Selected Solo Piano Music of Florence B. Price (1887-1953) PDF Download
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Author: Linda Holzer
Publisher:
ISBN:
Category : African American composers
Languages : en
Pages : 198
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Book Description
Author: Linda Holzer
Publisher:
ISBN:
Category : African American composers
Languages : en
Pages : 198
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Book Description
Author: Kathleen A. Abromeit
Publisher: A-R Editions, Inc.
ISBN: 0895797992
Category : Music
Languages : en
Pages : 317
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Book Description
Spirituals originated among enslaved Africans in America during the colonial era. They resonate throughout African American history from that time to the civil rights movement, from the cotton fields to the concert stage, and influenced everything from gospel music to blues and rap. They have offered solace in times of suffering, served as clandestine signals on the Underground Railroad, and been a source of celebration and religious inspiration. Spirituals are born from the womb of African American experience, yet they transcend national, disciplinary, and linguistic boundaries as they connect music, theology, literature and poetry, history, society, and education. In doing so, they reach every aspect of human experience. To make sense of the immense impact spirituals have made on music, culture, and society, this bibliography cites writings from a multidisciplinary perspective. This annotated bibliography documents articles, books, and dissertations published since 1902. Of those, 150 are books; 80 are chapters within books; 615 are journal articles, and 150 are dissertations, along with a selection of highly significant items published before 1920. The most recent publications included date from early 2014. Disciplines researched include music, literature and poetry, American history, religion, and African American Studies. Items included in the annotated bibliography are limited to English-language sources that were published in the United States and focus on African American spirituals in the United States, but there are a few select citations that focus on spirituals outside of the United States. Of the one thousand annotations, they are divided, roughly evenly, between: general studies and geographical studies; information about early spirituals; use of spirituals in art music, church music, and popular music; composers who based music on spirituals; performers of spirituals (ensembles and individuals); Bible, theology, and religious education; literature and poetry; pedagogical considerations, including the teaching of spirituals as well as prominent educators; reference works and a list of resources that were unavailable for review but are potentially useful. This book also offers considerable depth on particular topics such as the Fisk Jubilee Singers and William Grant Still with over thirty citations devoted to each. At the same time, materials included are quite diverse, with topics such as spirituals in Zora Neale Hurston’s novels; bible studies based on spirituals; enriching the teaching of geography through spirituals; Marian Anderson’s historic concert at the Lincoln Memorial; spiritual roots of rap; teaching dialect to singers; expressing African American religion in spirituals; Samuel Coleridge-Taylor’s music; slave tradition of singing among the Gullah. The book contains indices by author, subject, and spiritual title. Additionally, an appendix of spirituals by biblical reference, listing both spiritual title to scriptural reference as well as scripture to spiritual title is included. T. L. Collins, Christian educator, compiled the appendix.
Author: Rae Linda Brown
Publisher: University of Illinois Press
ISBN: 0252052110
Category : Music
Languages : en
Pages : 466
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Book Description
Book Prize Winner of the International Alliance for Women in Music of the 2022 Pauline Alderman Awards for Outstanding Scholarship on Women in Music The Heart of a Woman offers the first-ever biography of Florence B. Price, a composer whose career spanned both the Harlem and Chicago Renaissances, and the first African American woman to gain national recognition for her works. Price's twenty-five years in Chicago formed the core of a working life that saw her create three hundred works in diverse genres, including symphonies and orchestral suites, art songs, vocal and choral music, and arrangements of spirituals. Through interviews and a wealth of material from public and private archives, Rae Linda Brown illuminates Price's major works while exploring the considerable depth of her achievement. Brown also traces the life of the extremely private individual from her childhood in Little Rock through her time at the New England Conservatory, her extensive teaching, and her struggles with racism, poverty, and professional jealousies. In addition, Brown provides musicians and scholars with dozens of musical examples.
