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Author: Oscar González Romero
Publisher:
ISBN:
Category :
Languages : en
Pages : 586
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Book Description
Author: Oscar González Romero
Publisher:
ISBN:
Category :
Languages : en
Pages : 586
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Book Description
Author: Joanna Page
Publisher: University of Michigan Press
ISBN: 0472053108
Category : Fiction
Languages : en
Pages : 247
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Book Description
This book examines an unprecedented range of science fiction texts-including literature, cinema, theater, and comics-produced in Argentina from the nineteenth to the twenty-first centuries. These works address themes common to the genre across the industrialized world, including techno-authoritarianism, new modes of posthuman subjectivity, and apocalyptic visions of environmental catastrophe. At the same time, Argentine science fiction is fully grounded in the social and political life of the nation. The texts discussed here explore the impact of an uneven modernization, mass migration, dictatorships, crises in national identity, the rise and fall of the Left, the question of Argentina's indigenous heritage, the impact of neoliberalism, and the most recent economic crisis of 2001. Argentine science fiction is also highly reflexive, debating within its pages the role of science fiction and fantasy in the society of its day, and the nature of the text in a world of advancing technology. This book makes important contributions to our understanding of science fiction as a genre, as well as to materialist theories of cultural texts. It will also interest students and scholars researching the culture, history, and politics of Argentina and Latin America. Book jacket.
Author: Mark Bould
Publisher: Taylor & Francis
ISBN: 1040042953
Category : Literary Criticism
Languages : en
Pages : 537
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Book Description
The New Routledge Companion to Science Fiction provides an overview of the study of science fiction across multiple academic fields. It offers a new conceptualisation of the field today, marking the significant changes that have taken place in sf studies over the past 15 years. Building on the pioneering research in the first edition, the collection reorganises historical coverage of the genre to emphasise new geographical areas of cultural production and the growing importance of media beyond print. It also updates and expands the range of frameworks that are relevant to the study of science fiction. The periodisation has been reframed to include new chapters focusing on science fiction produced outside the Anglophone context, including South Asian, Latin American, Chinese and African diasporic science fiction. The contributors use both well- established critical and theoretical approaches and embrace a range of new ones, including biopolitics, climate crisis, critical ethnic studies, disability studies, energy humanities, game studies, medical humanities, new materialisms and sonic studies. This book is an invaluable resource for students and established scholars seeking to understand the vast range of engagements with science fiction in scholarship today.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 618
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Book Description
Author: Anindita Banerjee
Publisher: Wesleyan University Press
ISBN: 0819573345
Category : Fiction
Languages : en
Pages : 219
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Book Description
How science fiction forged a unique Russian vision of modernity distinct from Western models
Author: Susan Stanford Friedman
Publisher: Columbia University Press
ISBN: 0231539479
Category : Literary Criticism
Languages : en
Pages : 466
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Book Description
Drawing on a vast archive of world history, anthropology, geography, cultural theory, postcolonial studies, gender studies, literature, and art, Susan Stanford Friedman recasts modernity as a networked, circulating, and recurrent phenomenon producing multiple aesthetic innovations across millennia. Considering cosmopolitan as well as nomadic and oceanic worlds, she radically revises the scope of modernist critique and opens the practice to more integrated study. Friedman moves from large-scale instances of pre-1500 modernities, such as Tang Dynasty China and the Mongol Empire, to small-scale instances of modernisms, including the poetry of Du Fu and Kabir and Abbasid ceramic art. She maps the interconnected modernisms of the long twentieth century, pairing Joseph Conrad with Tayeb Salih, E. M. Forster with Arundhati Roy, Virginia Woolf with the Tagores, and Aimé Césaire with Theresa Hak Kyung Cha. She reads postcolonial works from Sudan and India and engages with the idea of Négritude. Rejecting the modernist concepts of marginality, othering, and major/minor, Friedman instead favors rupture, mobility, speed, networks, and divergence, elevating the agencies and creative capacities of all cultures not only in the past and present but also in the century to come.
Author: Sheila Jasanoff
Publisher: University of Chicago Press
ISBN: 022627666X
Category : Science
Languages : en
Pages : 363
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Book Description
Dreamscapes of Modernity offers the first book-length treatment of sociotechnical imaginaries, a concept originated by Sheila Jasanoff and developed in close collaboration with Sang-Hyun Kim to describe how visions of scientific and technological progress carry with them implicit ideas about public purposes, collective futures, and the common good. The book presents a mix of case studies—including nuclear power in Austria, Chinese rice biotechnology, Korean stem cell research, the Indonesian Internet, US bioethics, global health, and more—to illustrate how the concept of sociotechnical imaginaries can lead to more sophisticated understandings of the national and transnational politics of science and technology. A theoretical introduction sets the stage for the contributors’ wide-ranging analyses, and a conclusion gathers and synthesizes their collective findings. The book marks a major theoretical advance for a concept that has been rapidly taken up across the social sciences and promises to become central to scholarship in science and technology studies.
Author: D. Harlan Wilson
Publisher: University of Illinois Press
ISBN: 0252050037
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Prophetic short stories and apocalyptic novels like The Crystal World made J. G. Ballard a foundational figure in the British New Wave. Rejecting the science fiction of rockets and aliens, he explored an inner space of humanity informed by psychiatry and biology and shaped by surrealism. Later in his career, Ballard's combustible plots and violent imagery spurred controversy--even legal action--while his autobiographical 1984 war novel Empire of the Sun brought him fame. D. Harlan Wilson offers the first career-spanning analysis of an author who helped steer SF in new, if startling, directions. Here was a writer committed to moral ambiguity, one who drowned the world and erected a London high-rise doomed to descend into savagery--and coolly picked apart the characters trapped within each story. Wilson also examines Ballard's methods, his influence on cyberpunk, and the ways his fiction operates within the sphere of our larger culture and within SF itself.
Author: W. Lawrence Hogue
Publisher: University of Illinois Press
ISBN: 0252033833
Category : American literature
Languages : en
Pages : 232
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Book Description
Redefining postmodern American literature to include the voices of women and nonwhite writers
Author: Saikat Majumdar
Publisher: Columbia University Press
ISBN: 0231527675
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Everyday life in the far outposts of empire can be static, empty of the excitement of progress. A pervading sense of banality and boredom are, therefore, common elements of the daily experience for people living on the colonial periphery. Saikat Majumdar suggests that this impoverished affective experience of colonial modernity significantly shapes the innovative aesthetics of modernist fiction. Prose of the World explores the global life of this narrative aesthetic, from late-colonial modernism to the present day, focusing on a writer each from Ireland, New Zealand, South Africa, and India. Ranging from James Joyce's deflated epiphanies to Amit Chaudhuri's disavowal of the grand spectacle of postcolonial national allegories, Majumdar foregrounds the banal as a key instinct of modern and contemporary fiction—one that nevertheless remains submerged because of its antithetical relation to literature's intuitive function to engage or excite. Majumdar asks us to rethink the assumption that banality merely indicates an aesthetic failure. If narrative is traditionally enabled by the tremor, velocity, and excitement of the event, the historical and affective lack implied by the banal produces a narrative force that is radically new precisely because it suspends the conventional impulses of narration.
