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Author: Nikos Kiliaris
Publisher: LAP Lambert Academic Publishing
ISBN: 9783659410833
Category : Music
Languages : en
Pages : 144
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Book Description
This study investigates the available documentation on the teaching methods and teaching content used in secondary general music classrooms in Cyprus, and explores the historical memories and opinions of the Music Inspectors who have held this position since the formalisation of music education in Cyprus. While numerous methodologies have been developed for the general music classroom, this study examines only those related to the "parameters of musical experience." Nowadays, secondary school music teachers are divided into two groups. A minority of them are under the influence of traditionalism, whereas the majority combine teaching methods and content based on both traditionalism and progressivism, since we do not have a completely autonomous "student-centred" model. According to the findings of my research, the "student-centred" approach does not exist in Cyprus in absolute terms, and the division was greater in the past because of the music teachers' study background.
Author: Nikos Kiliaris
Publisher: LAP Lambert Academic Publishing
ISBN: 9783659410833
Category : Music
Languages : en
Pages : 144
Get Book Here
Book Description
This study investigates the available documentation on the teaching methods and teaching content used in secondary general music classrooms in Cyprus, and explores the historical memories and opinions of the Music Inspectors who have held this position since the formalisation of music education in Cyprus. While numerous methodologies have been developed for the general music classroom, this study examines only those related to the "parameters of musical experience." Nowadays, secondary school music teachers are divided into two groups. A minority of them are under the influence of traditionalism, whereas the majority combine teaching methods and content based on both traditionalism and progressivism, since we do not have a completely autonomous "student-centred" model. According to the findings of my research, the "student-centred" approach does not exist in Cyprus in absolute terms, and the division was greater in the past because of the music teachers' study background.
Author: Nikos Kiliaris
Publisher:
ISBN:
Category :
Languages : en
Pages : 266
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Book Description
Author: Panayiotis Teklos
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
The focus of this study was on the identification of pupils' attitudes towards music education in secondary schools of Cyprus. There is a growing body of literature about the Cypriot music education scene, although the majority of studies to date have concentrated on primary school settings with less attention given to the secondary sector; thus, the purpose of this study was to address the current gap in the Cypriot music education literature as well as to contribute more generally towards research in the field of music education. A theoretical model was constructed in the light of previous literature in the field and in response to Bronfenbrenner'j influential ecological theory about child development. The model highlighted the influence of personal, social and educational aspects on the formation of pupils' attitudes and was used in the creation of the research instrument as part of the empirical enquiry within this thesis. A Pancyprian questionnaire was carried out with a sample of 2996 pupils aged between 12 and 18 years of age representing all of the districts of Cyprus in both Gymnasium and Lyceum schools. The questionnaire focussed on gathering pupils' perceptions about secondary music education and the subject of Music in school. Different personal and demographic factors were cross-examined in the data, including the effects of gender, district, experience, school type and school grade. Overall, pupils' attitudes were largely negative, since almost half of the participants provided unenthusiastic and unfavourable responses towards school Music (45.9%), while there was more positive feedback about private music tuition in Cyprus (69.3%). Pupils' attitudes were based on personal beliefs and views about the subject as well as levels of interest and knowledge gained from music lessons. The study showed that significant relationships exist among five key variables in the creation of pupils' attitudes, so female pupils, experienced pupils, Gymnasium pupils (especially those within Grade A) and pupils from the Lamaca district were more positive towards the subject of Music, in comparison with others.
Author: C A. Eleftheriou
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Keith Swanwick
Publisher: Routledge
ISBN: 131744311X
Category : Education
Languages : en
Pages : 317
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Book Description
In the World Library of Educationalists series, international experts compile career-long collections of what they judge to be their finest pieces – extracts from books, key articles, salient research findings, major theoretical and practical contributions – so the world can read them in a single manageable volume. Readers will be able to follow the themes and strands and see how their work contributes to the development of the field. Since the publication of A Basis for Music Education in 1979, Keith Swanwick has continued to be a major influence on the theory and practice of music education. The international appeal of his insights into the fundamentals of music and music education is recognised in invitations from more than twenty countries to give Key Note presentations, conduct workshops, and advise as a consultant. These include such diverse places as Kazakhstan, Colombia, Iceland and Papua New Guinea. During 1998 he was Visiting Professor, University of Washington. In this collection, Swanwick brings together 12 of his key writings to present an overview of the development of his own work and of the field of music education. The text allows the reader to consider Swanwick’s approach to music education and how it is characterised by a concern for musical, and to some extent wider artistic, processes, shaped by his experience as a teacher and performing musician in a variety of settings, and also by the influences of philosophers, psychologists and sociologists.
