Author: Florence Martin
Publisher: Indiana University Press
ISBN: 0253005655
Category : Performing Arts
Languages : en
Pages : 287
Book Description
An analysis of seven films by female directors from Algeria, Morocco, and Tunisia. Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of “transvergence” to examine how Maghrebi women’s cinema is flexible, playful, and transgressive in its themes, aesthetics, narratives, and modes of address. These are distinctive films that traverse multiple cultures, both borrowing from and resisting the discourses these cultures propose. “Produced by a diverse group of women filmmakers—Assia Djebar, Farida Benlyazid, Yamina Bachir-Chouikh, Raja Amari, Naida El Fani, Yasmine Kassari, and Selma Baccar—these movies reflect the Algerian civil war, colonialism, patriarchy, undocumented immigrants, sexuality, identity, and the social mores that have dominated the political, social, and economic spheres in the Maghreb. . . . This book inscribes a new chapter in women filmmaking on the Maghreb; it makes an important contribution to cinema, literature, and cultural studies. Summing Up: Highly recommended.” —Choice “An excellent presentation and analysis of women’s filmmaking from North Africa. . . . Its attention to contemporary film theory is matched by its presentation of materials derived from Martin’s interviews with filmmakers, interviews that reveal a sincere engagement with the filmmakers and a deep understanding of contemporary production. In short, this is a fine book that will be of interest to anyone working on or teaching film and gender studies in North African and Middle Eastern studies, and beyond.” —Journal of Arabic Literature, Issue 44, 2013
Screens and Veils
Author: Florence Martin
Publisher: Indiana University Press
ISBN: 0253005655
Category : Performing Arts
Languages : en
Pages : 287
Book Description
An analysis of seven films by female directors from Algeria, Morocco, and Tunisia. Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of “transvergence” to examine how Maghrebi women’s cinema is flexible, playful, and transgressive in its themes, aesthetics, narratives, and modes of address. These are distinctive films that traverse multiple cultures, both borrowing from and resisting the discourses these cultures propose. “Produced by a diverse group of women filmmakers—Assia Djebar, Farida Benlyazid, Yamina Bachir-Chouikh, Raja Amari, Naida El Fani, Yasmine Kassari, and Selma Baccar—these movies reflect the Algerian civil war, colonialism, patriarchy, undocumented immigrants, sexuality, identity, and the social mores that have dominated the political, social, and economic spheres in the Maghreb. . . . This book inscribes a new chapter in women filmmaking on the Maghreb; it makes an important contribution to cinema, literature, and cultural studies. Summing Up: Highly recommended.” —Choice “An excellent presentation and analysis of women’s filmmaking from North Africa. . . . Its attention to contemporary film theory is matched by its presentation of materials derived from Martin’s interviews with filmmakers, interviews that reveal a sincere engagement with the filmmakers and a deep understanding of contemporary production. In short, this is a fine book that will be of interest to anyone working on or teaching film and gender studies in North African and Middle Eastern studies, and beyond.” —Journal of Arabic Literature, Issue 44, 2013
Publisher: Indiana University Press
ISBN: 0253005655
Category : Performing Arts
Languages : en
Pages : 287
Book Description
An analysis of seven films by female directors from Algeria, Morocco, and Tunisia. Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of “transvergence” to examine how Maghrebi women’s cinema is flexible, playful, and transgressive in its themes, aesthetics, narratives, and modes of address. These are distinctive films that traverse multiple cultures, both borrowing from and resisting the discourses these cultures propose. “Produced by a diverse group of women filmmakers—Assia Djebar, Farida Benlyazid, Yamina Bachir-Chouikh, Raja Amari, Naida El Fani, Yasmine Kassari, and Selma Baccar—these movies reflect the Algerian civil war, colonialism, patriarchy, undocumented immigrants, sexuality, identity, and the social mores that have dominated the political, social, and economic spheres in the Maghreb. . . . This book inscribes a new chapter in women filmmaking on the Maghreb; it makes an important contribution to cinema, literature, and cultural studies. Summing Up: Highly recommended.” —Choice “An excellent presentation and analysis of women’s filmmaking from North Africa. . . . Its attention to contemporary film theory is matched by its presentation of materials derived from Martin’s interviews with filmmakers, interviews that reveal a sincere engagement with the filmmakers and a deep understanding of contemporary production. In short, this is a fine book that will be of interest to anyone working on or teaching film and gender studies in North African and Middle Eastern studies, and beyond.” —Journal of Arabic Literature, Issue 44, 2013
Screens and Veils
Author: Florence Martin
Publisher: Indiana University Press
ISBN: 0253223415
Category : History
Languages : en
Pages : 286
Book Description
Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of "transvergence" to examine how Maghrebi women's cinema is flexible, playful, and transgressive in its themes, aesthetics, narratives, and modes of address. These are distinctive films that traverse multiple cultures, both borrowing from and resisting the discourses these cultures propose.
