changing urban space of Barcelona from the beginning of the twentieth century to the present day. The volume will contribute to the excavation of the avantgarde in Barcelona, as well as its legacy in the post-war period, although its primary focus will be on the relationship between environment, identity and performance as explored by countercultural artists and communities from the 1960s to the present day.
Publisher: University of Wales Press
ISBN: 1783161434
Category : History
Languages : en
Pages : 338
Book Description
This fully illustrated, edited volume brings together fresh insights into the changing urban space of Barcelona from the beginning of the twentieth century to the present day. The volume will contribute to the excavation of the avantgarde in Barcelona, as well as its legacy in the post-war period, although its primary focus will be on the relationship between environment, identity and performance as explored by countercultural artists and communities from the 1960s to the present day.
Minority Theatre on the Global Stage
Author: Madelena Gonzalez
Publisher: Cambridge Scholars Publishing
ISBN: 1443838373
Category : Performing Arts
Languages : en
Pages : 430
Book Description
All over the world, in the most varied contexts, contemporary theatre is a rich source for increasing the visibility of communities generally perceived by others as minorities, or those who see themselves as such. Whether of a linguistic, ethnic, political, social, cultural or sexual nature, the claims of minorities enjoy a privileged medium in theatre. Perhaps it is because theatre itself is linked to the notions of centre and periphery, conformism and marginality, domination and subjugation – notions that minority theatre constantly examines by staging them – that it is so sensitive to the issues of troubled and conflicted identity and able to give them a universal resonance. Among the questions raised by this volume, is that of the relationship between the particular and the more general aims of this type of theatre. How is it possible to speak to everyone, or at least to the majority, when one is representing the voice of the few? Beyond such considerations, urgent critical examination of the function and aims of minority theatre is needed. To what kind of public is such drama addressed? Does it have an exemplary nature? How is it possible to avoid the pitfalls and the dead end of ghettoization? Certain types of audience-specific theatre are examined in this context, as, for example, theatre as therapy, theatre as an educational tool, and gay theatre. Particular attention is paid to the claims of minorities within culturally and economically dominant western countries. These are some of the avenues explored by this volume which aims to answer fundamental questions such as: What is minority theatre and why does theatre, a supposedly bourgeois, if not to say elitist, art form, have such affinity with the margins? What if, particularly in contemporary society, the theatre as a form, were merely playing out its fundamentally marginal status? The authors of these essays show how different forms of minority theatre can challenge cultural consensus and homogenization, while also aspiring to universality. They also address the central question of the place and status of apparently marginal forms of theatre in the context of globalization and in doing so re-examine theatre itself as a genre. Not only do they illustrate how minority theatre can challenge the dominant paradigms that govern society, but they also suggest their own more flexible and challenging frameworks for theatrical activity.
Publisher: Cambridge Scholars Publishing
ISBN: 1443838373
Category : Performing Arts
Languages : en
Pages : 430
Book Description
All over the world, in the most varied contexts, contemporary theatre is a rich source for increasing the visibility of communities generally perceived by others as minorities, or those who see themselves as such. Whether of a linguistic, ethnic, political, social, cultural or sexual nature, the claims of minorities enjoy a privileged medium in theatre. Perhaps it is because theatre itself is linked to the notions of centre and periphery, conformism and marginality, domination and subjugation – notions that minority theatre constantly examines by staging them – that it is so sensitive to the issues of troubled and conflicted identity and able to give them a universal resonance. Among the questions raised by this volume, is that of the relationship between the particular and the more general aims of this type of theatre. How is it possible to speak to everyone, or at least to the majority, when one is representing the voice of the few? Beyond such considerations, urgent critical examination of the function and aims of minority theatre is needed. To what kind of public is such drama addressed? Does it have an exemplary nature? How is it possible to avoid the pitfalls and the dead end of ghettoization? Certain types of audience-specific theatre are examined in this context, as, for example, theatre as therapy, theatre as an educational tool, and gay theatre. Particular attention is paid to the claims of minorities within culturally and economically dominant western countries. These are some of the avenues explored by this volume which aims to answer fundamental questions such as: What is minority theatre and why does theatre, a supposedly bourgeois, if not to say elitist, art form, have such affinity with the margins? What if, particularly in contemporary society, the theatre as a form, were merely playing out its fundamentally marginal status? The authors of these essays show how different forms of minority theatre can challenge cultural consensus and homogenization, while also aspiring to universality. They also address the central question of the place and status of apparently marginal forms of theatre in the context of globalization and in doing so re-examine theatre itself as a genre. Not only do they illustrate how minority theatre can challenge the dominant paradigms that govern society, but they also suggest their own more flexible and challenging frameworks for theatrical activity.
In the Eye of the Storm
Author: Sharon G. Feldman
Publisher: Bucknell University Press
ISBN: 0838757227
Category : Literary Criticism
Languages : en
Pages : 413
Book Description
"Barcelona, the cultural epicenter of Catalunya, is presently experiencing the most dynamic and polemical period in its modern theater history. It is the commanding hub of an energetic theater scene that in recent years has witnessed an exuberant outpouring of new dramatists, a steady crescendo in theater attendance, and a continual increase in the international presence of Catalan directors, playwrights, and companies. Barcelona's post-Olympian cultural landscape, moreover, comprises several architecturally striking theater projects. The diversity of opportunities to stage plays in Catalan at an assortment of city spaces is unprecedented, ranging in variety from commercial locales to publicly funded stages to experimental "alternative" venues. Since its origins in the nineteenth century, modem Catalan drama has frequently exhibited a cosmopolitan and even transnational impulse, engaging in an artistic dialogue with international theater traditions of both past and present and forging its identity vis-a-vis its intercultural associations. The path along which the contemporary Catalan theater scene has struggled to recover and reconstitute the professional legitimacy and visibility that it lost during the Franco dictatorship has been a complex process, never lacking in melodramatic excess, witnessed both on and off the stage. The Barcelona stage, throughout its contemporary evolution, has been immersed in a stormy climate, whose relentlessly frenetic atmospheric activity at times may impede one from acquiring the distance necessary to see beyond the hurricane." --Book Jacket.