Author: Helen Walker-Hill
Publisher: Center for Black Music Rsrch
ISBN: 9780929911045
Category : Music
Languages : en
Pages : 128
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Book Description
Author: Mildred Denby Green
Publisher: Macmillan Reference USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 182
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Book Description
Author: Karin Pendle
Publisher: Routledge
ISBN: 1135848130
Category : Music
Languages : en
Pages : 870
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Book Description
Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
Author:
Publisher: Schirmer Trade Books
ISBN: 9781736533406
Category :
Languages : en
Pages : 48
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Book Description
Florence loved her mother's piano playing and wanted to be just like her. When she was just four years old she played her first piano concert and as she grew up she studied and wrote music hoping one day to hear her own music performed by an orchestra. This is the story of a brilliant musician who prevailed against race and gender prejudices to become the first Black woman to be recognised as a symphonic composer and be performed by a major American orchestra in 1933.
Author: Walter Simmons
Publisher: Scarecrow Press
ISBN: 1461621194
Category : Music
Languages : en
Pages : 435
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Book Description
Despite the Modernist search for new and innovative aesthetics and rejection of traditional tonality, several twentieth century composers have found their own voice while steadfastly relying on the aesthetics and techniques of Romanticism and 19th century composition principles. Musicological and reference texts have regarded these composers as isolated exceptions to modern thoughts of composition—exceptions of little importance, treated simplistically and superficially. Music critic and scholar Walter Simmons, however, believes these composers and their works should be taken seriously. They are worthy of more scholarly consideration, and deserve proper analysis, assessment, and discussion in their own regard. In Voices in the Wilderness, the first in a series of books celebrating the "Twentieth-Century Traditionalist," Simmons looks at six Neo-Romantic composers: Ernest Bloch Howard Hanson Vittorio Giannini Paul Creston Samuel Barber Nicolas Flagello Through biographical overviews and a comprehensive assessment of musical works, Simmons provides readers with a clear understanding of the significance of the composers, their bodies of work, and their placement in musicological history. The chapters delve deeply and objectively into each composer's oeuvre, addressing their origins, stylistic traits and consistencies, phases of development, strengths and weaknesses, and affinities with other composers. The composers' most representative works are identified, and each chapter concludes with a discography of essential recordings. Visit the author's website to read samples from the book and to listen to representative excerpts of each composer's work.
Author: Anthony Marcus Lien
Publisher:
ISBN:
Category : Modernism (Music)
Languages : en
Pages : 1144
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Book Description
Although the art song was a favorite genre for American composers at the turn of the twentieth century, its favor declined rapidly and significantly during and after the 1910s, and for the rest of the first half of the century the genre held a marginalized place in the output of the most significant American composers. Concomitant with this decline in song composition, song publication also declined considerably after 1920, and a significant percentage of the songs published thereafter were authored by composers who specialized in songs and shorter works expressly intended for the domestic song market and written in a conservative musical idiom which appealed to mass audiences. In contrast to these earlier declines, the number of song concerts in New York City and Chicago increased steadily until about 1930, even as the percentage of song concerts to other concerts held steady. After 1930, however, the number and percentage of song concerts in these two cities declined as well. The emergence of modernism on the musical landscape in the United States after 1915 was largely responsible for the decline in song publication and composition. Among other things, musical modernism valorized dissonance, melodic fragmentation, and objectivity; these characteristics ran counter to the largely Romantic orientation of the art song with its long-spun lyricism and subjectivity. As a revision of current thought, this study broadens the accepted corpus of modernist composers to include neo-Romantics such as Samuel Barber whose music retained an essentially Romantic character but was frequently imbued with modernistic elements. This study also shows that composers in certain stylistic, professional, and demographic categories wrote songs in significantly greater numbers those in others. For example, in looking at the total song output of over 100 American and transplanted composers, there was a direct correlation between musical style and song production; the more progressive a composer's musical style, the fewer songs he authored. In addition to the impact of modernism on the art song, these declines were also exacerbated by the art song's close association with other song types which lowered the art song's aesthetic credentials.
Author: Martha Furman Schleifer
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 950
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Book Description