Publisher: Indiana University Press
ISBN: 0253223415
Category : History
Languages : en
Pages : 286
Book Description
Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of "transvergence" to examine how Maghrebi women's cinema is flexible, playful, and transgressive in its themes, aesthetics, narratives, and modes of address. These are distinctive films that traverse multiple cultures, both borrowing from and resisting the discourses these cultures propose.
Indiana Jones and the Seven Veils
Author: Rob MacGregor
Publisher: Bantam
ISBN: 9780553293340
Category : Adventure stories
Languages : en
Pages : 0
Book Description
Having barely survived a hair-raising archaeological dig in Tikal, Guatemala, Indiana Jones has returned to New York just in time to get caught up in a controversy. The mysterious writings of Colonel Percy Fawcett, a missing British explorer, have turned up, and what they describe could revolutionize history--and make or break several scientific reputations. For Percy paints a tantalizing picture of a lost city in the Brazilian jungle, and a mythical redheaded race who may be the descendants of ancient Celtic Druids. No one loves mystery or adventure more than Indiana Jones. So with his trusty bullwhip in hand and the lovely Deirdre Campbell firmly in tow, he sets out for the wilds of the Amazon. But Indy has more enemies than he knows, including a bunch of hard-nosed thugs and a cannibalistic Indian tribe that is out to make him instant history. And if he survives what they throw in his path, there's still the fabled city itself . . . where the inhabitants practice the magic of the "seven veils" and no one leaves alive!
Publisher: Bantam
ISBN: 9780553293340
Category : Adventure stories
Languages : en
Pages : 0
Book Description
Having barely survived a hair-raising archaeological dig in Tikal, Guatemala, Indiana Jones has returned to New York just in time to get caught up in a controversy. The mysterious writings of Colonel Percy Fawcett, a missing British explorer, have turned up, and what they describe could revolutionize history--and make or break several scientific reputations. For Percy paints a tantalizing picture of a lost city in the Brazilian jungle, and a mythical redheaded race who may be the descendants of ancient Celtic Druids. No one loves mystery or adventure more than Indiana Jones. So with his trusty bullwhip in hand and the lovely Deirdre Campbell firmly in tow, he sets out for the wilds of the Amazon. But Indy has more enemies than he knows, including a bunch of hard-nosed thugs and a cannibalistic Indian tribe that is out to make him instant history. And if he survives what they throw in his path, there's still the fabled city itself . . . where the inhabitants practice the magic of the "seven veils" and no one leaves alive!
Toward an Anthropology of Screens
Author: Mauro Carbone
Publisher: Springer Nature
ISBN: 3031308166
Category : Performing Arts
Languages : en
Pages : 203
Book Description
This book shows that screens don’t just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment. By combining a series of historical-genealogical reconstructions going back to prehistoric times with the analysis of present and near-future technologies, the authors show that screens have always incorporated not only the hiding/showing functions but also the protecting/exposing ones, as the Covid-19 pandemic retaught us. The intertwining of these functions allows the authors to criticize the mainstream ideas of images as inseparable from screens, of words as opposed to images, and of what they call “Transparency 2.0” ideology, which currently dominates our socio-political life. Moreover, they show how wearable technologies don’t approximate us to a presumed disappearance of screens but seem to draw a circular pathway back to using our bodies as screens. This raises new relational, ethical, and political questions, which this book helps to illuminate.
