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Author: Zachary Case
Publisher: Cambridge Philological Society
ISBN: 1913701476
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
Sensing Greek Drama explores ancient Greek tragedy and comedy through the lens of the senses. It works within and beyond a number of recent developments in the scholarship of Classics and related fields. The individual chapters engage with the senses in drama in manifold ways: through various theoretical frameworks borrowed from kindred fields in the humanities and sciences – postmodernism, humanism, feminism, phenomenology, cognitive theory and neuroscience, to name a few – as well as through the more traditional approaches within Classics, including philology, historicism, performance studies and reception. Above all, Sensing Greek Drama serves as a call to “to recover our senses”, as Susan Sontag wrote in her famous essay “Against Interpretation”, in a modern age characterized by sensory overload and deprivation.
Author: Zachary Case
Publisher: Cambridge Philological Society
ISBN: 1913701476
Category : Literary Criticism
Languages : en
Pages : 233
Get Book Here
Book Description
Sensing Greek Drama explores ancient Greek tragedy and comedy through the lens of the senses. It works within and beyond a number of recent developments in the scholarship of Classics and related fields. The individual chapters engage with the senses in drama in manifold ways: through various theoretical frameworks borrowed from kindred fields in the humanities and sciences – postmodernism, humanism, feminism, phenomenology, cognitive theory and neuroscience, to name a few – as well as through the more traditional approaches within Classics, including philology, historicism, performance studies and reception. Above all, Sensing Greek Drama serves as a call to “to recover our senses”, as Susan Sontag wrote in her famous essay “Against Interpretation”, in a modern age characterized by sensory overload and deprivation.
Author: Zachary Case
Publisher:
ISBN: 9781913701468
Category :
Languages : en
Pages : 0
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Book Description
Author: J Michael Walton
Publisher: Routledge
ISBN: 1317513967
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
In this updated and extended edition of The Greek Sense of Theatre, scholar and practitioner J.Michael Walton revises and expands his visual approach to the theatre of classical Athens. From the tragedies of Aeschylus, Sophocles and Euripides to the old and new comedies of Aristophanes and Menander, he argues that while Greek drama is seen now as a performance-based rather than a strictly literary medium, more attention should still be paid to the nature of stage image and masked acting as part of this conception.
Author: Jerry L. Crawford
Publisher: Waveland Press
ISBN: 1478608390
Category : Performing Arts
Languages : en
Pages : 374
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Book Description
Appropriate for both fundamental and advanced levels, the authors ground their commentary on actor training on the process of personalization and the innovative approaches to voice and movement training. They define the personalization process as one in which the actor discovers and explores in the self, characteristics, qualities, attitudes, and experiences that are legitimate dimensions of the role being created. Part I transitions from essential ingredients used in creating a role, such as focusing and speaking, to guidelines for auditioning and rehearsing, including role analysis. The discussions of basic acting principles are supported by skills-building exercises. Part II explores historical performance styles and shows how basic stylistic elements can be freshly adapted for modern audiences. Thus, in Part II, the authors center their discussions of voice, movement, character, and emotion around theatrical styles prevalent during certain historical periods and around sound acting theories gleaned from a wide range of acting traditions. Each chapter in this part ends with a helpful checklist that summarizes voice, movement, gesture, and other elements common to the era discussed.
Author: Peter Meineck
Publisher: Routledge
ISBN: 1315466554
Category : History
Languages : en
Pages : 233
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Book Description
Theatrocracy is a book about the power of the theatre, how it can affect the people who experience it, and the societies within which it is embedded. It takes as its model the earliest theatrical form we possess complete plays from, the classical Greek theatre of the fifth century BCE, and offers a new approach to understanding how ancient drama operated in performance and became such an influential social, cultural, and political force, inspiring and being influenced by revolutionary developments in political engagement and citizen discourse. Key performative elements of Greek theatre are analyzed from the perspective of the cognitive sciences as embodied, live, enacted events, with new approaches to narrative, space, masks, movement, music, words, emotions, and empathy. This groundbreaking study combines research from the fields of the affective sciences – the study of human emotions – including cognitive theory, neuroscience, psychology, artificial intelligence, psychiatry, and cognitive archaeology, with classical, theatre, and performance studies. This book revisits what Plato found so unsettling about drama – its ability to produce a theatrocracy, a "government" of spectators – and argues that this was not a negative but an essential element of Athenian theatre. It shows that Athenian drama provided a place of alterity where audiences were exposed to different viewpoints and radical perspectives. This perspective was, and is, vital in a freethinking democratic society where people are expected to vote on matters of state. In order to achieve this goal, the theatre offered a dissociative and absorbing experience that enhanced emotionality, deepened understanding, and promoted empathy. There was, and still is, an urgent imperative for theatre.
