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Author:
Publisher: BRILL
ISBN: 9401202974
Category : Social Science
Languages : en
Pages : 341
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Book Description
To mark the 200th anniversary of Schiller’s death, leading scholars from Germany, Canada, the UK and the USA have contributed to this volume of commemorative essays. These were first presented at a symposium held at the University of Birmingham in June 2005. The essays collected here shed important new light on Schiller’s standing as a national and transnational figure , both in his own lifetime and in the two hundred years since his death. Issues explored include: aspects of Schiller’s life and work which contributed to the creation of heroic and nationalist myths of the poet during the nineteenth and early twentieth centuries; his activities as man of the theatre and publisher in his own, pre-national context; the (trans-)national dimensions of Schiller’s poetic and dramatic achievement in their contemporary context and with reference to later appropriations of national(ist) elements in his work. The contributions to this volume illuminate Schiller’s achievements as poet, playwright, thinker and historian, and bring acute insights to bear on both the history of his impact in a variety of contexts and his enduring importance as a point of cultural reference.
Author:
Publisher: BRILL
ISBN: 9401202974
Category : Social Science
Languages : en
Pages : 341
Get Book Here
Book Description
To mark the 200th anniversary of Schiller’s death, leading scholars from Germany, Canada, the UK and the USA have contributed to this volume of commemorative essays. These were first presented at a symposium held at the University of Birmingham in June 2005. The essays collected here shed important new light on Schiller’s standing as a national and transnational figure , both in his own lifetime and in the two hundred years since his death. Issues explored include: aspects of Schiller’s life and work which contributed to the creation of heroic and nationalist myths of the poet during the nineteenth and early twentieth centuries; his activities as man of the theatre and publisher in his own, pre-national context; the (trans-)national dimensions of Schiller’s poetic and dramatic achievement in their contemporary context and with reference to later appropriations of national(ist) elements in his work. The contributions to this volume illuminate Schiller’s achievements as poet, playwright, thinker and historian, and bring acute insights to bear on both the history of his impact in a variety of contexts and his enduring importance as a point of cultural reference.
Author: Jeffrey L. High
Publisher: Camden House
ISBN: 1571134883
Category : Literary Criticism
Languages : en
Pages : 514
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Book Description
New essays by top international Schiller scholars on the reception of the great German writer and dramatist, emphasizing his realist aspects. The works of Friedrich Schiller (1759-1805) -- an innovative and resonant tragedian and an important poet, essayist, historian, and aesthetic theorist -- are among the best known of German and world literature. Schiller's explosive original artistry and feel for timely and enduring personal tragedy embedded in timeless sociohistorical conflicts remain the topic of lively academic debate. The essays in this volume address the many flashpoints and canonicalshifts in the cyclically polarized reception of Schiller and his works, in pursuit of historical and contemporary answers to Samuel Taylor Coleridge's expression of frightened admiration in 1794: "Who is this Schiller?" The responses demonstrate pronounced shifts from widespread twentieth-century understandings of Schiller: the overwhelming emphasis here is on Schiller the cosmopolitan realist, and little or no trace is left of the ultimately untenable view of Schiller as an abstract idealist who turned his back on politics. Contributors: Ehrhard Bahr, Matthew Bell, Frederick Burwick, Jennifer Driscoll Colosimo, Bernd Fischer, Gail K. Hart, Fritz Heuer, Hans H. Hiebel, Jeffrey L. High, Walter Hinderer, Paul E. Kerry, Erik B. Knoedler, Elisabeth Krimmer, Maria del Rosario Acosta López, Laura Anna Macor, Dennis F. Mahoney, Nicholas Martin, John A. McCarthy, Yvonne Nilges, Norbert Oellers, Peter Pabisch, David Pugh, T. J. Reed, Wolfgang Riedel, Jörg Robert, Ritchie Robertson, Jeffrey L. Sammons, Henrik Sponsel. Jeffrey L. High is Associate Professor of German Studies at California State University Long Beach, Nicholas Martin is Reader in European Intellectual History at the University of Birmingham, and Norbert Oellers is Professor Emeritus of German Literature at the University of Bonn.
Author: John Guthrie
Publisher: Camden House
ISBN: 1571134131
Category : Drama
Languages : en
Pages : 227
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Book Description
In examining Schiller's often-neglected use of gesture, this study treats his dramas as written to be performed -- not merely read. Many aspects of the works of Friedrich Schiller (1759-1805) have attracted attention. His work as a philosopher and pioneering thinker in poetics and aesthetics and as a historian have recently been the focus of much attention. But Schiller's dramas have always held the most interest, and they continue to be performed regularly both in German-speaking lands and around the world. Schiller is a dramatist of psychological conflict rather than of abstract ideas, and he had a unique grasp of how to use the stage to that end. This study of Schiller's use of gesture begins with a discussion of the origins of the gestures he employs, viewing them in relation to his medical writings, his literary influences, theories of the theater and acting, and Enlightenment thinking in general. The study then considers the use of gesture and related aspects of stagecraft in Schiller's nine completed dramas, highlighting elementsof continuity and development. It is concerned with the interpretation of gesture, often marginalized in studies of Schiller's works, and with the interrelationship between gesture and verbal text. It also considers Schiller's relationship to the theater of his day, and discusses the first performances of his plays as well as their more recent stage history in both Germany and Great Britain. Appearing in the 250th anniversary of Schiller's birth, this study treats his dramas as plays written to be performed -- as works that reach their fullest potential in the theater. John Guthrie teaches modern German literature and language at the University of Cambridge, where he isfellow and director of studies at Murray Edwards College.
