Author: Marjorie O'Rourke Boyle
Publisher: BRILL
ISBN: 9004477489
Category : History
Languages : en
Pages : 293
Book Description
Senses of Touch anatomizes the uniquely human hand as a rhetorical figure for dignity and deformity in early modern culture. It concerns a valuational shift from the contemplative ideal, as signified by the sense of sight, to an active reality, as signified by the sense of touch. From posture to piety, from manicure to magic, the book discovers touch in a critical period of its historical development, in anatomy and society. It features new interpretations of two landmarks of western civilization: Michelangelo's fresco of the Creation of Adam and Calvin's doctrine of election. It also accords special attention to the typing of women as sensual creatures by using their hands as a heuristic. Its alternative interpretations explore in theory and in practice the sensuality, the creativity, and the plain utility of hands, thus integrating biology and culture.
Senses of Touch: Human Dignity and Deformity from Michelangelo to Calvin
Author: Marjorie O'Rourke Boyle
Publisher: BRILL
ISBN: 9004477489
Category : History
Languages : en
Pages : 293
Book Description
Senses of Touch anatomizes the uniquely human hand as a rhetorical figure for dignity and deformity in early modern culture. It concerns a valuational shift from the contemplative ideal, as signified by the sense of sight, to an active reality, as signified by the sense of touch. From posture to piety, from manicure to magic, the book discovers touch in a critical period of its historical development, in anatomy and society. It features new interpretations of two landmarks of western civilization: Michelangelo's fresco of the Creation of Adam and Calvin's doctrine of election. It also accords special attention to the typing of women as sensual creatures by using their hands as a heuristic. Its alternative interpretations explore in theory and in practice the sensuality, the creativity, and the plain utility of hands, thus integrating biology and culture.
Publisher: BRILL
ISBN: 9004477489
Category : History
Languages : en
Pages : 293
Book Description
Senses of Touch anatomizes the uniquely human hand as a rhetorical figure for dignity and deformity in early modern culture. It concerns a valuational shift from the contemplative ideal, as signified by the sense of sight, to an active reality, as signified by the sense of touch. From posture to piety, from manicure to magic, the book discovers touch in a critical period of its historical development, in anatomy and society. It features new interpretations of two landmarks of western civilization: Michelangelo's fresco of the Creation of Adam and Calvin's doctrine of election. It also accords special attention to the typing of women as sensual creatures by using their hands as a heuristic. Its alternative interpretations explore in theory and in practice the sensuality, the creativity, and the plain utility of hands, thus integrating biology and culture.
The Recovery of Beauty: Arts, Culture, Medicine
Author: Corinne Saunders
Publisher: Springer
ISBN: 1137426748
Category : Performing Arts
Languages : en
Pages : 296
Book Description
An interdisciplinary collection of essays exploring the complex and conflicted topic of beauty in cultural, arts and medicine, looking back through the long cultural history of beauty, and asking whether it is possible to 'recover beauty'.
Publisher: Springer
ISBN: 1137426748
Category : Performing Arts
Languages : en
Pages : 296
Book Description
An interdisciplinary collection of essays exploring the complex and conflicted topic of beauty in cultural, arts and medicine, looking back through the long cultural history of beauty, and asking whether it is possible to 'recover beauty'.