Author: Naomi Weiss
Publisher: Univ of California Press
ISBN: 0520393090
Category : Drama
Languages : en
Pages : 267
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Book Description
This is the first book to approach the visuality of ancient Greek drama through the lens of theater phenomenology. Gathering evidence from tragedy, comedy, satyr play, and vase painting, Naomi Weiss argues that, from its very beginnings, Greek theater in the fifth century BCE was understood as a complex interplay of actuality and virtuality. Classical drama frequently exposes and interrogates potential viewing experiences within the theatron—literally, “the place for seeing.” Weiss shows how, in so doing, it demands distinctive modes of engagement from its audiences. Examining plays and pottery with attention to the instability and ambiguity inherent in visual perception, Seeing Theater provides an entirely new model for understanding this ancient art form.
Author: Peter D. Arnott
Publisher: Routledge
ISBN: 1134924038
Category : History
Languages : en
Pages : 214
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Book Description
Peter Arnott discusses Greek drama not as an antiquarian study but as a living art form. He removes the plays from the library and places them firmly in the theatre that gave them being. Invoking the practical realities of stagecraft, he illuminates the literary patterns of the plays, the performance disciplines, and the audience responses. Each component of the productions - audience, chorus, actors, costume, speech - is examined in the context of its own society and of theatre practice in general, with examples from other cultures. Professor Arnott places great emphasis on the practical staging of Greek plays, and how the buildings themselves imposed particular constraints on actors and writers alike. Above all, he sets out to make practical sense of the construction of Greek plays, and their organic relationship to their original setting.
Author: Zornitsa Dimitrova
Publisher: Routledge
ISBN: 1000557286
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
Theatre and the Virtual lays out a set of conceptual instruments for the articulation and engendering of the forces of theatrical potentiality. Creating a passage toward a reconstitution of the given, a theatre of the virtual opens bodies in motion to a region of an ongoing genesis of forces. The outcome: regimes of constraint are abandoned through a radical practice of ecological attunement. Violence is eschewed through an onto-ecology of touch. Closed systems are repotentialised to become co-constitutive of their environments. A logic of spectrality settles in—not so much entities as atmospheres, not so much a being as a style of being, not so much a body as multitudinous milieus of response. This is the task of a theatre of the virtual—to safeguard the possibility of the extra-epistemological and uphold one’s right to offer accounts of oneself from outside of being, all the while creating a fractured record of the wondrous mutations of a moving, gesturing body. This book will be of great interest to students and scholars in theatre, philosophy, new materialisms, environmental humanities, gesture, and the ontology of response.
Author: Robert C. Pirro
Publisher: Bloomsbury Publishing USA
ISBN: 1441189467
Category : Political Science
Languages : en
Pages : 257
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Book Description
This study of the political significance of theories of tragedy and ordinary language uses of "tragedy" offers a fresh perspective on democracy in contemporary times.
Author: Karelisa Hartigan
Publisher: Praeger
ISBN:
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
During the past century, the interpretation given by the various directors staging Greek drama has varied, and the critical reception accorded the productions has also altered. While the texts of Aeschylus, Sophocles, and Euripides remain constant, the meanings drawn from their plays do not. The director who decides to offer a Greek tragedy in the modern American commercial theater believes in the ability of the text to reach the contemporary audience, and the reviewers assess the success of the venture: their words become a record of both a particular performance and the time in which it played. Hartigan explores how drama and society interact and witnesses the continued vitality of the Greek tragedy.
