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Author: Dustin Griffin
Publisher: University Press of Kentucky
ISBN: 0813156246
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures—Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron—as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.
Author: Dustin Griffin
Publisher: University Press of Kentucky
ISBN: 0813156246
Category : Literary Criticism
Languages : en
Pages : 355
Get Book
Book Description
Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures—Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron—as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.
Author: Frank Palmeri
Publisher: University of Delaware Press
ISBN: 9780874138290
Category : European fiction
Languages : en
Pages : 364
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Book Description
Narrative satire was one of the dominant literary forms of the 18th century, but it came to be displaced by novelistic and historical forms of narrative. Palmeri (English, U. of Miami) argues that these new forms defined themselves in opposition to satire, but also by appropriating elements of satir
Author: John Clement Ball
Publisher: Psychology Press
ISBN: 9780415965934
Category : Biography & Autobiography
Languages : en
Pages : 234
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Frances Theresa Russell
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 210
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Book Description
"Satire in the Victorian novel" by Frances Theresa Russell. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Evan R. Davis
Publisher: Modern Language Association
ISBN: 1603293817
Category : Language Arts & Disciplines
Languages : en
Pages : 413
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Book Description
This volume addresses the teaching of satire written in English over the past three hundred years. For instructors covering current satire, it suggests ways to enrich students' understanding of voice, irony, and rhetoric and to explore the questions of how to define satire and how to determine what its ultimate aims are. For instructors teaching older satire, it demonstrates ways to help students gain knowledge of historical context, medium, and audience, while addressing more specific literary questions of technique and form. Readers will discover ways to introduce students to authors such as Swift and Twain, to techniques such as parody and verbal irony, and to the difficult subject of satire's offensiveness and elitism. This volume also helps teachers of a wide variety of courses, from composition to gateway courses and surveys, think about how to use modern satire in conceiving and structuring them.
Author: Ernest Jackson Hall
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 96
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Book Description
Author: Ernest jackson Hall
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
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Book Description
Author: R. Bansal
Publisher: SBPD Publishing House
ISBN:
Category : Poetry
Languages : en
Pages : 223
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Book Description
Contents: 1. Literary Terms 2. Earlier Trends in Fiction 3. Trends in 20th and 21st Century Fiction 4. A Tale of Two Cities (By Clarles Dickens) 5. Far From The Madding Crowd (By Thomas Hardy) 6. Pride and Prejudice (By Jane Austen) 7. The Mill On The Floss (By George Eliot) 8. The Bluest Eye (By Toni Morrison) 9. To Kill a Mockingbird (By Harper Lee) 10. The Old Man And The Sea (By Ernest Hemingway) 11. The Grapes Of Wrath (By John Steinbeck) 12. The White Tiger (By Arvind Adiga) 13. Dalits, Dynasty and She (By Sanjay Chitranshi) 14. Dollar Bahu (By Sudha Murthy). Additional Information: The author of this book is R. Bansal.
Author: Robert McKay
Publisher: Springer Nature
ISBN: 3031248724
Category : Literary Criticism
Languages : en
Pages : 425
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Book Description
Animal Satire presents a cultural history of animal satire, a critically neglected but persistent presence in the history of cultural production, in which animals expose human folly while the strategies of satire expose the folly of human-animal relations. Highlighting the teeming animal presences across the history of satirical expression from Aristophanes to Twitter, with chapters on key works of literature, drama, film, and a plethora of satirical media, Animal Satire reveals the rich rhetorical significance of animality in powering the politics of satire from ancient and medieval through modern and contemporary times. More pressingly, the book makes the case for the significance of satire for understanding the real-world implications of rhetoric about animals in ongoing struggles for justice. By gathering both critical and creative examples from representative media forms, historical periods, and continents, this volume aims to enrich scholarship on the history of satire as well as empower creative practitioners with ideas about its practical applications today.
Author: Jonathan Greenberg
Publisher: Cambridge University Press
ISBN: 1139501518
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
In this groundbreaking study, Jonathan Greenberg locates a satiric sensibility at the heart of the modern. By promoting an antisentimental education, modernism denied the authority of emotion to guarantee moral and literary value. Instead, it fostered sophisticated, detached and apparently cruel attitudes toward pain and suffering. This sensibility challenged the novel's humanistic tradition, set ethics and aesthetics into conflict and fundamentally altered the ways that we know and feel. Through lively and original readings of works by Evelyn Waugh, Stella Gibbons, Nathanael West, Djuna Barnes, Samuel Beckett and others, this book analyzes a body of literature - late modernist satire - that can appear by turns aloof, sadistic, hilarious, ironic and poignant, but which continually questions inherited modes of feeling. By recognizing the centrality of satire to modernist aesthetics, Greenberg offers not only a new chapter in the history of satire but a persuasive new idea of what made modernism modern.
