Scenes that are brightest ... [and other instrumental works] PDF Download
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![Scenes that are brightest ... [and other instrumental works] PDF](https://books.google.com/books/content/images/frontcover/M-DDsUUrnX4C?fife=w150-h200)
Author: Thomas Aptommas
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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![Scenes that are brightest ... [and other instrumental works] PDF](https://books.google.com/books/content/images/frontcover/M-DDsUUrnX4C?fife=w80-h100)
Author: Thomas Aptommas
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
![Scenes that are brightest ... [and other instrumental works] PDF](https://books.google.com/books/content/images/frontcover/HHpJ0AEACAAJ?fife=w80-h100)
Author: Thomas Aptommas
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Candace Bailey
Publisher: SIU Press
ISBN: 0809385570
Category : History
Languages : en
Pages : 276
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Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.
Author: Board of Music Trade (UNITED STATES OF AMERICA)
Publisher:
ISBN:
Category :
Languages : en
Pages : 594
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Author:
Publisher:
ISBN:
Category : Press
Languages : en
Pages : 840
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Author: Holly Rogers
Publisher: Routledge
ISBN: 1317916034
Category : Music
Languages : en
Pages : 244
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This collection of fourteen essays provides a rich and detailed history of the relationship between and music and image in documentary films, exploring the often overlooked role of music in the genre and its subsequent impact on an audience’s perception of reality and fiction. Exploring examples of documentary films which make use of soundtrack music, from an interdisciplinary perspective, Music and Sound in Documentary Film is the first in-depth treatment on the use of music in the nonfiction film and will appeal to scholars and students working in the intersection of music and film and media studies.
Author: Kathryn Lowerre
Publisher: Routledge
ISBN: 1351557610
Category : Music
Languages : en
Pages : 430
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From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Author: Kevin T. Dann
Publisher: Yale University Press
ISBN: 9780300146257
Category : Psychology
Languages : en
Pages : 252
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Book Description
In a conversation with his physician, a nineteenth-century resident of Paris who lived near the railroad described sensations of brilliant color generated by the sounds of trains passing in the night. This patient - a synaesthete - experienced "color hearing" for letters, words, and most sounds. Synaesthesia, a phenomenon now known to science for more than a century, is a rare form of perception in which one sense may respond to stimuli received by other senses. This fascinating book provides the first historical treatment of synaesthesia and a closely related mode of perception called eideticism. Kevin Dann discusses divergent views of synaesthesia and eideticism of the past hundred years and explores the controversies over the significance of these unusual modes of perception.
Author: Kathryn Lowerre
Publisher: Routledge
ISBN: 1351557629
Category : Music
Languages : en
Pages : 429
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Book Description
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 870
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Book Description
