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Author: George Thomson
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
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Book Description
Author: George Thomson
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
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Book Description
Author:
Publisher:
ISBN:
Category : Folk songs, Scots
Languages : en
Pages : 136
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Book Description
![A Select Collection of Original Scottish Airs, for the Voice with introductory&concluding Symphonies&Accompaniments for the Piano Forte, Violin&Violoncello, by Haydn ... Volume [4] PDF](https://books.google.com/books/content/images/frontcover/uYtZoBzH9T0C?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Book Description
Author: Clayton Carlyle Tarr
Publisher: Univ of South Carolina Press
ISBN: 9781570038297
Category : Language Arts & Disciplines
Languages : en
Pages : 498
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Book Description
"The G. Ross Roy Collection of Robert Burns includes fourteen color and fifty-eight black-and-white illustrations as well as an introduction by G. Ross Roy on the history of the collection. In text and images, the catalogue documents a monumental research collection that serves as an open invitation for further investigations into the life, works, and legacy of Scotland's bard."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
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Book Description
Author: Ludwig ¬van Beethoven
Publisher:
ISBN:
Category :
Languages : en
Pages : 90
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Author: John Glen
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 308
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Author: Karen McAulay
Publisher: Routledge
ISBN: 1317084756
Category : Music
Languages : en
Pages : 314
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Book Description
One of the earliest documented Scottish song collectors actually to go 'into the field' to gather his specimens, was the Highlander Joseph Macdonald. Macdonald emigrated in 1760 - contemporaneously with the start of James Macpherson's famous but much disputed Ossian project - and it fell to the Revd. Patrick Macdonald to finish and subsequently publish his younger brother's collection. Karen McAulay traces the complex history of Scottish song collecting, and the publication of major Highland and Lowland collections, over the ensuing 130 years. Looking at sources, authenticity, collecting methodology and format, McAulay places these collections in their cultural context and traces links with contemporary attitudes towards such wide-ranging topics as the embryonic tourism and travel industry; cultural nationalism; fakery and forgery; literary and musical creativity; and the move from antiquarianism and dilettantism towards an increasingly scholarly and didactic tone in the mid-to-late Victorian collections. Attention is given to some of the performance issues raised, either in correspondence or in the paratexts of published collections; and the narrative is interlaced with references to contemporary literary, social and even political history as it affected the collectors themselves. Most significantly, this study demonstrates a resurgence of cultural nationalism in the late nineteenth century.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
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Author: Una Hunt
Publisher: Routledge
ISBN: 1315442981
Category : Music
Languages : en
Pages : 294
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Book Description
Once regarded as Ireland’s national bard, Thomas Moore's lasting reputation rests on the ten immensely popular collections of drawing-room songs known as the Irish Melodies, published between 1808 and 1834. Moore drew on anthologies of ancient music, breathing new life into the airs and bringing them before a global audience for the very first time. Recognizing the unique beauty of the airs as well as their symbolic significance, these qualities were often interwoven into the verses providing potent political commentary along with a new cultural perspective. At home and abroad, Moore’s Melodies created a realm of influence that continued to define Irish culture for many decades to come. Notwithstanding the far-reaching appeal and success of the collections, Moore has only recently begun to receive serious attention from scholars. Una Hunt provides the first detailed study of Moore’s Irish Melodies from a combined musical and literary standpoint by drawing on a practical understanding and an unrivalled performance experience of the songs. The initial two chapters contextualize Moore and his songs through a detailed examination of their sources and style while the following chapters concentrate on the collaborative work provided by the composers Sir John Stevenson and Henry Rowley Bishop. Chapters 5 and 6 reappraise musical sources and Moore’s adaptation of these, supported and illustrated by the Table of Sources in the Appendix.
