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Author: Louise Fothergill-Payne
Publisher: Cambridge University Press
ISBN: 052132212X
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
This book examines the reason and intent behind the many Senecan and pseudo-Senecan quotations in Fernando de Rojas' masterpiece Celestina (1499), which enjoyed enormous popularity in sixteenth-century Europe. The author considers the importance attached to Senecan thought in the oral, scholarly and literary traditions of fifteenth-century Spain and demonstrates how readers' tastes and sensibilities were shaped by it. The main themes of Celestina, such as self-seeking friendship and love, pleasure and sorrow, gifts and riches, greed, suicide and death, are shown to be rooted in this intellectual background. The Senecan tradition, albeit treated in a satirical vein, is also seen as underlying the later additions and interpolations to the text, with a shift towards Seneca's tragedies in response to changes in fashion; Professor Fothergill-Payne reveals that even the Petrarchan quotations in Celestina have Senecan sources. Seneca and Celestina thus offers a fresh perspective on the literary and intellectual sources that shaped this famous book.
Author: Louise Fothergill-Payne
Publisher: Cambridge University Press
ISBN: 052132212X
Category : Literary Criticism
Languages : en
Pages : 194
Get Book
Book Description
This book examines the reason and intent behind the many Senecan and pseudo-Senecan quotations in Fernando de Rojas' masterpiece Celestina (1499), which enjoyed enormous popularity in sixteenth-century Europe. The author considers the importance attached to Senecan thought in the oral, scholarly and literary traditions of fifteenth-century Spain and demonstrates how readers' tastes and sensibilities were shaped by it. The main themes of Celestina, such as self-seeking friendship and love, pleasure and sorrow, gifts and riches, greed, suicide and death, are shown to be rooted in this intellectual background. The Senecan tradition, albeit treated in a satirical vein, is also seen as underlying the later additions and interpolations to the text, with a shift towards Seneca's tragedies in response to changes in fashion; Professor Fothergill-Payne reveals that even the Petrarchan quotations in Celestina have Senecan sources. Seneca and Celestina thus offers a fresh perspective on the literary and intellectual sources that shaped this famous book.
Author: Charles F. Fraker
Publisher: Tamesis
ISBN: 9780729302968
Category : Celestina
Languages : en
Pages : 112
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Book Description
Professor Fraker argues that the Celestina, however original or singular, does not embody a new discourse, and falls easily within the literary norms of its time. Thus on the one hand it belongs to a genre, comedy, the term taken in a sense perfectly accessible to the two authors and their contemporaries. On the other, the detail and fabric of the work is in great part genuinely rhetorical.
Author:
Publisher: BRILL
ISBN: 9004349324
Category : Literary Criticism
Languages : en
Pages : 444
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Book Description
Twenty-three hitherto unpublished contributions by leading experts that summarize and expand on the main areas of Celestina scholarship, offering a critical overview of the field together with innovative approaches and readings.
Author: Shadi Bartsch
Publisher: Cambridge University Press
ISBN: 1107035058
Category : Drama
Languages : en
Pages : 379
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Book Description
This Companion examines the complete works of Seneca in context and establishes the importance of his legacy in Western thought.
Author: Oliver Baldwin
Publisher: Boydell & Brewer
ISBN: 1855663562
Category : History
Languages : en
Pages : 324
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Book Description
Based on extensive archival research and containing rare and previously unpublished photos, this book provides the most detailed reconstruction ever of one of the most important events in Spanish theatrical history.Winner of the 2019-20 AHGBI-Spanish Embassy Publication Prize On 18 June 1933, one of the most important events in Spanish theatrical history took place before an audience of 3,000 spectators in the ruins of the Roman Theatre in Mérida. Translated into Spanish by philosopher Miguel de Unamuno, staged by the renowned Xirgu-Borràs Company and funded by the government, the performance of Seneca''s Medea was a triumph of republican culture and widely hailed for its new dramatic and scenic languages. This book provides the most detailed reconstruction of this pivotal production to date, setting it in context and analysing its origin and legacy. Early twentieth-century intellectuals considered Seneca, ''the philosopher from Córdoba'', the epitome of Spanishness and the first in an illustrious line of playwrights stretching from Spain''s Roman Antiquity to its Silver Age. His play was seen as the ideal vehicle to showcase the Second Spanish Republic''s cultural, social and educational agenda but provoked a furious backlash from opponents to the government''s progressive programme. The book shows how the performance became a cultural ritual which stood at the centre of critical discussions on national identity, politics, secularism, women''s rights and new European aesthetics of theatre-making. Based on extensive archival research and containing rare and previously unpublished photos, it will be of interest to theatre historians, scholars of Classical Reception and historians of the Second Spanish Republic.aywrights stretching from Spain''s Roman Antiquity to its Silver Age. His play was seen as the ideal vehicle to showcase the Second Spanish Republic''s cultural, social and educational agenda but provoked a furious backlash from opponents to the government''s progressive programme. The book shows how the performance became a cultural ritual which stood