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Author: Stan Lai
Publisher: University of Michigan Press
ISBN: 0472055070
Category : Drama
Languages : en
Pages : 521
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Book Description
Bringing the iconic plays of Stan Lai to an English-language readership
Author: Stan Lai
Publisher: University of Michigan Press
ISBN: 0472055070
Category : Drama
Languages : en
Pages : 521
Get Book Here
Book Description
Bringing the iconic plays of Stan Lai to an English-language readership
Author: Stan Lai
Publisher: University of Michigan Press
ISBN: 0472055089
Category : Drama
Languages : en
Pages : 497
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Book Description
Bringing the iconic plays of Stan Lai to an English-language readership
Author: Stan Lai
Publisher: University of Michigan Press
ISBN: 0472055097
Category : Drama
Languages : en
Pages : 487
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Book Description
Bringing the iconic plays of Stan Lai to an English-language readership
Author: Stan Lai
Publisher:
ISBN: 9780472175000
Category : Performing Arts
Languages : en
Pages :
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Book Description
Bringing the iconic plays of Stan Lai to an English-language readership
Author: Stan Lai
Publisher: University of Michigan Press
ISBN: 0472055097
Category : Drama
Languages : en
Pages : 487
Get Book Here
Book Description
Bringing the iconic plays of Stan Lai to an English-language readership
Author: Peter Bing
Publisher: University of Michigan Press
ISBN: 0472116320
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Seminal essays from one of the most prominent scholars of Hellenistic poetry
Author: Stan Lai
Publisher: University of Michigan Press
ISBN: 9780472075096
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
These volumes feature works from across Lai’s career, providing an exceptional selection of a diverse range of performances. Volume Three contains: A Dream Like a Dream Ago
Author: Liang Luo
Publisher: University of Michigan Press
ISBN: 0472038605
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
Tracing the history and adaptation of one of China's foundational texts
Author: Mayumo Inoue
Publisher: Hong Kong University Press
ISBN: 9888455877
Category : Art
Languages : en
Pages : 307
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Book Description
Observing that the division between theory and empiricism remains inextricably linked to imperial modernity, manifest at the most basic level in the binary between “the West” and “Asia,” the authors of this volume re-examine art and aesthetics to challenge these oppositions in order to reconceptualize politics and knowledge production in East Asia. Current understandings of fundamental ideas like race, nation, colonizer and the colonized, and the concept of Asia in the region are seeped with imperial aesthetics that originated from competing imperialisms operating in the twentieth and twenty-first centuries. Such aesthetics has sustained both colonial and local modes of perception in the formation of nation-states and expanded the reach of regulatory powers in East Asia since 1945. The twelve thought-provoking essays in this collection tackle the problematics that arise at the nexus of aesthetics and politics in four areas: theoretical issues of aesthetics and politics in East Asia, aesthetics of affect and sexuality, the productive tension between critical aesthetics and political movements, and aesthetic critiques of sovereignty and neoliberalism in East Asia today. If the seemingly universal operation of capital and militarism in East Asia requires locally specific definitions of biopolitical concepts to function smoothly, this book critiques the circuit of power between the universalism of capital and particularism of nation and culture. Treating aesthetic experiences in art at large as the bases for going beyond imperial categories, the contributors present new modes of sensing, thinking, and living that have been unimaginable within the mainstream modality of Asian studies, a discipline that has reproduced the colonial regime of knowledge production. By doing so, Beyond Imperial Aesthetics illuminates the aesthetic underside of critical theory to uncover alternative forms of political life in East Asia. “This much needed volume takes readers on an erudite and challenging journey. Along the way, its theoretically-minded authors explore what a future liberated from the Cold War shackles of securitized institutions and capitalist exploitation as well as concomitant epistemologies of aestheticized domination might look like in East Asia.” —Todd Henry, UC San Diego “Beyond Imperial Aesthetics is an impressive intervention between art, politics, and theoretical reflection in contemporary East Asia. The project convincingly articulates various sites of resistance to the postwar US hegemon throughout East Asia. The editors are to be congratulated for putting together such a timely and compelling work.” —Richard Calichman, City College of New York
Author: R. Jay Magill
Publisher: University of Michigan Press
ISBN: 0472024329
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
A brilliant and timely reflection on irony in contemporary American culture “This book is a powerful and persuasive defense of sophisticated irony and subtle humor that contributes to the possibility of a genuine civic trust and democratic life. R. Jay Magill deserves our congratulations for a superb job!” —Cornel West, University Professor, Princeton University “A well-written, well-argued assessment of the importance of irony in contemporary American social life, along with the nature of recent misguided attacks and, happily, a deep conviction that irony is too important in our lives to succumb. The book reflects wide reading, varied experience, and real analytical prowess.” —Peter Stearns, Provost, George Mason University “Somehow, Americans—a pragmatic and colloquial lot, for the most part—are now supposed to speak the Word, without ironic embellishment, in order to rebuild the civic culture. So irony’s critics decide it has become ‘worthy of moral condemnation.’ Magill pushes back against this new conventional wisdom, eloquently defending a much livelier American sensibility than the many apologists for a somber ‘civic culture’ could ever acknowledge." —William Chaloupka, Chair and Professor, Department of Political Science, Colorado State University The events of 9/11 had many pundits on the left and right scrambling to declare an end to the Age of Irony. But six years on, we're as ironic as ever. From The Simpsons and Borat to The Daily Show and The Colbert Report, the ironic worldview measures out a certain cosmopolitan distance, keeping hypocrisy and threats to personal integrity at bay. Chic Ironic Bitterness is a defense of this detachment, an attitude that helps us preserve values such as authenticity, sincerity, and seriousness that might otherwise be lost in a world filled with spin, marketing, and jargon. And it is an effective counterweight to the prevailing conservative view that irony is the first step toward cynicism and the breakdown of Western culture. R. Jay Magill, Jr., is a writer and illustrator whose work has appeared in American Prospect, American Interest, Atlantic Monthly, Foreign Policy, International Herald Tribune, New York Times, Wall Street Journal, and Print, amongother periodicals and books. A former Harvard Teaching Fellow and Executive Editor of DoubleTake, he holds a Ph.D. in American Studies from the University of Hamburg in Germany. This is his first book.
