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Author: Paul Hindemith
Publisher: Yale University Press
ISBN: 9780300064513
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
Paul Hindemith had a multifaceted career as an internationally acclaimed composer, performer, festival organizer, teacher, lecturer, and writer. Born in Germany in 1895, he was a leading member of the musical avant-garde, and when the Nazis came to power his compositions eventually were banned as "decadent art." In 1938 Hindemith went into voluntary exile in Switzerland and in 1940 migrated to the United States, where he became a citizen. His return to Europe after the war in response to urgent calls for help in rebuilding European musical life gave rise to many inner emotional problems. This selection of letters written by Hindemith spans his entire career, from the First World War until shortly before his death in 1963. Translated and edited by a leading authority on Hindemith, the letters (some of which were written in English) reveal that he was an observant, engaging, and opinionated correspondent who took a keen interest in contemporary culture and politics. The first such selection to appear in English, the letters deal with personal and professional matters and are addressed to his wife, publishers, and friends in both Europe and America. Among the many important personalities with whom he came into contact were the composers Stravinsky and Milhaud, the conductors Mengelberg, Furtwängler, Koussevitzky, and Klemperer, and the choreographers Massine and Balanchine. Published to coincide with the centenary of Hindemith's birth, the letters fill out our portrait of him and provide an absorbing chronicle of his life and times.
Author: Paul Hindemith
Publisher: Yale University Press
ISBN: 9780300064513
Category : Biography & Autobiography
Languages : en
Pages : 296
Get Book
Book Description
Paul Hindemith had a multifaceted career as an internationally acclaimed composer, performer, festival organizer, teacher, lecturer, and writer. Born in Germany in 1895, he was a leading member of the musical avant-garde, and when the Nazis came to power his compositions eventually were banned as "decadent art." In 1938 Hindemith went into voluntary exile in Switzerland and in 1940 migrated to the United States, where he became a citizen. His return to Europe after the war in response to urgent calls for help in rebuilding European musical life gave rise to many inner emotional problems. This selection of letters written by Hindemith spans his entire career, from the First World War until shortly before his death in 1963. Translated and edited by a leading authority on Hindemith, the letters (some of which were written in English) reveal that he was an observant, engaging, and opinionated correspondent who took a keen interest in contemporary culture and politics. The first such selection to appear in English, the letters deal with personal and professional matters and are addressed to his wife, publishers, and friends in both Europe and America. Among the many important personalities with whom he came into contact were the composers Stravinsky and Milhaud, the conductors Mengelberg, Furtwängler, Koussevitzky, and Klemperer, and the choreographers Massine and Balanchine. Published to coincide with the centenary of Hindemith's birth, the letters fill out our portrait of him and provide an absorbing chronicle of his life and times.
Author: Stephen Luttmann
Publisher: Routledge
ISBN: 1135848416
Category : Music
Languages : en
Pages : 578
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Book Description
Paul Hindemith: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a musician and teacher. The second edition includes research published since the publication of the first edition and provides electronic resources.
Author: David M. Bynog
Publisher: Oxford University Press, USA
ISBN: 0190916109
Category : Music
Languages : en
Pages : 433
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Book Description
"Notes for Violists: A Guide to the Repertoire provides historical and analytical information about thirty-five pieces of classical music written for the viola. Arranged alphabetically by composer, the book covers some of the best-known examples of string music repertoire prominently involving the viola. A single chapter is devoted to each of the thirty-five works. The selected string repertoire includes concertos, chamber music, and works for solo viola composed between the early part of the eighteenth century through the end of the twentieth century. Each chapter includes biographical information about the composer and historical information about the work. A detailed musical analysis of each work is also included. Numerous charts and musical examples provide further references for the reader"--
Author: Alberto Hernández
Publisher: Scarecrow Press
ISBN: 1461706807
Category : Music
Languages : en
Pages : 380
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Book Description
Puerto Rican born Jesús María Sanromá (1902-1984) was one of the leading pianists in the United States. After graduating from the New England Conservatory, he embarked on an enviable concert career as official pianist for the Boston Symphony Orchestra, as well as soloist with other leading American orchestras. He was an accompanist, a recording artist, and a teacher, and he also stimulated and commissioned composers to write new music, fueled by his eagerness to present it to the general public. Jesús María Sanromá: An American Twentieth-Century Pianist is the first biography of this talented performer and one of the first books written about a native Puerto Rican classical musician. The book depicts many facets of Sanromá's life: his youth in Puerto Rico; his training at the Conservatory and abroad; his amazing concert career and collaboration with first-class musicians, conductors, and composers; his historical performances and recordings; and the zenith of his musical life when he returned home. Alberto Hernández provides abundant information about Sanromá's life, career, and professional relationships, uniquely documenting the pianist's close association and collaboration with Paul Hindemith, Serge Koussevitzky, Walter Piston, Nicolas Slonimsky, Vladimir Dukelsky, Mrs. Edward MacDowell, Arthur Fiedler, William Primrose, and many others. Two appendixes offer the complete sound archives and a list of Sanromá's impressive orchestra repertory, making this book a valuable reference as well as an informative read for music lovers and students of American and Latin American history.
