Segundo encuentro arte/industria

Segundo encuentro arte/industria PDF Author: Museo Nacional de Bellas Artes (Santiago)
Publisher:
ISBN:
Category :
Languages : es
Pages : 44

Get Book Here

Book Description

Segundo encuentro arte/industria

Segundo encuentro arte/industria PDF Author: Museo Nacional de Bellas Artes (Santiago)
Publisher:
ISBN:
Category :
Languages : es
Pages : 44

Get Book Here

Book Description


Segundo Encuentro Arte

Segundo Encuentro Arte PDF Author: Museo Nacional de Bellas Artes (Chile)
Publisher:
ISBN:
Category :
Languages : en
Pages :

Get Book Here

Book Description


Segundo encuentro arte

Segundo encuentro arte PDF Author: Lily Lanz
Publisher:
ISBN:
Category :
Languages : es
Pages : 44

Get Book Here

Book Description


Segundo Encuentro de Arte Joven

Segundo Encuentro de Arte Joven PDF Author: César Sepúlveda
Publisher:
ISBN:
Category :
Languages : es
Pages : 29

Get Book Here

Book Description


New Serial Titles

New Serial Titles PDF Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 2532

Get Book Here

Book Description
A union list of serials commencing publication after Dec. 31, 1949.

II Encuentro Internacional sobre Arte Contemporáneo

II Encuentro Internacional sobre Arte Contemporáneo PDF Author: Encuentro Internacional sobre Arte Contemporáneo
Publisher:
ISBN:
Category :
Languages : es
Pages : 91

Get Book Here

Book Description


Julio Galán

Julio Galán PDF Author: Teresa Eckmann
Publisher: University of New Mexico Press
ISBN: 0826366023
Category : Art
Languages : en
Pages : 336

Get Book Here

Book Description
From his provincial origins in the small northern Mexico town of Múzquiz, Coahuila, to his meteoric rise in Manhattan's East Village art scene, to having achieved international standing at the time of his early death at forty-seven, Julio Galán was radically transgressive. The artist extended contemporary Mexican painting beyond the cultural criticism of Neo-Mexicanism (neomexicanismo), redefining Mexican identity as gender-expansive in his art. Galán combined gender-fluid imagery, his performative persona, queer self-representation, and cross-cultural visual and textual references to create large-scale, layered, dialogical visual puzzles. An artist ahead of his time, Galán's content and imagery is relevant to contemporary LGBTQ+ social movements. Replete with full-color reproductions of Galán's artwork and photographic material, Teresa Eckmann's book serves as the first English-language monograph on the artist's life and work. Anyone interested in art in Mexico and Latin America will find this book an indispensable addition to their library, and it will be a core book on the study of this artist for decades to come.

Encounters in Video Art in Latin America

Encounters in Video Art in Latin America PDF Author: Elena Shtromberg
Publisher: Getty Publications
ISBN: 1606067915
Category : Art
Languages : en
Pages : 290

Get Book Here

Book Description
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.

Bibliography of Art and Architecture in the Islamic World (2 Vol. Set)

Bibliography of Art and Architecture in the Islamic World (2 Vol. Set) PDF Author: Susan Sinclair
Publisher: BRILL
ISBN: 9004170588
Category : Architecture
Languages : en
Pages : 1510

Get Book Here

Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

Alfredo Jaar

Alfredo Jaar PDF Author: Edward A. Vazquez
Publisher: MIT Press
ISBN: 1846382602
Category : Art
Languages : en
Pages : 150

Get Book Here

Book Description
A richly illustrated survey of Alfredo Jaar’s Studies on Happiness (1979–1981) and its deep political stakes in the historical context of Chile’s neoliberal transition. Between 1979 and 1981, Alfredo Jaar asked Chileans a deceptively simple question: "Are you happy?" Through private interviews, sidewalk polls and video-recorded forums, among other interventions, Jaar’s three-year and seven-phase project, Studies on Happiness, addressed a furtive and fearful population living under Augusto Pinochet’s military dictatorship. It also spoke to a country in transition, as a newly adopted constitution remade Chile through privatisation and other neoliberal reforms. In its varied interventions and direct mode of address, Studies on Happiness functioned as a feedback device meant to catalyse a critical awareness with its blunt questioning. Edward A. Vazquez contextualises Studies on Happiness within Jaar’s early production and situates his practice within a Chilean art world haunted by the residues of political violence. This study foregrounds the project’s historical embeddedness and the deep political stakes of its apparent sociality, recognising the crucial role that context has always played in Jaar’s practice. By turning to the Santiago of Studies on Happiness, Vazquez explores the work’s political and art historical environment and provides a wedge to realign current interpretations of Chilean art and hemispheric conceptualism with the openness central to Jaar’s project.