Allusion as Narrative Premise in Brahms's Instrumental Music

Allusion as Narrative Premise in Brahms's Instrumental Music PDF Author: Jacquelyn Sholes
Publisher: Indiana University Press
ISBN: 0253033160
Category : Music
Languages : en
Pages : 276

Get Book Here

Book Description
Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.

Allusion as Narrative Premise in Brahms's Instrumental Music

Allusion as Narrative Premise in Brahms's Instrumental Music PDF Author: Jacquelyn Sholes
Publisher: Indiana University Press
ISBN: 0253033160
Category : Music
Languages : en
Pages : 276

Get Book Here

Book Description
Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.

Serenades nos. 1 & 2

Serenades nos. 1 & 2 PDF Author: Johannes Brahms
Publisher: Courier Corporation
ISBN: 9780486408545
Category : Music
Languages : en
Pages : 310

Get Book Here

Book Description
Two popular pieces include the 1860 full orchestra revision of Serenade No. 1 in D Major, Op. 11; and Brahms s 1875 revision of Serenade No. 2 in A Major, Op. 16. Authoritative early editions. Instrumentation. "

Listening to Mendelssohn

Listening to Mendelssohn PDF Author: David Hurwitz
Publisher: Rowman & Littlefield
ISBN: 1538134934
Category : Music
Languages : en
Pages : 205

Get Book Here

Book Description
The greatest musical prodigy since Mozart (some would say he was even greater), Felix Mendelssohn (1809–1847) excelled in everything he did, musical or otherwise, and during his brief life became Europe’s most respected and beloved composer. Yet no musician suffered more drastic swings in his posthumous reputation, and as a result Mendelssohn’s music was obscured by a host of extra-musical factors: changes in taste, the rise of nationalism, anti-Semitism, and contempt for Victorian culture. This “owner’s manual” offers a guide to Mendelssohn’s musical output, major and minor, providing points of entry into a large body of work, much of which remains far too little known. There’s much more to Mendelssohn than the “Italian” Symphony and the “Midsummer Night’s Dream” Overture, and a whole creative world of vivid, expressive, and fantastical music is ready for exploration.

Arthur Mees Programs

Arthur Mees Programs PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 798

Get Book Here

Book Description


Concert programmes

Concert programmes PDF Author: Theodore Thomas
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 426

Get Book Here

Book Description


Biennial Music Festival at Cincinnati

Biennial Music Festival at Cincinnati PDF Author:
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 158

Get Book Here

Book Description


An Encyclopedia of the Violin

An Encyclopedia of the Violin PDF Author: Alberto Bachmann
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508

Get Book Here

Book Description


Catalogs

Catalogs PDF Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700

Get Book Here

Book Description


Index to Record Reviews

Index to Record Reviews PDF Author: Kurtz Myers
Publisher: Boston : G. K. Hall
ISBN:
Category : Music
Languages : en
Pages : 456

Get Book Here

Book Description


Brahms and His World

Brahms and His World PDF Author: Walter Frisch
Publisher: Princeton University Press
ISBN: 1400833620
Category : Music
Languages : en
Pages : 479

Get Book Here

Book Description
Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.