Author: Maria Sofroniou
Publisher:
ISBN:
Category :
Languages : en
Pages : 262
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Book Description
Author: Jim Samson
Publisher: Routledge
ISBN: 1317091892
Category : Music
Languages : en
Pages : 254
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Book Description
Music in Cyprus draws its authors from both sides of the divided island to give a rounded picture of musical culture from the beginning of the British colonial period (1878-1960) until today. The book crosses conventional scholarly divides between musicology and ethnomusicology in order to achieve a panorama of music, culture and politics. Shared practices of traditional music and dance are outlined, and the appropriation of those practices by both communities in the aftermath of the de facto division of the island is examined. Art music (European and Ottoman) is also discussed, both in terms of the structures of musical life and the creative praxes of composers, and there is an account of the early stages of a popular music industry. The authors consider such questions as: What is the role of different musics in defining national, regional, social and cultural identities in Cyprus? How do Cypriot alterities illuminate European projects of modernity? And what has been the impact of westernization and modernization (and, conversely, of orientalization) on music in Cyprus? The book will be of interest to students and academics working not only in both historical musicology and ethnomusicology, but also in the history and anthropology of Cyprus and of the entire Greek-Anatolian region.
Author: Lucy Green
Publisher: Routledge
ISBN: 1351557440
Category : History
Languages : en
Pages : 376
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Book Description
This collection of previously published articles, chapters and keynotes traces both the theoretical contribution of Lucy Green to the emergent field of the sociology of music education, and her radicalhands-on practical work in classrooms and instrumental studios. The selection contains a mixture of material, from essays that have appeared in major journals and books, to some harder-to-find publications. It spans issues from musical meaning, ideology, identity and gender in relation to music education, to changes and challenges in music curricula and pedagogy, and includes Green‘s highly influential work on bringing informal learning into formal music education settings. A newly-written introduction considers the relationship between theory and practice, and situates each essay in relation to some of the major influences, within and beyond the field of music education, which affected Green‘s own intellectual journey from the 1970s to the present day.
Author: S. Alex Ruthmann
Publisher: Oxford University Press
ISBN: 0190655100
Category : Music
Languages : en
Pages : 737
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Book Description
Few aspects of daily existence are untouched by technology. Learning and teaching music are no exceptions and arguably have been impacted as much or more than other areas of life. Digital technologies have come to affect music learning and teaching in profound ways, influencing how we create, listen, share, consume, interact, and conceptualize musical practices and the musical experience. For a discipline as entrenched in tradition as music education, this has brought forth myriad views on what does and should constitute music learning and teaching. To tease out and elucidate some of the salient problems, interests, and issues, The Oxford Handbook of Technology and Music Education critically situates technology in relation to music education from a variety of perspectives: historical; philosophical; socio-cultural; pedagogical; musical; economic; policy, organized around four broad themes: Emergence and Evolution; Locations and Contexts: Social and Cultural Issues; Experiencing, Expressing, Learning and Teaching; and Competence, Credentialing, and Professional Development. Chapters from a highly diverse group of junior and senior scholars provide analyses of technology and music education through intersections of gender, theoretical perspective, geographical distribution, and relationship to the field. The Oxford Handbook of Technology and Music Education's dedication to diversity and forward-facing discussion promotes contrasting perspectives and conversational voices rather than reinforce traditional narratives and prevailing discourses.
Author: Andrea Creech
Publisher: Springer Nature
ISBN: 3030482626
Category : Education
Languages : en
Pages : 284
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Book Description
This book sets out a contemporary perspective on music education, highlighting complex intersections between informal, non-formal and formal practices and contexts. At a time when the boundaries between music learning and participation are increasingly blurred, this volume is distinctive in challenging a ‘siloed’ approach to understanding the diverse international music education landscape. Instead, the book proposes a multi-layered continuum of practices that can be applied across a range of formal, informal or non-formal concepts to support the development of musical possible selves. It challenges existing conceptions of learning in music education in part by drawing on research in adult learning, but also by considering the contexts in which learning takes place, and the extent to which this learning can be classified as formal, informal or non-formal.