Leonardo and the Last Supper
Author: Ross King
Publisher: A&C Black
ISBN: 0747599475
Category : Art
Languages : en
Pages : 352
Book Description
Milan, 1496 and forty-four-year-old Leonardo da Vinci has a reputation for taking on commissions and failing to complete them. He is in a state of professional uncertainty and financial difficulty. For eighteen months he has been painting murals in both the Sforza Castle in Milan and the refectory of the convent of Santa Maria delle Grazie. The latter project will become the Last Supper, a complex mural that took a full three years to complete on a surface fifteen feet high by twenty feet wide. Not only had he never attempted a painting of such size, but he had no experience whatsoever in painting in the physically demanding medium of fresco.For more than five centuries the Last Supper has been an artistic, religious and cultural icon. The art historian Kenneth Clark has called it 'the keystone of European art', and for a century after its creation it was regarded as nothing less than a miraculous image. Even today, according to Clark, we regard the painting as 'more a work of nature than a work of man'. And yet there is a very human story behind this artistic 'miracle', which was created against the backdrop of momentous events both in Milan and in the life of Leonardo himself.In Leonardo and the Last Supper, Ross King tells the complete story of this creation of this mural: the adversities suffered by the artist during its execution; the experimental techniques he employed; the models for Christ and the Apostles that he used; and the numerous personalities involved - everyone from the Leonardo's young assistants to Ludovico Sforza, the Duke of Milan who commissioned the work. Ross King's new book is both a record of Leonardo da Vinci's last five years in Milan and a 'biography' of one of the most famous works of art ever painted.
Publisher: A&C Black
ISBN: 0747599475
Category : Art
Languages : en
Pages : 352
Book Description
Milan, 1496 and forty-four-year-old Leonardo da Vinci has a reputation for taking on commissions and failing to complete them. He is in a state of professional uncertainty and financial difficulty. For eighteen months he has been painting murals in both the Sforza Castle in Milan and the refectory of the convent of Santa Maria delle Grazie. The latter project will become the Last Supper, a complex mural that took a full three years to complete on a surface fifteen feet high by twenty feet wide. Not only had he never attempted a painting of such size, but he had no experience whatsoever in painting in the physically demanding medium of fresco.For more than five centuries the Last Supper has been an artistic, religious and cultural icon. The art historian Kenneth Clark has called it 'the keystone of European art', and for a century after its creation it was regarded as nothing less than a miraculous image. Even today, according to Clark, we regard the painting as 'more a work of nature than a work of man'. And yet there is a very human story behind this artistic 'miracle', which was created against the backdrop of momentous events both in Milan and in the life of Leonardo himself.In Leonardo and the Last Supper, Ross King tells the complete story of this creation of this mural: the adversities suffered by the artist during its execution; the experimental techniques he employed; the models for Christ and the Apostles that he used; and the numerous personalities involved - everyone from the Leonardo's young assistants to Ludovico Sforza, the Duke of Milan who commissioned the work. Ross King's new book is both a record of Leonardo da Vinci's last five years in Milan and a 'biography' of one of the most famous works of art ever painted.
Pulse Diagnosis in Early Chinese Medicine
Author: Elisabeth Hsu
Publisher: Cambridge University Press
ISBN: 0521516625
Category : History
Languages : en
Pages : 421
Book Description
A study of the earliest extensive account of Chinese pulse diagnosis, focusing on a biography of Chunyu Yi.
Publisher: Cambridge University Press
ISBN: 0521516625
Category : History
Languages : en
Pages : 421
Book Description
A study of the earliest extensive account of Chinese pulse diagnosis, focusing on a biography of Chunyu Yi.
Knowing Shakespeare
Author: L. Gallagher
Publisher: Springer
ISBN: 0230299091
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
A collection of essays on the ways the senses 'speak' on Shakespeare's stage. Drawing on historical phenomenology, science studies, gender studies and natural philosophy, the essays provide critical tools for understanding Shakespeare's investment in staging the senses.
Publisher: Springer
ISBN: 0230299091
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
A collection of essays on the ways the senses 'speak' on Shakespeare's stage. Drawing on historical phenomenology, science studies, gender studies and natural philosophy, the essays provide critical tools for understanding Shakespeare's investment in staging the senses.
Taste and Knowledge in Early Modern England
Author: Elizabeth L. Swann
Publisher: Cambridge University Press
ISBN: 1108802281
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Elizabeth Swann investigates the relationship between the physical sense of taste and taste as a figurative term associated with knowledge and judgment in early modern literature and culture. She argues that - unlike aesthetic taste in the eighteenth century - discriminative taste was entwined with embodied experience in this period. Although taste was tarnished by its associations with Adam and Eve's fall from Eden, it also functioned positively, as a source of useful, and potentially redemptive, literary, spiritual, experimental, and intersubjective knowledge. Taste and Knowledge in Early Modern England juxtaposes canonical literary works by authors such as Shakespeare with a broad range of medical, polemical, theological, philosophical, didactic, and dietetic sources. In doing so, the book reveals the central importance of taste to the experience and articulation of key developments in the literate, religious, and social cultures of the sixteenth and seventeenth centuries.
