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![Selected Letters [of] Aretino PDF](https://books.google.com/books/content/images/frontcover/70omAQAAMAAJ?fife=w150-h200)
Author: Pietro Aretino
Publisher: Penguin Classics
ISBN:
Category : Fiction
Languages : en
Pages : 260
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Book Description
![Selected Letters [of] Aretino PDF](https://books.google.com/books/content/images/frontcover/70omAQAAMAAJ?fife=w80-h100)
Author: Pietro Aretino
Publisher: Penguin Classics
ISBN:
Category : Fiction
Languages : en
Pages : 260
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Book Description
Author: Marco Faini
Publisher: BRILL
ISBN: 9004465197
Category : Literary Criticism
Languages : en
Pages : 622
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Book Description
An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.
Author: John Donne
Publisher: Routledge
ISBN: 1351549278
Category : Literary Collections
Languages : en
Pages : 164
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Book Description
Whether sharing his anxieties about his writing, consoling bereaved friends, complaining about the meanness of a patron or defending himself against malicious gossip, John Donne reveals himself in his letters with a directness that can be found nowhere else in his writings. These letters corroborate the impression created by his better-known writings that he was one of the most remarkable figures produced by the English Renaissance and that he possessed an extraordinarily subtle and creative intelligence.
Author:
Publisher: Penn State Press
ISBN: 9780271044255
Category : Art
Languages : en
Pages : 240
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Book Description
After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.
Author: Raymond B. Waddington
Publisher: Taylor & Francis
ISBN: 1040245765
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
The essays gathered together in this volume follow the career of the sixteenth-century courtier-poet Pietro Aretino. Part One introduces the author during the 1520s in Rome with his remarkable first comedy, La Cortigiana. With Aretino’s move to Venice (1527), he found a congenial life-long home in which he could flourish. Yet the transition from courtier poet to poligrafo, vernacular writer for the popular press, was slow and difficult before he adopted a new career model derived from Erasmus; even then, he contemplated abandoning Italy for the Ottoman Empire. Part Two examines his work as a satirist in the mid-thirties with the Ragionamenti, the dialogues that branded him a pornographer when the satiric targets lost their immediacy. He augmented the satiric writings by creating the visual persona of a satirist in various media - woodcut author portraits in books, engravings, and particularly portrait medals. The complementary, verbal-visual relationship is the subject of this pairing. Aretino’s religious writings have not been taken seriously until quite recently. The two essays presented here trace Aretino’s associations with Erasmians, spirituali, heretics, and apostates, arguing that his own convictions were sincere, suggesting that he became a Nicodemite during the gathering Counter-Reformation repression of the 1540s. The concluding essays consider two examples of Aretino’s continuing influence in different media, visual arts and literature: on the brilliant, eccentric artist, Giuseppe Arcimboldo, and on a great English comedy, Ben Jonson’s Volpone.
Author: Veronica Franco
Publisher: University of Chicago Press
ISBN: 0226259854
Category : Poetry
Languages : en
Pages : 327
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Book Description
Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. This collection captures the frank eroticism and impressive eloquence that set her apart from the chaste, silent woman prescribed by Renaissance gender ideology. As an "honored courtesan", Franco made her living by arranging to have sexual relations, for a high fee, with the elite of Venice and the many travelers—merchants, ambassadors, even kings—who passed through the city. Courtesans needed to be beautiful, sophisticated in their dress and manners, and elegant, cultivated conversationalists. Exempt from many of the social and educational restrictions placed on women of the Venetian patrician class, Franco used her position to recast "virtue" as "intellectual integrity," offering wit and refinement in return for patronage and a place in public life. Franco became a writer by allying herself with distinguished men at the center of her city's culture, particularly in the informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator. Through Venier's protection and her own determination, Franco published work in which she defended her fellow courtesans, speaking out against their mistreatment by men and criticizing the subordination of women in general. Venier also provided literary counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier. Franco's insight into the power conflicts between men and women and her awareness of the threat she posed to her male contemporaries make her life and work pertinent today.
Author: Pietro Aretino
Publisher: [Hamden, Conn.] : Archon Books
ISBN:
Category : Authors, Italian
Languages : en
Pages : 376
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Book Description
Author: Stanley Morison
Publisher: Cambridge University Press
ISBN: 9780521183161
Category :
Languages : en
Pages : 336
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Book Description
Author: L. E. Semler
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637593
Category : Art
Languages : en
Pages : 298
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Book Description
In this study, L.E. Semler begins with a comprehensive, historical definition of Mannerism in visual arts from which he derives four key terms that constitute the nucleus of the aesthetic: technical precision, elegance, grazia, and the difficulta:facilita formula. These principles - interwoven with one another and with maniera - are derived from visual arts but are specifically designed to be transferable to any medium. The rest of the book situates the English poets in relation to the visual arts - including painting, limning, gold- and silversmithery, architecture, and garden design - and discusses their verse in relation to the key Mannerist principles.
Author: Robert Muchembled
Publisher: Cambridge University Press
ISBN: 0521845483
Category : History
Languages : en
Pages : 395
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Book Description
A ground-breaking reassessment of the status of information in early modern Europe, first published in 2007.
