Selected Letters. Edited with an Introd. by John Carroll

Selected Letters. Edited with an Introd. by John Carroll PDF Author: Samuel Richardson
Publisher:
ISBN:
Category :
Languages : en
Pages : 350

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Selected Letters. Edited with an Introd. by John Carroll

Selected Letters. Edited with an Introd. by John Carroll PDF Author: Samuel Richardson
Publisher:
ISBN:
Category :
Languages : en
Pages : 350

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Briefe, engl

Briefe, engl PDF Author: Samuel Richardson
Publisher:
ISBN:
Category :
Languages : en
Pages :

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An Introduction to Eighteenth-Century Fiction

An Introduction to Eighteenth-Century Fiction PDF Author: John Skinner
Publisher: Bloomsbury Publishing
ISBN: 1350317640
Category : Literary Criticism
Languages : en
Pages : 518

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Book Description
The formal and expressive range of canonic eighteenth-century fiction is enourmous: between them Defoe, Richardson, Fielding, Smollett and Sterne seem to have anticipated just about every question confronting the modern novelist; and Aphra Behn even raises a number of issues overlooked by her male successors. But one might also reverse the coin: much of what is present in these writers will today seem remote and bizarre. There is, in fact, only one novelist from the 'long' eighteenth century who is not an endangered species outside the protectorates of university English departments: Jane Austen. Plenty of people read her, moreover, without the need for secondary literature. These reservations were taken into account in the writing of this book. An Introduction to Eighteenth Century Fiction is a comprehensive and accessible introduction to English fiction from Aphra Behn to Jane Austen. It deals with novel criticism, canon formation and relations between genre and gender. The second part of the book contains an extensive discussion of Richardson and Fielding, followed by paired readings of major eighteenth-century novels, juxtaposing texts by Behn and Defoe, Sterne and Smollett, Lennox and Burney among others. The various sections of the book, and even the individual chapters, may be read independently or in any order. Works are discussed in a way intended to help students who have not read them, and even engage with some who never will. The author consumes eighteenth-century fiction avidly, but has tried to write a reader-friendly survey for those who may not.

The Eighteenth-Century Novel and the Secularization of Ethics

The Eighteenth-Century Novel and the Secularization of Ethics PDF Author: Dr Carol Stewart
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476057
Category : Literary Criticism
Languages : en
Pages : 232

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Book Description
Linking the decline in Church authority in the late seventeenth and early eighteenth centuries with the increasing respectability of fiction, Carol Stewart provides a new perspective on the rise of the novel. The resulting readings of novels by authors such as Samuel Richardson, Sarah Fielding, Frances Sheridan, Charlotte Lennox, Tobias Smollett, Laurence Sterne, William Godwin, and Jane Austen trace the translation of ethical debate into secular and gendered terms. Stewart argues that the seventeenth-century debate about ethics that divided Latitudinarians and Calvinists found its way into novels of the eighteenth century. Her book explores the growing belief that novels could do the work of moral reform more effectively than the Anglican Church, with attention to related developments, including the promulgation of Anglican ethics in novels as a response to challenges to Anglican practice and authority. An increasingly legitimate genre, she argues, offered a forum both for investigating the situation of women and challenging patriarchal authority, and for challenging the dominant political ideology.

Styles of Meaning and Meanings of Style in Richardson's Clarissa

Styles of Meaning and Meanings of Style in Richardson's Clarissa PDF Author: Gordon D. Fulton
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773518490
Category : Literary Criticism
Languages : en
Pages : 286

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Gordon Fulton provides a fascinating new study of styles in Samuel Richardson's masterpiece, Clarissa, connecting the style the characters deploy in their speech and letters with their positions in society. Fulton argues that the novel is a critical examination of the relationship between language and power and an expression of Richardson's own understanding of social interaction as a struggle for personal pre-eminence and sexual dominance.

Falling into Matter

Falling into Matter PDF Author: Elizabeth R. Napier
Publisher: University of Toronto Press
ISBN: 1442664320
Category : Literary Criticism
Languages : en
Pages : 281

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Book Description
Falling into Matter examines the complex role of the body in the development of the English novel in the eighteenth century. Elizabeth R. Napier argues that despite an increasing emphasis on the need to present ideas in corporeal terms, early fiction writers continued to register spiritual and moral reservations about the centrality of the body to human and imaginative experience. Drawing on six works of early English fiction — Daniel Defoe's Robinson Crusoe, Jonathan Swift's Gulliver's Travels, Samuel Richardson's Clarissa, Henry Fielding's Tom Jones, Elizabeth Inchbald's A Simple Story, and Mary Shelley's Frankenstein - Napier examines how authors grappled with technical and philosophical issues of the body, questioning its capacity for moral action, its relationship to individual freedom and dignity, and its role in the creation of art. Falling into Matter charts the course of the early novel as its authors engaged formally, stylistically, and thematically with the increasingly insistent role of the body in the new genre.

Originality and Intellectual Property in the French and English Enlightenment

Originality and Intellectual Property in the French and English Enlightenment PDF Author: Reginald McGinnis
Publisher: Routledge
ISBN: 1135024626
Category : Literary Criticism
Languages : en
Pages : 250

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Book Description
Are legal concepts of intellectual property and copyright related to artistic notions of invention and originality? Do literary and legal scholars have anything to learn from each other, or should the legal debate be viewed as separate from questions of aesthetics? Bridging what are usually perceived as two distinct areas of inquiry, this interdisciplinary volume begins with a reflection on the "origins" of literary and legal questions in the Enlightenment to consider their ramifications in the post-Enlightenment and contemporary world. Tying in to the growing scholarly interest in connections between law and literature, on the one hand, and to the contemporary interrogation of "originality" and "authorship," on the other hand, the present volume furthers research in the field by providing a dense study of the legal and historical context to re-examine our current assumptions about supposed earlier Enlightenment and Romantic ideals of individual authorship and originality.

Writing to the World

Writing to the World PDF Author: Rachael Scarborough King
Publisher: JHU Press
ISBN: 1421425483
Category : Literary Collections
Languages : en
Pages : 272

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Book Description
Ultimately, Writing to the World is a sophisticated look at the intersection of print and the public sphere.

Books for College Libraries: Language and literature

Books for College Libraries: Language and literature PDF Author:
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 476

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Samuel Richardson, Comedic Narrative and the Culture of Domestic Violence

Samuel Richardson, Comedic Narrative and the Culture of Domestic Violence PDF Author: Christopher D. Johnson
Publisher: Cambridge Scholars Publishing
ISBN: 1527502465
Category : Family & Relationships
Languages : en
Pages : 297

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Book Description
This book provides a comprehensive reading of Samuel Richardson's novels. Using a combination of literary theory and criminology, Christopher D. Johnson demonstrates that Richardson not only understood the horrific dynamics of domestic violence, but also recognized the degree to which his first novel, Pamela: or, Virtue Rewarded (1740) could inadvertently normalize abusive relationships. This recognition informed Richardson's subsequent novels and fueled his distrust of novelistic fiction, especially those comedic works that depend on sudden transformations. It also caused him to draw careful delineations between the practical instruction he hoped to provide and the ideals of his Christian faith, particularly as they pertain to earthly suffering and self-sacrifice. The Richardson who emerges from the study becomes both a staunch defender of what he saw as a benevolent patriarchy and a fierce advocate for women's subjectivity, happiness and safety.