Seconde partie du catalogue des tableaux, dessins, terres cuites, marbres, bronzes, porcelaines, pierres antiques, meubles, estampes en feuilles et en volumes ; des livres et de l'histoire naturelle PDF Download
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Languages : fr
Pages : 31
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Author:
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Category :
Languages : fr
Pages : 31
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Languages : fr
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Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
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Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
![Catalogue de tableaux, marbres, bronzes et terres cuites, dessins montés sous verres, peintures à gouasse, meubles de boules, porcelaines rares, beaucoup d'effets précieux, & différens autres objets [de Verrier], dont le vente se fera le jeudi 14 [i.e. lundi 18] novembre 1776, & jours suivans... PDF](https://books.google.com/books/content/images/frontcover/Z7awYgEACAAJ?fife=w80-h100)
Author: Gabriel de Saint-Aubin
Publisher:
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Category :
Languages : fr
Pages : 43
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Author: Bellangée
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Languages : fr
Pages :
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Author: Pierre Remy (Firm)
Publisher:
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Languages : fr
Pages :
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![Notice de tableaux dessins et estampes, monuments en marbre, bronzes anciens et modernes, meubles de Boule, porcelaines de Chine richement montées, meubles en bois de rose, pendules, terres cuites de Clodion, ivoires, émaux et différentes objets de curiosité, provenant en partie du cabinet de M. *** [1836]. PDF](https://books.google.com/books/content/images/frontcover/zY74jgEACAAJ?fife=w80-h100)
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Languages : fr
Pages : 12
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Author: James David Draper
Publisher: Metropolitan Museum of Art
ISBN: 1588390993
Category : Modeling
Languages : fr
Pages : 342
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European sculptors of the Neoclassical period often modelled their works in clay before producing finished pieces in marble. This book offers a comprehensive overview of Neoclassical terracotta models by European artists, featuring the works of0. Pajou, Houdon, and Canova, among many others.
Author: Georges Riat
Publisher: Parkstone Press
ISBN:
Category : Art
Languages : en
Pages : 266
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Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
Author: Ting Chang
Publisher: Routledge
ISBN: 1351538454
Category : Art
Languages : en
Pages : 210
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Book Description
Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.
