BFI Film and Television Yearbook PDF Download
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Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 362
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Book Description
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 362
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 572
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Book Description
Author: Patience Coster
Publisher: British Film Institute
ISBN: 9780851701981
Category : Performing Arts
Languages : en
Pages : 348
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Book Description
No Marketing Blurb
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1176
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Book Description
Author: P. Jackson
Publisher: Routledge
ISBN: 1135794936
Category : History
Languages : en
Pages : 772
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Book Description
This comprehensive and versatile reference source will be a most important tool for anyone wishing to seek out information on virtually any aspect of British affairs, life and culture. The resources of a detailed bibliography, directory and journals listing are combined in this single volume, forming a unique guide to a multitude of diverse topics - British politics, government, society, literature, thought, arts, economics, history and geography. Academic subjects as taught in British colleges and universities are covered, with extensive reading lists of books and journals and sources of information for each discipline, making this an invaluable manual.
Author: David Leafe
Publisher: British Film Institute
ISBN: 9780851703442
Category : Performing Arts
Languages : en
Pages : 332
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Book Description
No Marketing Blurb
Author: James A. Anderson
Publisher: Routledge
ISBN: 1135148449
Category : Language Arts & Disciplines
Languages : en
Pages : 646
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Book Description
In Communication Yearbook 11 major contributions from leading scholars in a variety of communication fields are presented and then critiqued by other authorities (often representing complementary or competing schools of thought). Topics addressed and commented on include the mass media audience, the theory of mediation, effective policy for health care communication and feminist criticism of television.
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 690
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Book Description
Author: John Fiske
Publisher: Routledge
ISBN: 1136868569
Category : Social Science
Languages : en
Pages : 470
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Book Description
This revised edition of a now classic text includes a new introduction by Henry Jenkins, explaining ‘Why Fiske Still Matters’ for today’s students, followed by a discussion between former Fiske students Ron Becker, Aniko Bodroghkozy, Steve Classen, Elana Levine, Jason Mittell, Greg Smith and Pam Wilson on ‘John Fiske and Television Culture’. Both underline the continuing relevance of this foundational text in the study of contemporary media and popular culture. Television is unique in its ability to produce so much pleasure and so many meanings for such a wide variety of people. In this book, John Fiske looks at television’s role as an agent of popular culture, and goes on to consider the relationship between this cultural dimension and television’s status as a commodity of the cultural industries that are deeply inscribed with capitalism. He makes use of detailed textual analysis and audience studies to show how television is absorbed into social experience, and thus made into popular culture. Audiences, Fiske argues, are productive, discriminating, and televisually literate. Television Culture provides a comprehensive introduction for students to an integral topic on all communication and media studies courses.
Author: Charles R. Acland
Publisher: Duke University Press
ISBN: 9780822331636
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
In Screen Traffic, Charles R. Acland examines how, since the mid-1980s, the U.S. commercial movie business has altered conceptions of moviegoing both within the industry and among audiences. He shows how studios, in their increasing reliance on revenues from international audiences and from the ancillary markets of television, videotape, DVD, and pay-per-view, have cultivated an understanding of their commodities as mutating global products. Consequently, the cultural practice of moviegoing has changed significantly, as has the place of the cinema in relation to other sites of leisure. Integrating film and cultural theory with close analysis of promotional materials, entertainment news, trade publications, and economic reports, Acland presents an array of evidence for the new understanding of movies and moviegoing that has developed within popular culture and the entertainment industry. In particular, he dissects a key development: the rise of the megaplex, characterized by large auditoriums, plentiful screens, and consumer activities other than film viewing. He traces its genesis from the re-entry of studios into the movie exhibition business in 1986 through 1998, when reports of the economic destabilization of exhibition began to surface, just as the rise of so-called e-cinema signaled another wave of change. Documenting the current tendency toward an accelerated cinema culture, one that appears to arrive simultaneously for everyone, everywhere, Screen Traffic unearths and critiques the corporate and cultural forces contributing to the “felt internationalism” of our global era.
