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Author: Michael Tierno
Publisher: Bloomsbury Publishing USA
ISBN: 1501390988
Category : Performing Arts
Languages : en
Pages : 348
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Book Description
You're trying to finish a screenplay, but there's a voice in your ear whispering, You should know more about how cinema story works. Perhaps you've heard how many successful screenwriters deconstruct or break down films and study them. You'd like to try this method but ask yourself, How do I start? Semiotics for Screenwriters can help you with this daunting task by taking you on a unique journey through 3 classic films - It's a Wonderful Life, Lost in Translation, and Get Out - that shows you the hidden universal language of plot, character, and theme at work in them. This method will reveal the mechanics of cinema story, then show you how to apply this knowledge to your own screenwriting. Semiotics is a powerful system of analysis applied in many fields, including literature and psychology. In this book you'll learn to deploy this method to break down classic films then apply it to writing, developing and correcting your own screenplays.
Author: Michael Tierno
Publisher: Bloomsbury Publishing USA
ISBN: 1501390988
Category : Performing Arts
Languages : en
Pages : 348
Get Book
Book Description
You're trying to finish a screenplay, but there's a voice in your ear whispering, You should know more about how cinema story works. Perhaps you've heard how many successful screenwriters deconstruct or break down films and study them. You'd like to try this method but ask yourself, How do I start? Semiotics for Screenwriters can help you with this daunting task by taking you on a unique journey through 3 classic films - It's a Wonderful Life, Lost in Translation, and Get Out - that shows you the hidden universal language of plot, character, and theme at work in them. This method will reveal the mechanics of cinema story, then show you how to apply this knowledge to your own screenwriting. Semiotics is a powerful system of analysis applied in many fields, including literature and psychology. In this book you'll learn to deploy this method to break down classic films then apply it to writing, developing and correcting your own screenplays.
Author: Michael Tierno
Publisher: Bloomsbury Publishing USA
ISBN: 150139097X
Category : Performing Arts
Languages : en
Pages : 409
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Book Description
You're trying to finish a screenplay, but there's a voice in your ear whispering, “You should know more about how cinema story works.” Perhaps you've heard how many successful screenwriters deconstruct or “break down” films and study them. You'd like to try this method but ask yourself, “How do I start?” Semiotics for Screenwriters can help you with this daunting task by taking you on a unique journey through 3 classic films - It's a Wonderful Life, Lost in Translation, and Get Out - that shows you the hidden universal language of plot, character, and theme at work in them. This method will reveal the mechanics of cinema story, then show you how to apply this knowledge to your own screenwriting. Semiotics is a powerful system of analysis applied in many fields, including literature and psychology. In this book you'll learn to deploy this method to break down classic films then apply it to writing, developing and correcting your own screenplays.
Author: C. Batty
Publisher: Springer
ISBN: 1137338938
Category : Performing Arts
Languages : en
Pages : 439
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Book Description
Screenwriters and Screenwriting is an innovative, fresh and lively book that is useful for both screenwriting practice and academic study. It is international in scope, with case studies and analyses from the US, the UK, Australia, Japan, Ireland and Denmark. The book presents a distinctive collection of chapters from creative academics and critical practitioners that serve one purpose: to put aspects of screenwriting practice into their relevant contexts. Focusing on how screenplays are written, developed and received, the contributors challenge assumptions of what 'screenwriting studies' might be, and celebrates the role of the screenwriter in the creation of a screenplay. It is intended to be thought provoking and stimulating, with the ultimate aim of inspiring current and future screenwriting practitioners and scholars.
Author: Robert Stam
Publisher: Routledge
ISBN: 1134963165
Category : Social Science
Languages : en
Pages : 264
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Book Description
First published in 1992. New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of key figures such as Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin and Baudrillard. The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Brunel, Godard, Hitchcock, Varda, Akerman and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy and literature.
Author: Jean Mitry
Publisher: Indiana University Press
ISBN: 9780253337337
Category : Language Arts & Disciplines
Languages : en
Pages : 300
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Book Description
This study analyses the value of semiotics in film analysis. It poses the question that if cinema is a language can it be understood through the techniques of linguistic analysis? The study includes signs, montage, codes, images and narrative.
Author: Stayci Taylor
Publisher: Springer Nature
ISBN: 3030822346
Category : Performing Arts
Languages : en
Pages : 618
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Book Description
The Palgrave Handbook of Script Development provides the first comprehensive overview of international script development practices. Across 40 unique chapters, readers are guided through the key challenges, roles and cultures of script development, from the perspectives of creators of original works, those in consultative roles and those giving broader contextual case studies. The authors take us inside the writers’ room, alongside the script editor, between development conversations, and outside the mainstream and into the experimental. With authors spanning upwards of 15 countries, and occupying an array of roles – including writer, script editor, producer, script consultant, executive, teacher and scholar, this is a truly international perspective on how script development functions (or otherwise) across media and platforms. Comprising four parts, the handbook guides readers behind the scenes of script development, exploring unique contexts, alternative approaches, specific production cultures and global contexts, drawing on interviews, archives, policy, case study research and the insider track. With its broad approach to a specialised practice, the Palgrave Handbook of Script Development is for anyone who practices, teaches or studies screenwriting and screen production.
Author: Morris B. Holbrook
Publisher: Walter de Gruyter
ISBN: 9783110134919
Category : Business & Economics
Languages : en
Pages : 388
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Book Description
Author: Steven Maras
Publisher: Springer
ISBN: 1137544937
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
Ethics in Screenwriting: New Perspectives is a book that breaks new ground by forging a link between screenwriting research and a burgeoning interest in film, media, and narrative ethics. Going beyond the orthodox discussion of morality of film and television, the collection focuses on ethics in screenwriting. Building on a new wave of screenwriting research, as well as a ‘turn to ethics’ in humanities and media studies scholarship, this title forms a bridge between these areas in a unique analysis of a key area of media practice. Each essay goes beyond the general discussion of ethics and media to engage with specific aspects of screenwriting or scripting. Written for readers interested in questions of ethics as well as screenwriting, the collection offers new perspectives on ethical questions associated with Writers and their Production Environment; Actuality and History; and Character and Narrative.
Author: Andrew Horton
Publisher: Rutgers University Press
ISBN: 0813563429
Category : Performing Arts
Languages : en
Pages : 223
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Book Description
Screenwriters often joke that “no one ever paid a dollar at a movie theater to watch a screenplay.” Yet the screenplay is where a movie begins, determining whether a production gets the “green light” from its financial backers and wins approval from its audience. This innovative volume gives readers a comprehensive portrait of the art and business of screenwriting, while showing how the role of the screenwriter has evolved over the years. Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman’s Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals.
Author: Lane Roth
Publisher: Routledge
ISBN: 1317928512
Category : Performing Arts
Languages : en
Pages : 155
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Book Description
Semiotics offers a systematic approach to analysing the stylistic structure of film. When this study was originally published in 1983 this was a recent addition to the methods of film study and it presents an explanation of film semiotics with direct application to comparative film research. It takes as its representative subject one trilogy of films and applies semiology, with careful textual analysis. The book begins with a basic introduction to semiotics and the ideas of Christian Metz on cinesemiotics. It then presents a syntagmatic analysis of each of the three Dollars films, with an outline of autonomous segments for each and a discussion of the findings before undertaking a wider analysis of the trilogy as a whole with commentary on the stylistic unity of the director’s work. This book, an enduring detailed study of these three films, also outlines clearly this method of classifying the formal structuring codes of film communication.