at the centre of critical discussions on national identity, politics, secularism, women''s rights and new European aesthetics of theatre-making. Based on extensive archival research and containing rare and previously unpublished photos, it will be of interest to theatre historians, scholars of Classical Reception and historians of the Second Spanish Republic.aywrights stretching from Spain''s Roman Antiquity to its Silver Age. His play was seen as the ideal vehicle to showcase the Second Spanish Republic''s cultural, social and educational agenda but provoked a furious backlash from opponents to the government''s progressive programme. The book shows how the performance became a cultural ritual which stood at the centre of critical discussions on national identity, politics, secularism, women''s rights and new European aesthetics of theatre-making. Based on extensive archival research and containing rare and previously unpublished photos, it will be of interest to theatre historians, scholars of Classical Reception and historians of the Second Spanish Republic.aywrights stretching from Spain''s Roman Antiquity to its Silver Age. His play was seen as the ideal vehicle to showcase the Second Spanish Republic''s cultural, social and educational agenda but provoked a furious backlash from opponents to the government''s progressive programme. The book shows how the performance became a cultural ritual which stood at the centre of critical discussions on national identity, politics, secularism, women''s rights and new European aesthetics of theatre-making. Based on extensive archival research and containing rare and previously unpublished photos, it will be of interest to theatre historians, scholars of Classical Reception and historians of the Second Spanish Republic.ce became a cultural ritual which stood at the centre of critical discussions on national identity, politics, secularism, women''s rights and new European aesthetics of theatre-making. Based on extensive archival research and containing rare and previously unpublished photos, it will be of interest to theatre historians, scholars of Classical Reception and historians of the Second Spanish Republic.
Author: Katja Gvozdeva
Publisher: BRILL
ISBN: 9004329765
Category : History
Languages : en
Pages : 327
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Book Description
In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (eds.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia.
Author: Oxford University Press
Publisher: Oxford University Press, USA
ISBN: 0199809216
Category : History
Languages : en
Pages : 76
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Book Description
This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. This ebook is a static version of an article from Oxford Bibliographies Online: Renaissance and Reformation, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of European history and culture between the 14th and 17th centuries. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.oxfordbibliographies.com.
Author: E. Michael Gerli
Publisher: University of Toronto Press
ISBN: 1442642556
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
One of the most widely-read and translated Spanish works in sixteenth-century Europe was Fernando de Rojas' Celestina, a 1499 novel in dialogue about a couple that faces heartbreak and tragedy after being united by the titular brothel madam. In 'Celestina' and the Ends of Desire, E. Michael Gerli illustrates how this work straddles the medieval and the modern in its exploration of changing categories of human desire - from the European courtly love tradition to the interpretation of want as an insatiable, destructive force. Gerli's analysis draws on a wide range of Celestina scholarship but is unique in its use of modern literary and psychoanalytic theory to confront the problematic links between literature and life. Explorations of influence of desire on knowledge, action, and lived experience connect the work to seismic shifts in the culture of early modern Europe. Engaging and original, 'Celestina' and the Ends of Desire takes a fresh look at the timeless work's widespread appeal and enduring popularity.
Author: DS Mayfield
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110701650
Category : Literary Criticism
Languages : en
Pages : 899
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Book Description
Human life is susceptible of changing suddenly, of shifting inadvertently, of appearing differently, of varying unpredictably, of being altered deliberately, of advancing fortuitously, of commencing or ending accidentally, of a certain malleability. In theory, any human being is potentially capacitated to conceive of—and convey—the chance, view, or fact that matters may be otherwise, or not at all; with respect to other lifeforms, this might be said animal’s distinctive characteristic. This state of play is both an everyday phenomenon, and an indispensable prerequisite for exceptional innovations in culture and science: contingency is the condition of possibility for any of the arts—be they dominantly concerned with thinking, crafting, or enacting. While their scope and method may differ, the (f)act of reckoning with—and taking advantage of—contingency renders rhetoricians and philosophers associates after all. In this regard, Aristotle and Blumenberg will be exemplary, hence provide the framework. Between these diachronic bridgeheads, close readings applying the nexus of rhetoric and contingency to a selection of (Early) Modern texts and authors are intercalated—among them La Celestina, Machiavelli, Shakespeare, Wilde, Fontane.
Author:
Publisher: BRILL
ISBN: 9004310983
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
In Brill's Companion to the Reception of Senecan Tragedy, Dodson-Robinson incorporates interdisciplinary essays tracing how Western writers from antiquity to the present have transformed Senecan drama to develop competing tragic visions of agency and the human place in the universe.
