Self-portraiture and the Crisis of Interpretation in German Renaissance Art PDF Download
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Author: Joseph Leo Koerner
Publisher:
ISBN:
Category :
Languages : en
Pages : 730
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Book Description
Author: Joseph Leo Koerner
Publisher:
ISBN:
Category :
Languages : en
Pages : 730
Get Book Here
Book Description
Author: Joseph Leo Koerner
Publisher:
ISBN:
Category :
Languages : en
Pages : 778
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Book Description
Author: Joseph Leo Koerner
Publisher:
ISBN:
Category :
Languages : en
Pages : 515
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Book Description
Author: Joseph Leo Koerner
Publisher:
ISBN:
Category : Art, German
Languages : en
Pages : 515
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Book Description
Author: Joseph Leo Koerner
Publisher: University of Chicago Press
ISBN: 9780226449999
Category : Art
Languages : en
Pages : 574
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Book Description
So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality.
Author: James Hall
Publisher: Thames & Hudson
ISBN: 0500773157
Category : Art
Languages : en
Pages : 444
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Book Description
“Hall provides a lively cultural interpretation of the genre from the Middle Ages to today. . . . Rather than provide a series of ‘greatest hits,’ he is more concerned with the reasons why artists create self-portraits.” —The Weekly Standard The self-portrait may be the visual genre most identified with our confessional era, but modern artists are far from the first to have explored its power and potential. In this broad cultural survey of the genre, art historian and critic James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus and the Christian tradition of “bearing witness” to the prolific self-image-making of today’s contemporary artists. Hall’s intelligent and vivid account shows how artists’ depictions of themselves have been part of a continuing tradition that reaches back centuries. Along the way he reveals the importance of the medieval mirror craze; the explosion of the genre during the Renaissance; the confessional self-portraits of Titian and Michelangelo; the biographical role of serial self-portraits by artists such as Courbet and van Gogh; themes of sex and genius in works by Munch, Bonnard, and Modersohn-Becker; and the latest developments of the genre in the era of globalization. Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Alberti, Caravaggio, Dürer, Emin, Gauguin, Giotto, Goya, Kahlo, Koons, Magritte, Mantegna, Picasso, Raphael, Rembrandt, and Warhol.
Author: Anthony Bond
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
This text celebrates the lives of artists and their unique perspective on themselves and their work. An impressive array of self-portraits is presented in this major survey of the genre from the fifteenth century to the present day.
Author: James Hall
Publisher: Thames and Hudson
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
Maps the history of self-portraiture, from the earliest myths of Narcissus and the Christian tradition of bearing witness to the prolific self-image-making of today's contemporary artists.
Author: Andrea Bubenik
Publisher: Routledge
ISBN: 1351551809
Category : Art
Languages : en
Pages : 283
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Book Description
Focusing on the ways his art and persona were valued and criticized by writers, collectors, and artists subsequent to his death, this book examines the reception of the works of Albrecht D?rer. Andrea Bubenik's analysis highlights the intensive and international interest in D?rer's art and personality, and his developing role as a paragon in art historiography, in conjunction with the proliferation of portraits after his likeness. The author traces carefully how D?rer's paintings, prints, drawings and theoretical writings traveled widely, and were appropriated into new contexts and charged with different meanings. Drawing on inventories and correspondences and taking collecting practices into account, Bubenik establishes who owned what by D?rer in the 16th and 17th centuries, and characterizes the key locations where interest in D?rer peaked (especially the courts of Maximilian I in Munich, and Rudolf II in Prague). Bubenik treats the emergent artistic appropriations of D?rer-borrowings from or transformations of his originals-in conjunction with contemporary sources on art theory. The volume includes illustrations of numerous imitative works after D?rer. As well as being the first book to fully address the early reception of the most important of German Renaissance artists, Reframing Albrecht D?rer shows how appropriation is a crucial concept for understanding artistic practice during the early modern period.
Author: Jane Campbell Hutchison
Publisher: Routledge
ISBN: 113558172X
Category : Art
Languages : en
Pages : 329
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Book Description
Hutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.