Publisher: Cambridge University Press
ISBN: 1108802281
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Elizabeth Swann investigates the relationship between the physical sense of taste and taste as a figurative term associated with knowledge and judgment in early modern literature and culture. She argues that - unlike aesthetic taste in the eighteenth century - discriminative taste was entwined with embodied experience in this period. Although taste was tarnished by its associations with Adam and Eve's fall from Eden, it also functioned positively, as a source of useful, and potentially redemptive, literary, spiritual, experimental, and intersubjective knowledge. Taste and Knowledge in Early Modern England juxtaposes canonical literary works by authors such as Shakespeare with a broad range of medical, polemical, theological, philosophical, didactic, and dietetic sources. In doing so, the book reveals the central importance of taste to the experience and articulation of key developments in the literate, religious, and social cultures of the sixteenth and seventeenth centuries.
The Human Spirit
Author: Marjorie O’Rourke Boyle
Publisher: Penn State Press
ISBN: 0271082941
Category : Religion
Languages : en
Pages : 305
Book Description
In this volume, Marjorie O’Rourke Boyle probes significant concepts of the human spirit in Western religious culture across more than two millennia, from the book of Genesis to early modern science. The Human Spirit treats significant interpretations of human nature as religious in political, philosophical, and physical aspects by tracing its historical subject through the Priestly tradition of the Hebrew Bible and the writings of the apostle Paul among the Corinthians, the innovative theologians Augustine and Aquinas, the reformatory theologian Calvin, and the natural philosopher and physician William Harvey. Boyle analyzes the particular experiences and notions of these influential authors while she contextualizes them in community. She shows how they shared a conviction, although distinctly understood, of the human spirit as endowed by or designed by a divine source of everything animate. An original and erudite work that utilizes a rich and varied array of primary source material, this volume will be of interest to intellectual and cultural historians of religion, philosophy, literature, and medicine.
Publisher: Penn State Press
ISBN: 0271082941
Category : Religion
Languages : en
Pages : 305
Book Description
In this volume, Marjorie O’Rourke Boyle probes significant concepts of the human spirit in Western religious culture across more than two millennia, from the book of Genesis to early modern science. The Human Spirit treats significant interpretations of human nature as religious in political, philosophical, and physical aspects by tracing its historical subject through the Priestly tradition of the Hebrew Bible and the writings of the apostle Paul among the Corinthians, the innovative theologians Augustine and Aquinas, the reformatory theologian Calvin, and the natural philosopher and physician William Harvey. Boyle analyzes the particular experiences and notions of these influential authors while she contextualizes them in community. She shows how they shared a conviction, although distinctly understood, of the human spirit as endowed by or designed by a divine source of everything animate. An original and erudite work that utilizes a rich and varied array of primary source material, this volume will be of interest to intellectual and cultural historians of religion, philosophy, literature, and medicine.
Memory and the English Reformation
Author: Alexandra Walsham
Publisher: Cambridge University Press
ISBN: 1108829996
Category : History
Languages : en
Pages : 465
Book Description
Recasts the Reformation as a battleground over memory, in which new identities were formed through acts of commemoration, invention and repression.
Publisher: Cambridge University Press
ISBN: 1108829996
Category : History
Languages : en
Pages : 465
Book Description
Recasts the Reformation as a battleground over memory, in which new identities were formed through acts of commemoration, invention and repression.