Publisher: Springer Nature
ISBN: 3031308166
Category : Performing Arts
Languages : en
Pages : 203
Book Description
This book shows that screens don’t just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment. By combining a series of historical-genealogical reconstructions going back to prehistoric times with the analysis of present and near-future technologies, the authors show that screens have always incorporated not only the hiding/showing functions but also the protecting/exposing ones, as the Covid-19 pandemic retaught us. The intertwining of these functions allows the authors to criticize the mainstream ideas of images as inseparable from screens, of words as opposed to images, and of what they call “Transparency 2.0” ideology, which currently dominates our socio-political life. Moreover, they show how wearable technologies don’t approximate us to a presumed disappearance of screens but seem to draw a circular pathway back to using our bodies as screens. This raises new relational, ethical, and political questions, which this book helps to illuminate.
Screens and Galleries in English Churches
Author: Francis Bond
Publisher:
ISBN:
Category : Church architecture
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : Church architecture
Languages : en
Pages : 218
Book Description
Roodscreens and Roodlofts
Author: Frederick Bligh Bond
Publisher:
ISBN:
Category : Church architecture
Languages : en
Pages : 374
Book Description
Publisher:
ISBN:
Category : Church architecture
Languages : en
Pages : 374
Book Description
Veils of Distortion
Author: John Zada
Publisher: Terra Incognita Press
ISBN: 177735711X
Category : Social Science
Languages : en
Pages : 145
Book Description
A rare and insightful account by a newsroom insider of how the news skews our perceptions and disorients society 'Fake news' has become a ubiquitous catchphrase and a worldwide obsession. Yet too few of us know that shades of falsehood have always run through the mainstream news media. As news organizations double-down in their efforts to shock and entertain, more people than ever before are tuning-out, disillusioned by negative and manipulative news cycles. In Veils of Distortion, John Zada draws on two decades of journalism experience to explain how and why the news has become broken. By depicting our world through a tiny sample of dramatized events that are often far-removed from our experiences, the news warps our picture of reality. What we see is not the world that actually is, but rather a caricature of it: a simple two-toned realm in which dangers and conflicts lurk around every corner. The societal angst that results can make the news a self-fulfilling prophecy, and can turn our minds into prisons of blinkered thought. Zada walks us through the newsroom to reveal these distorting 'veils.' He offers suggestions on how to mitigate the effects of this coarse infotainment, which, if left unchecked will continue to dumb down and polarize our society, causing it to further unravel.
Publisher: Terra Incognita Press
ISBN: 177735711X
Category : Social Science
Languages : en
Pages : 145
Book Description
A rare and insightful account by a newsroom insider of how the news skews our perceptions and disorients society 'Fake news' has become a ubiquitous catchphrase and a worldwide obsession. Yet too few of us know that shades of falsehood have always run through the mainstream news media. As news organizations double-down in their efforts to shock and entertain, more people than ever before are tuning-out, disillusioned by negative and manipulative news cycles. In Veils of Distortion, John Zada draws on two decades of journalism experience to explain how and why the news has become broken. By depicting our world through a tiny sample of dramatized events that are often far-removed from our experiences, the news warps our picture of reality. What we see is not the world that actually is, but rather a caricature of it: a simple two-toned realm in which dangers and conflicts lurk around every corner. The societal angst that results can make the news a self-fulfilling prophecy, and can turn our minds into prisons of blinkered thought. Zada walks us through the newsroom to reveal these distorting 'veils.' He offers suggestions on how to mitigate the effects of this coarse infotainment, which, if left unchecked will continue to dumb down and polarize our society, causing it to further unravel.