Author: Tim Haughton
Publisher: Routledge
ISBN: 1317183908
Category : History
Languages : en
Pages : 343
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Book Description
Focusing on three of the defining moments of the twentieth century - the end of the two World Wars and the collapse of the Iron Curtain - this volume presents a rich collection of authoritative essays, covering a wide range of thematic, regional, temporal and methodological perspectives. By re-examining the traumatic legacies of the century’s three major conflicts, the volume illuminates a number of recurrent yet differentiated ideas concerning memorialisation, mythologisation, mobilisation, commemoration and confrontation, reconstruction and representation in the aftermath of conflict. The post-conflict relationship between the living and the dead, the contestation of memories and legacies of war in cultural and political discourses, and the significance of generations are key threads binding the collection together. While not claiming to be the definitive study of so vast a subject, the collection nevertheless presents a series of enlightening historical and cultural perspectives from leading scholars in the field, and it pushes back the boundaries of the burgeoning field of the study of legacies and memories of war. Bringing together historians, literary scholars, political scientists and cultural studies experts to discuss the legacies and memories of war in Europe (1918-1945-1989), the collection makes an important contribution to the ongoing interdisciplinary conversation regarding the interwoven legacies of twentieth-century Europe’s three major conflicts.
Author: Jacques Lezra
Publisher: Fordham Univ Press
ISBN: 0823279448
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
On the Nature of Marx’s Things is a major rethinking of the Marxian tradition, one based not on fixed things but on the inextricable interrelation between the material world and our language for it. Lezra traces to Marx’s earliest writings a subterranean, Lucretian practice that he calls necrophilological translation that continues to haunt Marx’s inheritors. This Lucretian strain, requiring that we think materiality in non-self-evident ways, as dynamic, aleatory, and always marked by its relation to language, raises central questions about ontology, political economy, and reading. “Lezra,” writes Vittorio Morfino in his preface, “transfers all of the power of the Althusserian encounter into his conception of translation.” Lezra’s expansive understanding of translation covers practices that put different natural and national languages into relation, often across periods, but also practices or mechanisms internal to each language. Obscured by later critical attention to the contradictory lexicons—of fetishism and of chrematistics—that Capital uses to describe how value accrues to commodities, and by the dialectical approach that’s framed Marx’s work since Engels sought to marry it to the natural philosophy of his time, necrophilological translation has a troubling, definitive influence in Marx’s thought and in his wake. It entails a radical revision of what counts as translation, and wholly new ways of imagining what an object is, of what counts as matter, value, sovereignty, mediation, and even number. In On the Nature of Marx’s Things a materialism “of the encounter,” as recent criticism in the vein of the late Althusser calls it, encounters Marxological value-form theory, post-Schmittian divisible sovereignty, object-oriented-ontologies and the critique of correlationism, and philosophies of translation and untranslatability in debt to Quine, Cassin, and Derrida. The inheritors of the problems with which Marx grapples range from Spinoza’s marranismo, through Melville’s Bartleby, through the development of a previously unexplored Freudian political theology shaped by the revolutionary traditions of Schiller and Verdi, through Adorno’s exilic antihumanism against Said’s cosmopolitan humanism, through today’s new materialisms. Ultimately, necrophilology draws the story of capital’s capture of difference away from the story of capital’s production of subjectivity. It affords concepts and procedures for dismantling the system of objects on which neoliberal capitalism stands: concrete, this-wordly things like commodities, but also such “objects” as debt traps, austerity programs, the marketization of risk; ideologies; the pedagogical, professional, legal, even familial institutions that produce and reproduce inequities today.
Author: Ernest Schonfield
Publisher: MHRA
ISBN: 1905981058
Category : Art in literature
Languages : en
Pages : 214
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Book Description
Thomas Mann's Felix Krull, written between 1910-13 and continued (though never completed) in 1951-54, uses contemporary accounts of these figures as a starting-point from which to explore the aesthetics of society. The early Krull marks an important stage in Mann's development in a number of respects.In writing it, Mann acquired a more flexible conception of identity and a new understanding of the relation between artist and public. Krull also signals a deeper engagement with Goethe and a shift in Mann's work towards a more open treatment of sexuality. The novel presents art as being central to the development of the individual and to social interaction. While Krull is nominally a confidence man, he is more of a performance artist, a purveyor of beauty who relies upon the complicity of his audience. The later Krull takes up where Mann left off and continues the justification of art as an essential human activity. This study draws upon unpublished material in order to provide a comprehensive reading of Felix Krull. It examines the novel within the context of Mann's work as a whole, and, in doing so, it seeks to demonstrate the remarkable continuity of Mann's creative achievement.
