Author: Gilad James, PhD
Publisher: Gilad James Mystery School
ISBN: 685100187X
Category : History
Languages : en
Pages : 77
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Book Description
Serbia is a landlocked country located in southeastern Europe, and it shares borders with Montenegro, Kosovo, Albania, North Macedonia, Bulgaria, Romania, and Hungary. The population of Serbia is estimated to be around 7 million people, with Belgrade as its capital city. The official language is Serbian, and the currency used is the Serbian dinar. The country has a varied landscape, including mountain ranges, forests, and rivers, with the Danube River being the longest and the largest in the country. Serbia has a rich history that has seen the country pass through numerous wars and conflicts. The country was part of the former Yugoslavia, and during this time, it suffered from wars and conflicts, leading to the disintegration of the country. Today, Serbia is a democratic country with a diverse economy, and it is a member of organizations such as the United Nations, World Trade Organization, and Council of Europe. Additionally, Serbia is known for its cultural heritage, including art, music, and literature, with famous figures such as Nikola Tesla and Mihajlo Pupin who contributed significantly to science and technology.
Author: Vuk Stefanović Karadžić
Publisher:
ISBN: 0822956098
Category : Literary Collections
Languages : en
Pages : 310
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Book Description
In the early nineteenth century Serb scholar Vuk Karadzic collected and published now classic transcriptions of Balkan oral poetry. This edition, by taking great care to preserve the unique meter and rhythm at the heart of Serbian oral poetry as well as the idiom of the original singers, offers the most complete and authoritative translations ever assembled in English.
Author: Jim Samson
Publisher: BRILL
ISBN: 9004250387
Category : Music
Languages : en
Pages : 749
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Book Description
This book asks how a study of many different musics in South East Europe can help us understand the construction of cultural traditions, East and West. It crosses boundaries of many kinds, political, cultural, repertorial and disciplinary. Above all, it seeks to elucidate the relationship between politics and musical practice in a region whose art music has been all but written out of the European story and whose traditional music has been subject to appropriation by one ideology after another. South East Europe, with its mix of ethnicities and religions, presents an exceptionally rich field of study in this respect. The book will be of value to anyone interested in intersections between pre-modern and modern cultures, between empires and nations and between culture and politics.
Author: NARAYAN CHANGDER
Publisher: CHANGDER OUTLINE
ISBN:
Category : History
Languages : en
Pages : 83
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Book Description
THE SERBIA MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE SERBIA MCQ TO EXPAND YOUR SERBIA KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY.
Author: Basil W. R. Jenkins
Publisher: GM Books
ISBN:
Category : History
Languages : en
Pages : 160
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Book Description
After the Battle of Kosovo in 1389 and the destruction of Serbian nationhood, 500 years of Ottoman slavery ensued in the Balkans with the inevitable decline of the Serbian Orthodox faith and music. During this Turkish occupation, Serbs were forbidden to own property, to learn to read and write and were even denied the use of musical instruments. The Serbs however were tenacious and maintained an oral history through folk poems and songs. The only defenders of Serbian art and culture in these difficult centuries were the peasants who played the Gusle, a one-stringed instrument. As their punishment for playing a musical instrument many of these musicians were blinded by their oppressors resulting in thousands of such punishments. Being denied the right to music or dance, the Serbs invented a silent kolo (dance) in which the syncopation of the pounding feet became a sort of musical accompaniment to the dancers. This dance is still performed today by Serbian people.The great poet and dramatist Goethe so loved the Serbian people, their poetry and folklore that he learned to fluently speak their language. Goethe was also the major influence in encouraging Brahms, Loewe, and Josef Maria Wolfram to create musical compositions based on Serbian folk poems and literature. Brahms' famous lullaby is derived from a Serbian folk poem.When the Jews fled Spain the Serbs provided a hospitable environment in which the Jews resettled and prospered. The oldest Jewish Choir in the modern world is in Belgrade.The formation of the Pancevo Church Choral Society in 1838 and the Belgrade Choral Society in 1853 resulted in each becoming centers for nurturing young talent. The first music schools were founded through the efforts of these choral societies. The Brilliant work of Serbian composers like Bajic, Stankovic, Mokranjac, Marinkovic, maksimovic, Djordjevic and Binicki accomplished in a hundred years what other cultures had the luxury of creating in several centuries. This books covers the history of over 40 of these composers.
Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 9780674011632
Category : Music
Languages : en
Pages : 1020
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Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Author: Gilad James, PhD
Publisher: Gilad James Mystery School
ISBN: 6495135416
Category : Music
Languages : en
Pages : 61
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Book Description
Tár is a plucked string instrument, popularly known as the long-necked lute, traditionally played in Iran, Azerbaijan, and Central Asia. It has a distinctive sound and is played with a small plectrum made of wood or tortoise shell. The body of the tár is traditionally carved from a single piece of wood, and its neck has 25 strings arranged in five groups of five. Four of the five groups are tuned in unison, while the fifth group is tuned in octaves. The tár has historically been used in a variety of musical genres, ranging from classical Persian music to folk and popular music in Azerbaijan. There are several variations of the tár, including the Azerbaijani tár, which has a slightly different shape and tuning than the Persian tár. Similarly, the Central Asian dotar is a two-stringed version of the instrument. The tár has become known worldwide, and it is now played in Western classical concerts and world music concerts. The instrument originated in Central Asia, and it is believed to have been derived from an earlier instrument known as the dombra. The tár has become an integral part of the culture and music of Iran, Azerbaijan, and Central Asia, with many famous musicians having played the instrument over the centuries.
Author: Dejan Despić
Publisher:
ISBN:
Category : Modernism (Music)
Languages : en
Pages : 328
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Book Description
Author: Daniel Ender
Publisher: Cambridge Scholars Publishing
ISBN: 1527525872
Category : Music
Languages : en
Pages : 198
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Book Description
European history has rarely met changes as rapid, dense and radical as those that have taken place in the regions of the former Austro-Hungarian Empire over the past hundred years. This cultural area has experienced political conflicts, the setting and dissolution of borders, and the construction of similarities, differences, and ever-new identities. Being tied to text, vocal music genres reflect such changes especially strongly. Operas and operettas, oratorios and cantatas, choir music, folksongs, and pop and rock hits have all helped to establish identities in many ways, connecting people on national, ethnical, local or social levels. The contributions to this volume represent the proceedings of the Annual Congress of the Austrian Society for Musicology (Österreichische Gesellschaft für Musikwissenschaft – ÖGMw) in 2014. They open multiple perspectives on the identity-relevant implications of every kind of vocal music from the last days of the Habsburg Empire to the present day. As such, the book places the extensively discussed concept of Nationalism in music in the wider context of identity building.
Author: Linda Cimardi
Publisher: transcript Verlag
ISBN: 383946546X
Category : Music
Languages : en
Pages : 259
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Book Description
Various modes of women's contemporary cultural, social and political leadership can be found in music. Informed by different histories and culturally bound social mores but also by a comparative perspective, the contributors of this volume ask what can be considered leadership in culture from women's point of view. They deconstruct the notion of leadership as corporative and career-related modes of success by showing how women's agency, power and negotiation in and through music can and should be considered as empowering, transformative and role-modeling. By interweaving several disciplinary perspectives - from ethnomusicology, musicology and cultural management to sociology and anthropology - this volume aims to substantially contribute to the study of women's leadership.
