Sculpture: The great art of the Middle Ages from the fifth century to the fifteenth century PDF Download
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Author: Philippe Bruneau
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 328
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Book Description
Four volumes cover the history of sculpture from earliest times to the 20th century.
Author: Philippe Bruneau
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 328
Get Book Here
Book Description
Four volumes cover the history of sculpture from earliest times to the 20th century.
Author: Jean Luc Daval
Publisher:
ISBN: 9783822816622
Category : Sculpture
Languages : en
Pages : 1151
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Book Description
Great art of antiquity - Greek art - Art of the Etruscuns - Roman world - Art of the Middle Ages - Romanesque art - Gothic art - Court art - Late Gothic - Renaissance - Mannerism - Baroque - Rococo - Nineteenth century tradition and rupture - Twentieth century modern sculpture.
Author: Georges Duby
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 328
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Book Description
This treasure of a book presents a comprehensive look at medieval sculpture throughout the whole of Western Europe. A surprising number of masterpieces (first and foremost the great cathedrals) have survived the centuries, and these fragile but powerful works are beautifully illustrated (518 illustrations, 192 in color) and discussed.
Author:
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 0
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Book Description
Author: Harry Huntington Powers
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
Author: John C. Hirsh
Publisher: BRILL
ISBN: 9004477675
Category : History
Languages : en
Pages : 204
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Book Description
This volume deals with the ways in which religious Faith was communicated and adapted during the late medieval period and after, and with the ways in which spirituality, culture, written texts and gender interacted during the same period. Drawing on texts like the Book of Margery Kempe, popular prayers, romances and devotions, well-known devout practices, mystical and visionary writing, and devout representations like the Arma Christi, the book addresses the ways in which these both informed and were informed by attitudes towards Faith and Belief which continue today. Subjects include: the development of religious attitudes; devotion to Christ's blood; the influence of mysticism on literary texts; Chaucer's feminism; Eastern sources; and the transmission of medieval spirituality into the New World.
Author: Christopher Noey
Publisher: Metropolitan Museum of Art
ISBN: 0714873543
Category : Art
Languages : en
Pages : 274
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Book Description
Artists have long been stimulated and motivated by the work of those who came before them—sometimes, centuries before them. Interviews with 120 international contemporary artists discussing works from The Metropolitan Museum of Art's collection that spark their imagination shed new light on art-making, museums, and the creative process. Images of works from The Met collection appear alongside images of the contemporary artists' work, allowing readers to discover a rich web of visual connections that spans cultures and millennia.
Author: Melanie Holcomb
Publisher: Metropolitan Museum of Art
ISBN: 1588393186
Category : Drawing, Medieval
Languages : en
Pages : 204
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Book Description
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
Author: Stefano Zuffi
Publisher: Getty Publications
ISBN: 9780892368310
Category : Art
Languages : en
Pages : 384
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Book Description
Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century.
Author: Martin Kemp
Publisher:
ISBN: 0198600127
Category : Art
Languages : en
Pages : 578
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Book Description
The Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different media relate to each other across time. Here--uniquely--is not the simple, linear "story" of art, but a rich series of stories, told from varying viewpoints. Carefully selected groupings of pictures give readers a sense of the visual "texture" of the various periods and episodes covered. The 167 illustration groups, supported by explanatory text and picture captions, create a sequence of "visual tours"--not merely a procession of individually "great" works viewed in isolation, but juxtapositions of significant images that powerfully convey a sense of the visual environments in which works of art need to be viewed in order to be understood and appreciated. The aim throughout is to make the shape and nature of these visual presentations a stimulating and rewarding experience, allowing readers to become active participants in the process of interpretation and synthesis. Another key feature of the narrative is the re-definition of traditional period boundaries. Rather than relying on conventional labels such as Medieval, Renaissance, and Baroque, the book establishes five major phases of significant historical change that unlock longer and more meaningful continuities. This new framework shows how the major religious and secular functions of art have been forged, sustained, transformed, revived, and revolutionized over the ages; how the institutions of Church and State have consistently aspired to make art in their own image; and how the rise of art history itself has come to provide the dominant conceptual framework within which artists create, patrons patronize, collectors collect, galleries exhibit, dealers deal, and art historians write. Though the coverage of topics focuses on European notions of art and their transplantation and transformation in North America, space is also given to cross-fertilizations with other traditions---including the art of Latin America, the Soviet Union, India, Africa (and Afro-Caribbean), Australia, and Canada. Written by a team of 50 specialist authors working under the direction of renowned art historian Martin Kemp, The Oxford History of Western Art is a vibrant, vigorous, and revolutionary account of Western art serving both as an inspirational introduction for the general reader and an authoritative source of reference and guidance for students.