The Sensory World of Italian Renaissance Art
Author: François Quiviger
Publisher: Reaktion Books
ISBN: 1861897405
Category : Art
Languages : en
Pages : 208
Book Description
During the Renaissance, new ideas progressed alongside new ways of communicating them, and nowhere is this more visible than in the art of this period. In The Sensory World of Italian Renaissance Art, François Quiviger explores the ways in which the senses began to take on a new significance in the art of the sixteenth century. The book discusses the presence and function of sensation in Renaissance ideas and practices, investigating their link to mental imagery—namely, how Renaissance artists made touch, sound, and scent palpable to the minds of their audience. Quiviger points to the shifts in ideas and theories of representation, which were evolving throughout the sixteenth century, and explains how this shaped early modern notions of art, spectatorship, and artistic creation. Featuring many beautiful images by artists such as Dürer, Leonardo da Vinci, Titian, Pontormo, Michelangelo, and Brueghel, The Sensory World of Renaissance Art presents a comprehensive study of Renaissance theories of art in the context of the actual works they influenced. Beautifully illustrated and extensively researched, it will appeal to students and scholars of art history.
Publisher: Reaktion Books
ISBN: 1861897405
Category : Art
Languages : en
Pages : 208
Book Description
During the Renaissance, new ideas progressed alongside new ways of communicating them, and nowhere is this more visible than in the art of this period. In The Sensory World of Italian Renaissance Art, François Quiviger explores the ways in which the senses began to take on a new significance in the art of the sixteenth century. The book discusses the presence and function of sensation in Renaissance ideas and practices, investigating their link to mental imagery—namely, how Renaissance artists made touch, sound, and scent palpable to the minds of their audience. Quiviger points to the shifts in ideas and theories of representation, which were evolving throughout the sixteenth century, and explains how this shaped early modern notions of art, spectatorship, and artistic creation. Featuring many beautiful images by artists such as Dürer, Leonardo da Vinci, Titian, Pontormo, Michelangelo, and Brueghel, The Sensory World of Renaissance Art presents a comprehensive study of Renaissance theories of art in the context of the actual works they influenced. Beautifully illustrated and extensively researched, it will appeal to students and scholars of art history.
Walter Pater and the Language of Sculpture
Author: Lene ?termark-Johansen
Publisher: Routledge
ISBN: 1351537229
Category : Art
Languages : en
Pages : 403
Book Description
Walter Pater and the Language of Sculpture is the first monograph to discuss the Victorian critic Walter Pater's attitude to sculpture. It brings together Pater's aesthetic theories with his theories on language and writing, to demonstrate how his ideas of the visual and written language are closely interlinked. Going beyond Pater's views on sculpture as an art form, this study traces the notion of relief (rilievo) and hybrid form in Pater, and his view of the writer as sculptor, a carver in language. Alongside her treatment of rilievo as a pervasive trope, Lene ?termark-Johansen also employs the idea of rivalry (paragone) more broadly, examining Pater's concern with positioning himself as an art critic in the late Victorian art world. Situating Pater within centuries of European aesthetic theories as never before done, Walter Pater and the Language of Sculpture throws new light on the extraordinary complexity and coherence of Pater's writing: The critic is repositioned solidly within Victorian art and literature.
Publisher: Routledge
ISBN: 1351537229
Category : Art
Languages : en
Pages : 403
Book Description
Walter Pater and the Language of Sculpture is the first monograph to discuss the Victorian critic Walter Pater's attitude to sculpture. It brings together Pater's aesthetic theories with his theories on language and writing, to demonstrate how his ideas of the visual and written language are closely interlinked. Going beyond Pater's views on sculpture as an art form, this study traces the notion of relief (rilievo) and hybrid form in Pater, and his view of the writer as sculptor, a carver in language. Alongside her treatment of rilievo as a pervasive trope, Lene ?termark-Johansen also employs the idea of rivalry (paragone) more broadly, examining Pater's concern with positioning himself as an art critic in the late Victorian art world. Situating Pater within centuries of European aesthetic theories as never before done, Walter Pater and the Language of Sculpture throws new light on the extraordinary complexity and coherence of Pater's writing: The critic is repositioned solidly within Victorian art and literature.