American Architect
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1204
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1204
Book Description
Veil
Author: Rafia Zakaria
Publisher: Bloomsbury Publishing USA
ISBN: 1501322788
Category : Literary Criticism
Languages : en
Pages : 137
Book Description
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The veil can be an instrument of feminist empowerment, and veiled anonymity can confer power to women. Starting from her own marriage ceremony at which she first wore a full veil, Rafia Zakaria examines how veils do more than they get credit for. Part memoir and part philosophical investigation, Veil questions that what is seen is always good and free, and that what is veiled can only signal servility and subterfuge. From personal encounters with the veil in France (where it is banned) to Iran (where it is compulsory), Zakaria shows how the garment's reputation as a pre-modern relic is fraught and up for grabs. The veil is an object in constant transformation, whose myriad meanings challenge the absolute truths of patriarchy. Object Lessons is published in partnership with an essay series in The Atlantic.
Publisher: Bloomsbury Publishing USA
ISBN: 1501322788
Category : Literary Criticism
Languages : en
Pages : 137
Book Description
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The veil can be an instrument of feminist empowerment, and veiled anonymity can confer power to women. Starting from her own marriage ceremony at which she first wore a full veil, Rafia Zakaria examines how veils do more than they get credit for. Part memoir and part philosophical investigation, Veil questions that what is seen is always good and free, and that what is veiled can only signal servility and subterfuge. From personal encounters with the veil in France (where it is banned) to Iran (where it is compulsory), Zakaria shows how the garment's reputation as a pre-modern relic is fraught and up for grabs. The veil is an object in constant transformation, whose myriad meanings challenge the absolute truths of patriarchy. Object Lessons is published in partnership with an essay series in The Atlantic.
Atmospheres of Projection
Author: Giuliana Bruno
Publisher: University of Chicago Press
ISBN: 0226817474
Category : Art
Languages : en
Pages : 345
Book Description
Bringing together cultural history, visual studies, and media archaeology, Bruno considers the interrelations of projection, atmosphere, and environment. Projection has long been transforming space, from shadow plays to camera obscuras and magic lantern shows. Our fascination with projection is alive on the walls of museums and galleries and woven into our daily lives. Giuliana Bruno explores the histories of projection and atmosphere in visual culture and their continued importance to contemporary artists who are reinventing the projective imagination with atmospheric thinking and the use of elemental media. To explain our fascination with projection and atmosphere, Bruno traverses psychoanalysis, environmental philosophy, architecture, the history of science, visual art, and moving image culture to see how projective mechanisms and their environments have developed over time. She reveals how atmosphere is formed and mediated, how it can change, and what projection can do to modify a site. In so doing, she gives new life to the alchemic possibilities of transformative projective atmospheres. Showing how their “environmentality” produces sites of exchange and relationality, this book binds art to the ecology of atmosphere.
Publisher: University of Chicago Press
ISBN: 0226817474
Category : Art
Languages : en
Pages : 345
Book Description
Bringing together cultural history, visual studies, and media archaeology, Bruno considers the interrelations of projection, atmosphere, and environment. Projection has long been transforming space, from shadow plays to camera obscuras and magic lantern shows. Our fascination with projection is alive on the walls of museums and galleries and woven into our daily lives. Giuliana Bruno explores the histories of projection and atmosphere in visual culture and their continued importance to contemporary artists who are reinventing the projective imagination with atmospheric thinking and the use of elemental media. To explain our fascination with projection and atmosphere, Bruno traverses psychoanalysis, environmental philosophy, architecture, the history of science, visual art, and moving image culture to see how projective mechanisms and their environments have developed over time. She reveals how atmosphere is formed and mediated, how it can change, and what projection can do to modify a site. In so doing, she gives new life to the alchemic possibilities of transformative projective atmospheres. Showing how their “environmentality” produces sites of exchange and relationality, this book binds art to the ecology of atmosphere.