Author: Daniel Purdy
Publisher: Camden House
ISBN: 1571135251
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
New essays on diverse topics from the Age of Goethe, with a special section on Goethe scholarship's role in the establishment of Germanistik. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 19 of the Goethe Yearbook continues to investigate the connection between Goethe's scientific theories and his aesthetics, with essays on his optics and his plant morphology. A special section examines the central role that Goethe philology has had in establishing practices that shaped the history of Germanistik as a whole. The yearbookalso includes essays on legal history and the novella, Goethe Lieder, esoteric mysticism in Wilhelm Meisters Lehrjahre, and Werther's sexual pathology. The volume also includes three essays re-examining Goethe's aesthetics in the context of the history of deconstruction, as well as the customary book review section. Contributors: Beate Allert, Frauke Berndt, Sean Franzel, Stefan Hajduk, Bernd Hamacher, Jeffrey L. High, Francien Markx, Lavinia Meier-Ewert, Ansgar Mohnkern, Rüdiger Nutt-Kofoth, Edward T. Potter, Chenxi Tang, Robert Walter. Daniel Purdy is Associate Professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is Associate Professor of German at the University of Pennsylvania.
Author: Jeffrey L. High
Publisher: Boydell & Brewer
ISBN: 1640140964
Category : History
Languages : en
Pages : 373
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Book Description
Volume of new essays investigating Kleist's influences and sources both literary and philosophical, their role as paradigms, and the ways in which he responded to and often shattered them.Heinrich von Kleist (1777-1811) was a rebel who upset canonization by employing his predecessors and contemporaries as what Steven Howe calls "inspirational foils." It was precisely a keen awareness of literary and philosophical traditions that allowed Kleist to shatter prevailing paradigms. Though little is known about what specifically Kleist read, the frequent allusions in his enduringly modern oeuvre indicate fruitful dialogues with both canonical and marginal works of European literature, spanning antiquity (The Old Testament, Sophocles), the Early Modern Period (Shakespeare, De Zayas), the late Enlightenment (Wieland, Goethe, Schiller), and the first eleven years of the nineteenth century (Mereau, Brentano, Collin). Kleist's works also evidence encounters with his philosophical precursors and contemporaries, including the ancient Greeks (Aristotle) and representatives of all phases of Enlightenment thought (Montesquieu, Rousseau, Ferguson, Spalding, Fichte, Kant, Hegel), economic theories (Smith, Kraus), and developments in anthropology, sociology, and law. This volume of new essays sheds light on Kleist's relationship to his literary and philosophical influences and on their function as paradigms to which his writings respond.the ancient Greeks (Aristotle) and representatives of all phases of Enlightenment thought (Montesquieu, Rousseau, Ferguson, Spalding, Fichte, Kant, Hegel), economic theories (Smith, Kraus), and developments in anthropology, sociology, and law. This volume of new essays sheds light on Kleist's relationship to his literary and philosophical influences and on their function as paradigms to which his writings respond.the ancient Greeks (Aristotle) and representatives of all phases of Enlightenment thought (Montesquieu, Rousseau, Ferguson, Spalding, Fichte, Kant, Hegel), economic theories (Smith, Kraus), and developments in anthropology, sociology, and law. This volume of new essays sheds light on Kleist's relationship to his literary and philosophical influences and on their function as paradigms to which his writings respond.the ancient Greeks (Aristotle) and representatives of all phases of Enlightenment thought (Montesquieu, Rousseau, Ferguson, Spalding, Fichte, Kant, Hegel), economic theories (Smith, Kraus), and developments in anthropology, sociology, and law. This volume of new essays sheds light on Kleist's relationship to his literary and philosophical influences and on their function as paradigms to which his writings respond.
Author: Dieter Sevin
Publisher: Walter de Gruyter
ISBN: 3110270501
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
The impact of Heinrich von Kleist unfolds between precise depictions and moral extremes. Crystallized in words, his characters appear as paradigms of human fallibility. Their passions and obsessions, their inadequacies and longings are captured in a writing style that reveals its influence even in novels and plays of the twentieth century. This volume takes the literary reception of Kleist as one of its focal points and, furthermore, considers the author's oeuvre and his life on the occasion of the 200th anniversary of his death.
Author: Sun Zhengyu
Publisher: American Academic Press
ISBN: 163181494X
Category : Philosophy
Languages : en
Pages : 325
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Book Description
Marxist ideology is the only fully scientific ideology, the only one able to guide mankind toward the settlement of fundamental social problems and to point out the royal road for the proletariat to take in its march toward socialism and communism. Without Marxism, modern people cannot establish true social ideals, nor can they engage in the rational pursuit of values. Without Marxism, modern people cannot choose the correct path of development, nor can they build up new forms of civilizations. Without Marxism, modern people would never base their commitments to schedule the consensus-building effort and support the consensus-building process on any irrefutably and sufficiently sound theoretical foundations.