Publisher: Bucknell University Press
ISBN: 0838757227
Category : Literary Criticism
Languages : en
Pages : 413
Book Description
"Barcelona, the cultural epicenter of Catalunya, is presently experiencing the most dynamic and polemical period in its modern theater history. It is the commanding hub of an energetic theater scene that in recent years has witnessed an exuberant outpouring of new dramatists, a steady crescendo in theater attendance, and a continual increase in the international presence of Catalan directors, playwrights, and companies. Barcelona's post-Olympian cultural landscape, moreover, comprises several architecturally striking theater projects. The diversity of opportunities to stage plays in Catalan at an assortment of city spaces is unprecedented, ranging in variety from commercial locales to publicly funded stages to experimental "alternative" venues. Since its origins in the nineteenth century, modem Catalan drama has frequently exhibited a cosmopolitan and even transnational impulse, engaging in an artistic dialogue with international theater traditions of both past and present and forging its identity vis-a-vis its intercultural associations. The path along which the contemporary Catalan theater scene has struggled to recover and reconstitute the professional legitimacy and visibility that it lost during the Franco dictatorship has been a complex process, never lacking in melodramatic excess, witnessed both on and off the stage. The Barcelona stage, throughout its contemporary evolution, has been immersed in a stormy climate, whose relentlessly frenetic atmospheric activity at times may impede one from acquiring the distance necessary to see beyond the hurricane." --Book Jacket.
Encyclopedia of Contemporary Spanish Culture
Author: Professor Eamonn Rodgers
Publisher: Routledge
ISBN: 1134788584
Category : Foreign Language Study
Languages : en
Pages : 614
Book Description
Some 750 alphabetically-arranged entries provide insights into recent cultural and political developments within Spain, including the cultures of Catalonia, Galicia and the Basque country. Coverage spans from the end of the Civil War in 1939 to the present day, with emphasis on the changes following the demise of the Franco dictatorship in 1975. Entries range from shorter, factual articles to longer overview essays offering in-depth treatment of major issues. Culture is defined in its broadest sense. Entries include: *Antonio Gaudí * science * Antonio Banderas * golf * dance * education * politics * racism * urbanization This Encyclopedia is essential reading for anyone interested in Spanish culture. It provides essential cultural context for students of Spanish, European History, Comparative European Studies and Cultural Studies.
Publisher: Routledge
ISBN: 1134788584
Category : Foreign Language Study
Languages : en
Pages : 614
Book Description
Some 750 alphabetically-arranged entries provide insights into recent cultural and political developments within Spain, including the cultures of Catalonia, Galicia and the Basque country. Coverage spans from the end of the Civil War in 1939 to the present day, with emphasis on the changes following the demise of the Franco dictatorship in 1975. Entries range from shorter, factual articles to longer overview essays offering in-depth treatment of major issues. Culture is defined in its broadest sense. Entries include: *Antonio Gaudí * science * Antonio Banderas * golf * dance * education * politics * racism * urbanization This Encyclopedia is essential reading for anyone interested in Spanish culture. It provides essential cultural context for students of Spanish, European History, Comparative European Studies and Cultural Studies.
Contemporary European Theatre Directors
Author: Maria M. Delgado
Publisher: Routledge
ISBN: 1135164657
Category : Performing Arts
Languages : en
Pages : 448
Book Description
'An invaluable book that we shall all be using for a long time to come' - Michael Billington Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past fifty years. It is a vivid account of the vast range of work undertaken in European theatre during this period, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s. The featured directors are: Calixto Bieito, Piotr Borowski, Romeo Castellucci, Frank Castorf, Patrice Chéreau, Lev Dodin, Declan Donnellan, Kristian Frédric, Rodrigo García, Jan Lauwers, Christoph Marthaler, Simon McBurney, Daniel Mesguich, Katie Mitchell, Ariane Mnouchkine, Thomas Ostermeier, Patrice Pavis, Silviu Purcărete and Peter Sellars. Travelling from London and Craiova to St. Petersburg and Madrid, the book examines directors working with classics, new writing, and new collaborative theatre forms. Each chapter is written by a specialist in European theatre and provides a detail critique of production styles. The directors themselves provide contributions and interviews to this multi-authored work, which unites the many and varied voices of European theatre in one coherent volume.
Publisher: Routledge
ISBN: 1135164657
Category : Performing Arts
Languages : en
Pages : 448
Book Description
'An invaluable book that we shall all be using for a long time to come' - Michael Billington Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past fifty years. It is a vivid account of the vast range of work undertaken in European theatre during this period, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s. The featured directors are: Calixto Bieito, Piotr Borowski, Romeo Castellucci, Frank Castorf, Patrice Chéreau, Lev Dodin, Declan Donnellan, Kristian Frédric, Rodrigo García, Jan Lauwers, Christoph Marthaler, Simon McBurney, Daniel Mesguich, Katie Mitchell, Ariane Mnouchkine, Thomas Ostermeier, Patrice Pavis, Silviu Purcărete and Peter Sellars. Travelling from London and Craiova to St. Petersburg and Madrid, the book examines directors working with classics, new writing, and new collaborative theatre forms. Each chapter is written by a specialist in European theatre and provides a detail critique of production styles. The directors themselves provide contributions and interviews to this multi-authored work, which unites the many and varied voices of European theatre in one coherent volume.