Author: Jonathan Petropoulos
Publisher: Yale University Press
ISBN: 0300210612
Category : History
Languages : en
Pages : 432
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Book Description
“What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?” Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany’s darkest period, Petropoulos shows how individuals variously dealt with the regime’s public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Gründgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions.
Author: Nancy Toff
Publisher: Oxford University Press
ISBN: 9780195346923
Category : Music
Languages : en
Pages : 464
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Book Description
Georges Barr?re (1876-1944) holds a preeminent place in the history of American flute playing. Best known for two of the landmark works that were written for him--the Poem of Charles Tomlinson Griffes and Density 21.5 by Edgard Var?se--he was the most prominent early exemplar of the Paris Conservatoire tradition in the United States and set a new standard for American woodwind performance. Barr?re's story is a musical tale of two cities, and this book uses his life as a window onto musical life in Belle Epoque Paris and twentieth-century New York. Recurrent themes are the interactions of composers and performers; the promotion of new music; the management, personnel, and repertoire of symphony orchestras; the economic and social status of the orchestral and solo musician, including the increasing power of musicians' unions; the role of patronage, particularly women patrons; and the growth of chamber music as a professional performance medium. A student of Paul Taffanel at the Paris Conservatoire, by age eighteen Barr?re played in the premiere of Debussy's Prelude to the Afternoon of a Faun. He went on to become solo flutist of the Concerts Colonne and to found the Soci?t? Moderne d'Instruments ? Vent, a pioneering woodwind ensemble that premiered sixty-one works by forty composers in its first ten years. Invited by Walter Damrosch to become principal flute of the New York Symphony in 1905, he founded the woodwind department at the Institute of Musical Art (later Juilliard). His many ensembles toured the United States, building new audiences for chamber music and promoting French repertoire as well as new American music. Toff narrates Barr?re's relationships with the finest musicians and artists of his day, among them Isadora Duncan, Yvette Guilbert, Andr? Caplet, Paul Hindemith, Albert Roussel, Wallingford Riegger, and Henry Brant. The appendices of the book, which list Barr?re's 170 premieres and the 50 works dedicated to him, are a resource for a new generation of performers. Based on extensive archival research and oral histories in both France and the United States, this is the first biography of Barr?re.
Author: Karen Painter
Publisher: Harvard University Press
ISBN: 9780674033597
Category : Music
Languages : en
Pages : 374
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Book Description
Can music be political? Germans have long claimed the symphony as a pillar of their modern national culture. By 1900, the critical discourse on music, particularly symphonies, rose to such prominence as to command front-page news. With the embrace of the Great War, the humiliation of defeat, and the ensuing economic turmoil, music evolved from the most abstract to the most political of the arts. Even Goebbels saw the symphony as a tool of propaganda. More than composers or musicians, critics were responsible for this politicization of music, aspiring to change how music was heard and understood. Once hailed as a source of individual heroism, the symphony came to serve a communal vision. Karen Painter examines the politicization of musical listening in Germany and Austria, showing how nationalism, anti-Semitism, liberalism, and socialism profoundly affected the experience of serious music. Her analysis draws on a vast collection of writings on the symphony, particularly those of Mahler and Bruckner, to offer compelling evidence that music can and did serve ideological ends. She traces changes in critical discourse that reflected but also contributed to the historical conditions of the fin de siecle, World War I, and the Nazi regime.
Author: Robert Palter
Publisher: Easton Studio Press, LLC
ISBN: 1935212303
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Versified dinner parties; the cultural significance of wild fruit; a dreamlike trip to Russia on the eve of the breakup of the Soviet Union; parallel lines in Euclid’s geometry; grotesque episodes in recent Jewish history; the role of religion in the 17th-century origins of modern science: all these and many other topics are explored in essays, half of them never published before, composed during a long scholarly career.
Author: David Clampitt
Publisher: University Rochester Press
ISBN: 1580462294
Category : Literary Collections
Languages : en
Pages : 325
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Book Description
Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900.
Author: Beth Christensen
Publisher: A-R Editions, Inc.
ISBN: 0895798565
Category : Language Arts & Disciplines
Languages : en
Pages : 272
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Book Description
Information Literacy in Music: An Instructor’s Companion is a practical guide to information literacy instruction for busy librarians and music faculty. This book contains examples of course-integrated assignments designed to help postsecondary music students develop foundational skills in information literacy. These assignments have been solicited from experienced librarians and faculty across the United States, and they represent a broad spectrum of approaches to music research, from historical to applied studies. Be inspired by new and creative solutions to students’ information literacy challenges and by the many examples of successful collaborations between librarians and music faculty.
