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Author: Darryl Dickson-Carr
Publisher: University of Missouri Press
ISBN: 0826263747
Category : Humor
Languages : en
Pages : 244
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Book Description
"Satire's real purpose as a literary genre is to criticize through humor, irony, caricature, and parody, and ultimately to defy the status quo. In African American Satire, Darryl Dickson-Carr provides the first book-length study of African-American satire and the vital role it has played. In the process he investigates African American literature, American literature, and the history of satire." --Book Jacket.
Author: Darryl Dickson-Carr
Publisher: University of Missouri Press
ISBN: 0826263747
Category : Humor
Languages : en
Pages : 244
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Book Description
"Satire's real purpose as a literary genre is to criticize through humor, irony, caricature, and parody, and ultimately to defy the status quo. In African American Satire, Darryl Dickson-Carr provides the first book-length study of African-American satire and the vital role it has played. In the process he investigates African American literature, American literature, and the history of satire." --Book Jacket.
Author: Mark Bosco
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
This book examines satirical portrayals of academia as exhibited in works of academic fiction, revealing the way in which this genre represents University life to the broader reading public and enables members of that sub-culture to critically engage their own negotiations of individual, communal and institutional identity. This work should appeal to scholars interested in the literary genre of satire, in contemporary University life, and in literature. contemporary cultural issues, problems, and performances by way of interpretations of academic fiction that observe this phenomenon. Composed by practicing academics who also appreciate satire aimed at their profession, the authors offer this collection as a correction to increasingly cynical portrayals of academic life. Instead, the authors provide interpretations that identify satire as a timely and effective genre for critically commenting on the state of academia because it reveals ethical dimensions that engage an ironic voice to negotiate issues of culture and identity. Included among the essays are the results of responses gathered from practicing authors in the genre of academic satire who provide commentary and insights exclusive to this collection.
Author: Ernest Jackson Hall
Publisher: Forgotten Books
ISBN: 9780266585565
Category : Literary Collections
Languages : en
Pages : 92
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Book Description
Excerpt from The Satirical Element in the American Novel: A Thesis Presented to the Faculty of the Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Satire being a compounding of three distinct elements, it follows that there will be great variation in what may properly be classed as satire. It may be decidedly indirect, where the criticism is merely implied in the situa tion; it may be less indirect, where the author puts the criticism into the mouth of one of his characters; or it may be still less indirect, where the author himself speaks ironically. In every case, however, there is insinua tion, rather than direct attack. Likewise with regard to the other two elements, wit and criticism, there may be wide variation. We must necessarily come upon some writing Which contains an infinitesimal amount of criticism, with a great deal of wit. Conversely, we shall find writing in which the criticism is strong, and the wit almost negligible. So long, however, as the three elements, wit, criticism, and indirectness of treatment, are present, we have satire, though it is often advisable to use, not the noun, but the adjective, and to say that the writing is satirical, or has a satirical quality. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: David Joseph Dooley
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 504
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Book Description
Author: Simon M. Sheridan
Publisher: Xlibris Corporation
ISBN: 1462812457
Category : Fiction
Languages : en
Pages : 239
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Book Description
The Epoch of Satire: A Postmodern Picaresque Tale is a classically influenced, yet postmodern inspired satirical travel and cultural narrative about two young people from opposite sides of the earth who deal with timeless issues—as well as their transition into adulthood. Their experiences are extremely unique— filled with adventure, love, heartache, joy, restlessness, and many other emotions in a constantly changing set of landscapes. They discover many things about the world and themselves, and meet a set of amusing, intriguing, and unforgettable characters.
Author: Ian Gregson
Publisher: A&C Black
ISBN: 1441130004
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
This monograph analyses the use of caricature as one of the key strategies in narrative fiction since the war. Close analysis of some of the best known postwar novelists including Toni Morrison, Philip Roth, Joyce Carol Oates, Angela Carter and Will Self, reveals how they use caricature to express postmodern conceptions of the self. In the process of moving away from the modernist focus on subjectivity, postmodern characterisation has often drawn on a much older satirical tradition which includes Hogarth and Gillray in the visual arts, and Dryden, Pope, Swift and Dickens in literature. Its key images depict the human as reduced to the status of an object, an animal or a machine, or the human body as dismembered to represent the fragmentation of the human spirit. Gregson argues that this return to caricature is symptomatic of a satirical attitude to the self which is particularly characteristic of contemporary culture.
Author: Chris Ver Wiel
Publisher: Simon and Schuster
ISBN: 1628721952
Category : Fiction
Languages : en
Pages : 257
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Book Description
Here is a devastating, hilarious satire of coffee-swilling, celebrity-obsessed Southern California pop culture by one of the freshest new voices in fiction. Morgan Beale has a celebutante, masochist wife and a home being renovated. He begins adapting the latest bestseller, The Chihuahua in the Blue Prada Bag, from a local hotel room. Dodging the paparazzi one morning on his way to Starbucks, he discovers the surreal otherworld of Starbucks Nation, a film set littered with characters from Beale’s life and the novel he’s adapting, including a talking Chihuahua and an elite commando unit of ethnic cookie-making elves. Mercilessly lampooning our fascination with reality television, celebrity blunders, B movies, and mindless infotainment, Starbucks Nation brilliantly showcases the absurdities of modern society.
Author: Dustin Griffin
Publisher: University Press of Kentucky
ISBN: 0813156246
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures—Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron—as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.
Author: John Clement Ball
Publisher: Psychology Press
ISBN: 9780415965934
Category : Biography & Autobiography
Languages : en
Pages : 234
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Ronald Paulson
Publisher: JHU Press
ISBN: 1421430975
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Originally published in 1967. In this study of the English Augustan satirists, and the Roman and subsequent authors who were their models, Professor Paulson shows how rhetoric relates to imitation, persuasion to presentation, and the imitation of the satirist to the imitation of the satiric object. He illustrates the tendency of the satirist to invade his own fiction and imitate not the prime object of his satire but the satiric persona, which consequently takes on a life of its own. By analyzing the satiric fictions of the precursors of the Augustans, the author reveals the elements they bequeathed to those who rode the high crest of the satiric wave in England, before the art of satire became submerged in the deepening trough of sentimental romanticism. Paulson shows the Tories Dryden, Pope, and Swift and the Whigs Addison and Steele to be the heirs of a long line of satirists ancient and modern, from Horace, Juvenal, Lucian, Apuleius, and Petronius to Rabelais, Cervantes and the English Elizabethan and Civil War poets. Taking Swift as his main example, Paulson examines the dualism of satire in its most interesting and ambiguous modes, and as the embodiment of rhetorical devices that are as complex mimetically as they are rhetorically.
