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Author: Birmingham Museums and Art Gallery
Publisher:
ISBN: 9780709301394
Category : Sculpture
Languages : en
Pages : 116
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Book Description
Author: Birmingham Museums and Art Gallery
Publisher:
ISBN: 9780709301394
Category : Sculpture
Languages : en
Pages : 116
Get Book Here
Book Description
Author: Darsie Alexander
Publisher:
ISBN: 9780300250701
Category : Art
Languages : en
Pages : 280
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Book Description
A strikingly original exploration of the profound impact of World War II on how we understand the art that survived it By the end of World War II an estimated one million artworks and 2.5 million books had been seized from their owners by Nazi forces; many were destroyed. The artworks and cultural artifacts that survived have traumatic, layered histories. This book traces the biographies of these objects--including paintings, sculpture, and Judaica--their rescue in the aftermath of the war, and their afterlives in museums and private collections and in our cultural understanding. In examining how this history affects the way we view these works, scholars discuss the moral and aesthetic implications of maintaining the association between the works and their place within the brutality of the Holocaust--or, conversely, the implications of ignoring this history. Afterlives offers a thought-provoking investigation of the unique ability of art and artifacts to bear witness to historical events. With rarely seen archival photographs and with contributions by the contemporary artists Maria Eichhorn, Hadar Gad, Dor Guez, and Lisa Oppenheim, this catalogue illuminates the study of a difficult and still-urgent subject, with many parallels to today's crises of art in war.
Author: Martin Ellis
Publisher:
ISBN: 9781885444479
Category :
Languages : en
Pages : 280
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Book Description
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.
Author: Birmingham Museum and Art Gallery (Birmingham)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Birmingham Museums and Art Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
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Book Description
Author: ChristopherR. Marshall
Publisher: Routledge
ISBN: 1351549553
Category : Art
Languages : en
Pages : 286
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Book Description
Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.
Author: David Ebony
Publisher:
ISBN: 9781735655901
Category :
Languages : en
Pages : 216
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Book Description
SARA GARDEN ARMSTRONG: Threads and Layers brings to a wider audience this multimedia artist's diverse body of work. Illuminating essays and lavish photography reveal the connective threads that run through her impressive oeuvre of more than four decades. The monograph tells the captivating story of an artist from Alabama who went to New York City for a season and stayed 36 years. Bold and innovative, full of complexity and contradictions, her work ranges from interactive installations and atrium sculptures to paintings, drawings, and artist's books. This book coincides with the opening of a traveling exhibition of the same name."Encompassing an extraordinarily wide array of concepts and ideals, Armstrong's work has explored microcosmic as well as macrocosmic phenomena, as it has embraced the rhythmic vicissitudes of change. [It] has a resounding impact for today, and vast implications for whatever tomorrow may bring."David Ebony, critic, author, and contributing editor, Art in America, Yale University Press online, artnet "Armstrong hasn't given us an easy picture of physical or behavioral characteristics specific to her art, but has rather served a lyrical impression of the kind of rapturous disorientation one often experiences within the charged primal spaces of her compositions."Carlo McCormick, American culture critic, author and curator
Author: Eleanor Jones Harvey
Publisher: Yale University Press
ISBN: 0300187335
Category : Art
Languages : en
Pages : 353
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Book Description
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Author: Whitworth Wallis
Publisher: Forgotten Books
ISBN: 9780282765224
Category : Art
Languages : en
Pages : 348
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Book Description
Excerpt from City of Birmingham Museum and Art Gallery, Illustrated Catalogue, 1904: With Descriptive Notes of the Permanent Collection of Paintings and Sculpture, and the Pictures in Aston Hall and Elsewhere About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: ChristopherR. Marshall
Publisher: Routledge
ISBN: 1351549545
Category : Art
Languages : en
Pages : 227
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Book Description
Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.
